General Catalogue of Printed Books to 1955
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 1292 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
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Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 1292 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
Author | : The J. Paul Getty Museum |
Publisher | : Getty Publications |
Total Pages | : 262 |
Release | : 1985-01-01 |
Genre | : Art |
ISBN | : 0892360909 |
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
Author | : Antoine Hermary |
Publisher | : The Metropolitan Museum of Art |
Total Pages | : 437 |
Release | : 2014-02-18 |
Genre | : Sculpture |
ISBN | : 1588395502 |
Author | : Stendhal |
Publisher | : Read Books Ltd |
Total Pages | : 128 |
Release | : 2021-03-22 |
Genre | : Biography & Autobiography |
ISBN | : 1528765311 |
This book contains the memoirs of Stendahl or in his own words the 'chatter about his private life' between 1821 and 1830. It was between these dates that he moved to Paris and here looks back on his life as an eccentric bachelor. 'As well as Beyle the clairvoyant self-investigator, the sardonic analyst of Parisian salon society and deliberate cultivator of wit, here emerges Beyle the despairing lover, the shakespearean enthusiast, whose romantic sentiment run always parallel with his eighteenth-century logic'. Marie-Henri Beyle - better-known by his pen name, Stendhal - was born in Grenoble, France in 1783. He turned to writing after the final defeat of Napoleon in 1815, notable works include A Life of Rossini (1824), A Life of Napoleon (1929) and The Red and the Black published in 1830. A number of works were published posthumously, including Lamiel (1889), Memoirs of an Egotist (1892) and Lucien Leuwen (1894). Stendhal is now regarded as one of the earliest and foremost practitioners of literary realism.
Author | : Monique Bellan |
Publisher | : Ergon |
Total Pages | : 310 |
Release | : 2019-03 |
Genre | : Art |
ISBN | : 9783956505270 |
This volume discusses the emergence and role of the art salon in the Arab region in the nineteenth and twentieth centuries, focusing on Algeria, Tunisia, Egypt, Lebanon and Iraq. Institutional forms of exhibiting and teaching art emerged in the Middle East and North Africa in late colonial and early post-colonial contexts. The book examines how the salon had an impact on the formation of taste and on debates on art, and discusses the transfers and cultural interactions between the Middle East, North Africa and Europe. Following the institutional model of the Paris salons, art salons emerged in Algiers, Tunis and Cairo starting in the late 1880s. In Beirut, the salon tradition reached its peak only after independence in the mid-twentieth century. Baghdad never had a formal salon, but alternative spaces and exhibition formats developed in Iraq from the late 1940s onwards. As in Paris, the salons in the region often defined the criteria of artistic production and public taste. The impact of the salon also lay in its ability to convey particular values, attitudes and aspirations. At the same time, the values and attitudes promoted by the salon as well as the salon itself were often subject to debate, which led to the creation of counter-salons or alternative exhibition practices. The art salon helps us to understand changes in the art systems of these countries, including the development of art schools, exhibition spaces and artist societies, and gives insight into the power dynamics at play. It also highlights networks and circulations between the Arab region and Europe.
Author | : Vassos Karageorghis |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 505 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780300102840 |
The Cesnola Collection of antiquities was assembled on Cyprus in the 1860s and 1870s by Luigi Palma de Cesnola, who sold it to The Metropolitan Museum of Art in 1872. Cesnola subsequently served as the institution's first director.
Author | : Jonathan Hill |
Publisher | : Lion Books |
Total Pages | : 352 |
Release | : 2013-02-26 |
Genre | : Religion |
ISBN | : 0745957633 |
A society with no grasp of its history is like a person without a memory. This is particularly true of the history of ideas. This book is an ideal introduction to the thinkers who have shaped Christian history and the culture of much of the world. Writing in a lively, accessible style, Jonathan Hill takes us on an enlightening journey from the first to the twenty first centuries. He shows us the key Christian thinkers through the ages - ranging from Irenaeus, Origen, Augustine and Aquinas through to Luther, Wesley, Kierkegaard and Barth - placing them in their historical context and assessing their contribution to the development of Christianity.
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 1288 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
Author | : Elizabeth C. Parker |
Publisher | : Metropolitan Museum of Art New York |
Total Pages | : 0 |
Release | : 2012-10 |
Genre | : |
ISBN | : 9780300193497 |
In 1988, The Cloisters celebrated its fiftieth anniversary as a branch museum of The Metropolitan Museum of Art. Devoted to the art of medieval Europe, The Cloisters is a twentieth century museum designed in a style evocative of medieval architecture. Its combination of medieval and modern architectural elements, organized around arcades of five medieval cloisters, creates a unique and sympathetic context for the exhibition of sculpture, metalwork, textiles, and painting. This contextual approach has been enormously influential in introducing medieval art to the American public. The opportunity for both visitor and scholar to examine works of art in evocative settings has informed and inspired viewers since the Museum's opening in 1938. The collection continues to grow in a wide-ranging fashion, as exemplified by the recently acquired Langobardic reliefs and fourteenth-century stained glass from the Austrian castle chapel at Ebreichsdorf, which are examined here. A two-day scholarly symposium marked the fiftieth anniversary of The Cloisters, bringing together fifteen distinguished scholars from Europe and North America. Jointly sponsored by The Metropolitan Museum of Art and the International Center of Medieval Art, the symposium offered discussions of The Cloisters' history as well as concise papers emphasizing new research on specific works of art in the collection. Keynote papers by Ilene H. Forsyth and Willibald Sauerlander presented provocative critical reviews of the present state of research on Romanesque and Gothic art--the predominant strengths of the collection. Their appraisals and proposals for new directions of research confirm the rapidly changing and challenging state of medieval art scholarship. Symposium participants have revised their papers for publication, and contributions by members of the Museum's staff have been added. The twenty-two studies presented in this commemorative volume demonstrate the methodological diversity confronting the field of medieval art history. As a group, they offer an extraordinary tribute to the significance of The Cloisters Collection. (This title was originally published in 1991/92.)