Catalogue Des Tableaux Aquarelles Gouaches Dessins Estampes
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Catalog of the Library of the Museum of Modern Art: Han
Author | : Museum of Modern Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 708 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
Nineteenth- and Twentieth-century Paintings
Author | : Richard R. Brettell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 482 |
Release | : 2009 |
Genre | : Painting, Modern |
ISBN | : 1588393496 |
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author | : Harvard University. Fine Arts Library |
Publisher | : |
Total Pages | : 642 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
Vlaminck: Catalogue critique des peintures et céramiques de la période fauve
Author | : Maurice de Vlaminck |
Publisher | : Wildenstein institute |
Total Pages | : 612 |
Release | : 2008 |
Genre | : Art criticism |
ISBN | : |
Library Catalog
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1038 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Library Catalog of the Metropolitan Museum of Art, New York
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1046 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Photography and Doubt
Author | : Sabine T. Kriebel |
Publisher | : Taylor & Francis |
Total Pages | : 294 |
Release | : 2016-11-25 |
Genre | : Photography |
ISBN | : 1317427408 |
Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. Photography and Doubt reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimonial power stimulated as much knowledge as its realism? Edited by Sabine T. Kriebel and Andrés Mario Zervigón, Photography and Doubt is the first multi-authored collection specifically designed to explore these questions. Its 13 original essays, illustrated with 73 color images, explore cases when the link between the photographic image and its referent was placed under stress, and when photography was as attuned to its myth-making capabilities as to its claims to authenticity. Photography and Doubt will serve as a valuable resource for students and scholars in art history, visual and media studies, philosophy, and the history of science and technology.