Catalogue Des Objets Dart Et De Haute Curiosite Composant La Precieuse Collection De Feu M Germeau Vente Hotel Drouot Les 4 5 6 Et 7 Mai 1868
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The Pierpont Morgan Wing
Author | : Metropolitan Museum of Art (New York, N.Y.). Morgan Collection |
Publisher | : |
Total Pages | : 420 |
Release | : 1925 |
Genre | : Art objects |
ISBN | : |
The Cloisters
Author | : Elizabeth C. Parker |
Publisher | : Metropolitan Museum of Art New York |
Total Pages | : 0 |
Release | : 2012-10 |
Genre | : |
ISBN | : 9780300193497 |
In 1988, The Cloisters celebrated its fiftieth anniversary as a branch museum of The Metropolitan Museum of Art. Devoted to the art of medieval Europe, The Cloisters is a twentieth century museum designed in a style evocative of medieval architecture. Its combination of medieval and modern architectural elements, organized around arcades of five medieval cloisters, creates a unique and sympathetic context for the exhibition of sculpture, metalwork, textiles, and painting. This contextual approach has been enormously influential in introducing medieval art to the American public. The opportunity for both visitor and scholar to examine works of art in evocative settings has informed and inspired viewers since the Museum's opening in 1938. The collection continues to grow in a wide-ranging fashion, as exemplified by the recently acquired Langobardic reliefs and fourteenth-century stained glass from the Austrian castle chapel at Ebreichsdorf, which are examined here. A two-day scholarly symposium marked the fiftieth anniversary of The Cloisters, bringing together fifteen distinguished scholars from Europe and North America. Jointly sponsored by The Metropolitan Museum of Art and the International Center of Medieval Art, the symposium offered discussions of The Cloisters' history as well as concise papers emphasizing new research on specific works of art in the collection. Keynote papers by Ilene H. Forsyth and Willibald Sauerlander presented provocative critical reviews of the present state of research on Romanesque and Gothic art--the predominant strengths of the collection. Their appraisals and proposals for new directions of research confirm the rapidly changing and challenging state of medieval art scholarship. Symposium participants have revised their papers for publication, and contributions by members of the Museum's staff have been added. The twenty-two studies presented in this commemorative volume demonstrate the methodological diversity confronting the field of medieval art history. As a group, they offer an extraordinary tribute to the significance of The Cloisters Collection. (This title was originally published in 1991/92.)
Pilgrimage
Author | : Colin Morris |
Publisher | : Cambridge University Press |
Total Pages | : 192 |
Release | : 2002-06-13 |
Genre | : Art |
ISBN | : 9780521808118 |
Publisher Description
How to Read Medieval Art
Author | : Wendy A. Stein |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 138 |
Release | : 2016-10-07 |
Genre | : Art |
ISBN | : 1588395979 |
The intensely expressive art of the Middle Ages was created to awe, educate and connect the viewer to heaven. Its power reverberates to this day, even among the secular. But experiencing the full meaning and purpose of medieval art requires an understanding of its narrative content. This volume introduces the subjects and stories most frequently depicted in medieval art, many of them drawn from the Bible and other religious literature. Included among the thirty-eight representative works are brilliant altarpieces, stained-glass windows, intricate tapestries, carved wood sculptures, delicate ivories, and captivating manuscript illuminations, all drawn from the holdings of the Metropolitan Museum, one of the world's most comprehensive collections of medieval art. Iconic masterworks such as the Merode Altarpiece, the Unicorn Tapestries, and the Belles Heures of the duc de Berry are featured along with less familiar work. Descriptions of the individual pieces highlight the context in which they were made, conveying their visual and technical nuances as well as their broader symbolic meaning. With its accessible informative discussions and superb full-color illustrations, How to Read Medieval Art explores the iconographic themes of the period, making them clearly recognizable and opening vistas onto history and literature, faith and devotion.
English Church Plate, 597-1830
Author | : Charles Oman |
Publisher | : London ; New York : Oxford University Press |
Total Pages | : 572 |
Release | : 1957 |
Genre | : Church plate |
ISBN | : |
Treasures of Heaven
Author | : Martina Bagnoli |
Publisher | : |
Total Pages | : 259 |
Release | : 2011 |
Genre | : Christian art and symbolism |
ISBN | : 9780714123301 |
Keynote A magnificent study of the beautifully crafted Medieval reliquaries that enshrined holy relics, and their wider historical, cultural, political and religious context Sales points Published in conjunction with Walters Art Museum and the Cleveland Museum of Art to accompany a major touring exhibition, at the British Museum 23 June 9 October 2011 No equivalent book on this fascinating subject An important reference work drawing on the latest scholarship, which will be of value far beyond the exhibition Description Drawing on three major museum holdings as well as featuring iconic pieces from other international public and private collections, this richly illustrated book looks at the phenomenon of holy relics in the Middle Ages. Thematic essays and object entries by leading scholars trace the history and development of the cult of relics, from its beginnings in late Roman funerary practices to its rise in both the Byzantine East and the West. Contributors Derek Krueger, Eric Palazzo, Arnoldt Angenendt, Martina Bagnoli, Holger A. Klein, Barbara Boehm, Guido Cornini, Cynthia Hahn, James Robinson, Alexander Nagel, C. Griffith Mann
Europe in the Middle Ages
Author | : Charles T. Little |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 160 |
Release | : 1987-03 |
Genre | : Art |
ISBN | : 9780300087840 |
This twelve-volume series for the general reader reproduces works of art representing the resources of all eighteen curatorial departments of the Museum.
Christian Materiality
Author | : Caroline Walker Bynum |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Church history |
ISBN | : 9781935408116 |
Late Medieval Christianity's encounter with miraculous materials viewed in the context of changing conceptions of matter itself. In the period between 1150 and 1550, an increasing number of Christians in western Europe made pilgrimage to places where material objects--among them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic wafers--allegedly erupted into life through such activities as bleeding, weeping, and walking about. Challenging Christians both to seek ever more frequent encounters with miraculous matter and to turn to an inward piety that rejected material objects of devotion, such phenomena were by the fifteenth century at the heart of religious practice and polemic. In Christian Materiality, Caroline Walker Bynum describes the miracles themselves, discusses the problems they presented for both church authorities and the ordinary faithful, and probes the basic scientific and religious assumptions about matter that lay behind them. She also analyzes the proliferation of religious art in the later Middle Ages and argues that it called attention to its materiality in sophisticated ways that explain both the animation of images and the hostility to them on the part of iconoclasts. Seeing the Christian culture of the fourteenth and fifteenth centuries as a paradoxical affirmation of the glory and the threat of the natural world, Bynum's study suggests a new understanding of the background to the sixteenth-century reformations, both Protestant and Catholic. Moving beyond the cultural study of "the body"--a field she helped to establish--Bynum argues that Western attitudes toward body and person must be placed in the context of changing conceptions of matter itself. Her study has broad theoretical implications, suggesting a new approach to the study of material culture and religious practice.