Dictionary Catalog of the Art and Architecture Division
Author | : New York Public Library. Art and Architecture Division |
Publisher | : Boston : G.K. Hall |
Total Pages | : 734 |
Release | : 1975 |
Genre | : Architecture |
ISBN | : |
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Author | : New York Public Library. Art and Architecture Division |
Publisher | : Boston : G.K. Hall |
Total Pages | : 734 |
Release | : 1975 |
Genre | : Architecture |
ISBN | : |
Author | : Richard Thomson |
Publisher | : Getty Publications |
Total Pages | : 112 |
Release | : 1995 |
Genre | : Art |
ISBN | : 0892362855 |
Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 354 |
Release | : 2009 |
Genre | : Art |
ISBN | : 1588393410 |
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Author | : Robert L. Herbert |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 462 |
Release | : 1991 |
Genre | : Dots (Art) |
ISBN | : 0810964104 |
A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
Author | : Elizabeth Morrison |
Publisher | : Getty Publications |
Total Pages | : 212 |
Release | : 2007-01-08 |
Genre | : Art |
ISBN | : 0892368527 |
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Painting |
ISBN | : 9780300193305 |
Author | : The J. Paul Getty Museum |
Publisher | : Getty Publications |
Total Pages | : 262 |
Release | : 1985-01-01 |
Genre | : Art |
ISBN | : 0892360909 |
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
Author | : Juan Ramírez |
Publisher | : Reaktion Books |
Total Pages | : 295 |
Release | : 2013-06-01 |
Genre | : Art |
ISBN | : 1780231571 |
Marcel Duchamp's stature in the history of art has grown steadily since the 1950s, as several artistic movements have embraced him as their founding father. But although his influence is comparable only to Picasso's, Duchamp continues to be relatively unknown outside his narrow circle of followers. This book seeks to explain his oeuvre, which has been shrouded with mystery. Duchamp's two great preoccupations were the nature of scientific truth and a feeling for love with its natural limit, death. His works all speak of eroticism in a way that pushes the socially acceptable to its outer limits. Juan Antonio Ramirez addresses such questions as the meaning of the artist's ground-breaking ready-mades and his famous installation Etant donnés; his passionate essay reproduces all of Duchamp's important works, in addition to numerous previously unpublished visual sources. Duchamp: Love and Death, even is a seminal monograph for understanding this crucial figure of modern art.
Author | : Julie A. Steiner |
Publisher | : Abrams |
Total Pages | : 160 |
Release | : 1997 |
Genre | : Architecture |
ISBN | : |
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.