Eighteenth-century French Drawings in New York Collections
Author | : Perrin Stein |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 257 |
Release | : 1999 |
Genre | : Drawing |
ISBN | : 0870998927 |
Download Catalogue Des Dessins Aquarelles Gouaches Pastels Sculptures Tableaux Modernes Vente A Paris Hotel Drouot 31 Janvier 1949 full books in PDF, epub, and Kindle. Read online free Catalogue Des Dessins Aquarelles Gouaches Pastels Sculptures Tableaux Modernes Vente A Paris Hotel Drouot 31 Janvier 1949 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Perrin Stein |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 257 |
Release | : 1999 |
Genre | : Drawing |
ISBN | : 0870998927 |
Author | : The J. Paul Getty Museum |
Publisher | : Getty Publications |
Total Pages | : 262 |
Release | : 1985-01-01 |
Genre | : Art |
ISBN | : 0892360909 |
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Posters |
ISBN | : 9781577150978 |
"Pablo Picasso is the artistic giant of the twentieth century, and perhaps only Leonardo da Vinci rivals his fame throughout the history of art. In working life that spanned nearly eighty years, Picasso painted some of the archetypal images of modern art, including Les Demoiselles d'Avignon and Guernica. But he did more that create individual works of originality and genius. Picasso invented, and inspired others to invent, a whole new vocabulary and way of thinking about art which have shaped the progress of modernism throughout the twentieth century. Picasso's fame is indisputable but rests largely on his oil paintings. A lesser-known but crucially important part of Picasso's oeuvre is his graphic work, in particular his poster designs. From the 1940s to the 1960s Picasso produced hundreds of designs for posters, many advertising exhibitions of his work. They are interesting and important not only for their striking simplicity and bold color, but also because they sum up many of the expressionist ideas he had developed from Guernica onword. Themes and images from his paintings and ceramics such as bulls and goats, faces and the dove of peace recur and give remarkable coherence to this body of work. Picasso Posters presents a comprehensive panorama of Picasso's poster art. An illustrated introduction tells the story of Picasso's long life and career, and sets his poster work in the context of the genre's history and of his paintings, drawings, and sculpture. Sixty of Picasso's finest posters are reproduced in large-scale color plates, making Picasso Posters a sumptuous., informative, and much-needed study of this little-known aspect of the master's work."--Publisher's description
Author | : Pierre Bonnard |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 274 |
Release | : 1989 |
Genre | : Grabados en color franceses |
ISBN | : 0810931001 |
Tentoonstellingscatalogus. Met bibliografie en register.
Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 430 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
The exhibition "Picasso, 1905-1906" has allowed an extension, albeit only a temporary one, ofthe permanent collections of the PicassoMuseum in Barcelona. It consisted infact of a compilation of the work whichcame immediately after Picasso's departurefrom Catalonia, in April 1904,at the end of his Blue Period. Throughthis exhibition, it has' been possible tosee the extent to which the artist's rootswere fixed in the Catalan art of the endof the century. At the same time, theartistic effervescence of Paris and hiscontacts with what was to become thevanguard of European culture stimulatedhim and encouraged his ceaseless, determined search for a new and originalform of painting which was to leadto a decisive change in his artistic language.
Author | : John Marciari |
Publisher | : Yale University Press |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art, Italian |
ISBN | : 9780300135480 |
Published in conjunction with the exhibition organized by the Yale University Art Gallery, Yale University Art Gallery, September 27, 2013-January 5, 2014.
Author | : Julie A. Steiner |
Publisher | : Abrams |
Total Pages | : 160 |
Release | : 1997 |
Genre | : Architecture |
ISBN | : |
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.
Author | : Frances Fowle |
Publisher | : |
Total Pages | : 164 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
At the end of the nineteenth century Scotland was one of the most powerful industrial nations in the world. Huge wealth was generated in cities such as Glasgow, Aberdeen and Dundee and this period saw the emergence of a new breed of mercantile art collector, eager to invest in modern European art. This book is the first to explore the Scottish taste for Impressionism and Post-Impressionism c.1865-1930 and the impact of this art on two generations of Scottish artists. The term 'Impressionism' was then applied to artists as diverse as Corot, Whistler and the Glasgow Boys, as well as Monet, Degas and their contemporaries and the essays in this book - by leading scholars in the field - address a number of themes, including the influence of Dutch and French Realism on Scottish art, modern life imagery in the work of the Glasgow Boys, the taste for Whistler and his importance for Scottish art; William Burrell's collection of Impressionist pictures; and the impact of French art on the Scottish Colourists. Published to accompany the major exhibition Impressionism and Scotland (2008). AUTHOR: Dr Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in Art History at the University of Edinburgh. She has published widely on nineteenth century art, collecting and the art market and her publications include Monet and French Landscape (Edinburgh 2006) and (with Richard Thomson) Soil and Stone: Impressionism, Urbanism, Environment (London 2003). 160 colour & 40 b/w illustrations