Catalogue of Books Relating to Architecture, Construction & Decoration
Author | : Boston Public Library |
Publisher | : |
Total Pages | : 558 |
Release | : 1914 |
Genre | : Architecture |
ISBN | : |
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Author | : Boston Public Library |
Publisher | : |
Total Pages | : 558 |
Release | : 1914 |
Genre | : Architecture |
ISBN | : |
Author | : Claire Jones |
Publisher | : Routledge |
Total Pages | : 245 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351549707 |
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1038 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 314 |
Release | : 2024-09-24 |
Genre | : Fiction |
ISBN | : 3385618606 |
Reprint of the original, first published in 1837.
Author | : Boston Public Library |
Publisher | : |
Total Pages | : 172 |
Release | : 1894 |
Genre | : Architecture |
ISBN | : |
Author | : Boston Public Library |
Publisher | : |
Total Pages | : 720 |
Release | : 1914 |
Genre | : Architecture |
ISBN | : |
Author | : Philadelphia Academy of natural sciences |
Publisher | : |
Total Pages | : 350 |
Release | : 1836 |
Genre | : |
ISBN | : |
Author | : Rochelle Ziskin |
Publisher | : Penn State Press |
Total Pages | : 392 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0271037857 |
"Explores the role of private art collections in the cultural, social, and political life of early eighteenth-century Paris. Examines how two principal groups of collectors, each associated with a different political faction, amassed different types of treasures and used them to establish social identities and compete for distinction"--Provided by publisher.
Author | : Caroline Weber |
Publisher | : Vintage |
Total Pages | : 754 |
Release | : 2019-11-26 |
Genre | : History |
ISBN | : 0345803124 |
From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.