Second Catalogue of the Library of the Peabody Institute of the City of Baltimore, Including the Additions Made Since 1882
Author | : George Peabody Library |
Publisher | : |
Total Pages | : 458 |
Release | : 1898 |
Genre | : Dictionary catalogs |
ISBN | : |
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Author | : George Peabody Library |
Publisher | : |
Total Pages | : 458 |
Release | : 1898 |
Genre | : Dictionary catalogs |
ISBN | : |
Author | : Johns Hopkins University. Peabody Institute. Library |
Publisher | : |
Total Pages | : 842 |
Release | : 1898 |
Genre | : Catalogs, Dictionary |
ISBN | : |
Author | : British Library (London) |
Publisher | : |
Total Pages | : 536 |
Release | : 1979 |
Genre | : Reference |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 544 |
Release | : 1968 |
Genre | : English imprints |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1060 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : Gary Tinterow |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 610 |
Release | : 2003 |
Genre | : Painting, French |
ISBN | : 1588390403 |
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 492 |
Release | : 1985 |
Genre | : Art |
ISBN | : |
Author | : Jan Dirk Baetens |
Publisher | : BRILL |
Total Pages | : 367 |
Release | : 2019-02-11 |
Genre | : Social Science |
ISBN | : 9004291997 |
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.