Sale Catalogues
Author | : American Art Association, Anderson Galleries (Firm) |
Publisher | : |
Total Pages | : 1302 |
Release | : 1922 |
Genre | : |
ISBN | : |
Download Catalogue De Tableaux Anciens Et Modernes Objets Dart Et De Curiosite full books in PDF, epub, and Kindle. Read online free Catalogue De Tableaux Anciens Et Modernes Objets Dart Et De Curiosite ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : American Art Association, Anderson Galleries (Firm) |
Publisher | : |
Total Pages | : 1302 |
Release | : 1922 |
Genre | : |
ISBN | : |
Author | : Bernard Quaritch (Firm) |
Publisher | : |
Total Pages | : 1044 |
Release | : 1911 |
Genre | : Antiquarian booksellers |
ISBN | : |
Author | : |
Publisher | : BRILL |
Total Pages | : 501 |
Release | : 2023-08-14 |
Genre | : Art |
ISBN | : 9004680446 |
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.
Author | : Tom Stammers |
Publisher | : Cambridge University Press |
Total Pages | : 375 |
Release | : 2020-06-25 |
Genre | : History |
ISBN | : 1108807224 |
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.