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| Author | : Charles Avery |
| Publisher | : John Murray Pubs Limited |
| Total Pages | : 274 |
| Release | : 1970 |
| Genre | : Art |
| ISBN | : 9780719519321 |
"Some of the greatest names in the history of art are those of Florentine sculptors: Ghiberti, Donatello and Luca della Robbia; Verrocchio and Michelangelo; Cellini and Giovanni Bologna. These were the creators of a school of sculpture that remained supreme for over two centuries."--BOOK COVER.
| Author | : John K. Delaney |
| Publisher | : Princeton University Press |
| Total Pages | : 385 |
| Release | : 2021-09-28 |
| Genre | : Art |
| ISBN | : 069123308X |
A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC
| Author | : Patricia Ainslie |
| Publisher | : Calgary : Glenbow Museum |
| Total Pages | : 182 |
| Release | : 1984 |
| Genre | : Art |
| ISBN | : |
| Author | : John Castagno |
| Publisher | : Metuchen, N.J. : Scarecorw Press |
| Total Pages | : 856 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : |
"The purpose of this book is the identification of artists' signatures: some 4,500 American artists and, in addition, some 600 Canadian and Latin American artists. Necessary biographical information, such as nationality, birth and death dates, is given along with bibliographical references and auction records in the form of key letters which help direct the reader to further sources of information. With each artist, there is presented at least one signature facsimile; in many cases, multiple signatures totalling nearly 10,000 examples taken from oil paintings, watercolors, drawings, and prints covering as broad a range as possible in painting styles and periods from 1800 through 1989. For the easy identification of an artist who signs his or her work with a pseudonym, monogram, symbol or indecipherable signature, there are three separate sections in the back of the book."--Introduction.
| Author | : Tamar Garb |
| Publisher | : Yale University Press |
| Total Pages | : 228 |
| Release | : 1994-01-01 |
| Genre | : Art |
| ISBN | : 9780300059038 |
Although the women of the Union were often quite conservative politically, socially, and stylistically, says Garb, they believed that women had a special gift that would enhance France's cultural reputation and maintain the uplifting moral-cultural position that seemed in jeopardy at the turn of the century. Focusing on the developments that made the prominence of the organisation possible, Garb discusses the growth of the women's movement, educational reforms, institutional changes in the art world, and critical debates and contemporary scientific thought.
| Author | : Nina Athanassoglou-Kallmyer |
| Publisher | : Yale University Press |
| Total Pages | : 190 |
| Release | : 1989-01-01 |
| Genre | : Art |
| ISBN | : 9780300045321 |
The Greek struggle against Ottoman rule was a crucial event in the history and politics of nineteenth-century Europe. In particular it had a strong impact on the political and cultural life of France during the Bourbon Restoration, where it was appropriated and promoted as the symbolic spearhead of liberal ideas and of the growing Romantic rebellion. This book by Nina Athanassoglou-Kallmyer examines the French paintings, prints, and sculptures inspired by the Greek War of Independence. Athanassoglou-Kallmyer reinterprets important works by the foremost exponents of the Romantic movement - including Delacroix, Gericault, Horace Vernet, Ary Scheffer, and David d’Angers - showing how they viewed the Greek struggle as a setting for the opposing forces of conservatism and liberalism. She explains that, far from being mere pictorial records of specific war episodes such as the massacre at Chios or the fall of Missolonghi, images of the clashes between Greeks and Turks reflected the mottos and arguments of the French liberal propaganda echoed as well by contemporary newspapers, parliamentary debates, broadsides, pamphlets, popular plays, and poems.
| Author | : Clinton Adams |
| Publisher | : Albuquerque : University of New Mexico Press |
| Total Pages | : 248 |
| Release | : 1983 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Chronicling the developments and significance of lithography in the United States, Adams offers not only a detailed survey of the medium between 1900 and 1960, but also a personal recollection of the many figures who shaped its course. He presents the story of the artists and their printers, their personal interrelationships, and their creative work in what he calls a "beautiful but obstinate medium." While the names of printers Albert Sterner, Bolton Brown, George Miller, and Joseph Pennell are pivotal in this story, most of the leading artists of the century have been attracted to lithography, among them George Bellows, Thomas Hart Benton, Stuart Davis, Reginald Marsh, Jackson Pollock, and Charles Sheeler. ISBN 0-8263-0660-8 : $65.00.
| Author | : Vivien Greene |
| Publisher | : Guggenheim Museum |
| Total Pages | : 146 |
| Release | : 2007 |
| Genre | : Architecture |
| ISBN | : |
This beautifully designed exhibition catalogue explores the optically vibrant paintings of the late nineteenth-century Italian Divisionists, examining, for the first time, their relationship to Neo-Impressionism. Artists from both movements subscribed to a painting technique rooted in color theory; held left-wing political views; and pursued similar subject matter--from idyllic landscapes to timely social problems. Arcadia and Anarchy underscores the Italian artists' autonomy from their European counterparts and highlights their importance in pioneering Modernism. Published to accompany the premiere of the exhibition at the Deutsche Guggenheim, Berlin, which was curated by Vivien Greene and will travel to the Guggenheim Museum, New York in the summer of 2007, this focused study of 40 key Divisionist works is the first of its kind to appear in the United States. Featuring work by Giovanni Segantini, Théo Van Rysselberghe, Albert Dubois-Pillet, Georges Seurat, Vittore Grubicy de Dragon, Maximilien Luce, Paul Signac, Emilio Longoni, Camille Pissarro, Angelo Morbelli, Henri-Edmond Cross, Plino Nomellini, Charles Angrand, Giuseppe Pellizza da Volpedo, Giovanni Sottocornola, Jan Toorop and Gaetano Previati, it includes essays by Greene, as well as by noted scholars Giovanna Ginex, Dominique Lobstein and Aurora Scotti Tosini.
