Cataloging Cultural Objects

Cataloging Cultural Objects
Author: Murtha Baca
Publisher: American Library Association
Total Pages: 420
Release: 2006-06-12
Genre: Architecture
ISBN: 9780838935644

In a visual and artifact-filled world, cataloging one-of-a-kind cultural objects without published guidelines and standards has been a challenge. Now for the first time, under the leadership of the Visual Resources Association, a cross-section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutions—from libraries to museums to archives. Consistently following these guidelines for selecting, ordering, and formatting data used to populate metadata elements in cultural materials' catalog records: Promotes good descriptive cataloging and reduces redundancy Builds a foundation of shared documentation Creates data sharing opportunities Enhances end-user access across institutional boundaries Complements existing standards (AACR) This is a must-have reference for museum professionals, visual resources curators, archivists, librarians and anyone who documents cultural objects (including architecture, paintings, sculpture, prints, manuscripts, photographs, visual media, performance art, archaeological sites, and artifacts) and their images.

Cataloguing Culture

Cataloguing Culture
Author: Hannah Turner
Publisher: UBC Press
Total Pages: 261
Release: 2020-07-15
Genre: Art
ISBN: 0774863951

How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. Cataloguing Culture examines how colonialism has operated through the technologies of museum bureaucracy: the ledger book, the card catalogue, and eventually the database. As Indigenous communities reclaim what is theirs, this timely work shines a light on the importance of documentation for access to and return of cultural heritage.

Cataloging Cultural Objects

Cataloging Cultural Objects
Author: Murtha Baca
Publisher:
Total Pages: 396
Release: 2006-01-01
Genre: Architecture
ISBN: 9780838998496

In a visual and artifact-filled world, cataloging one-of-a-kind cultural objects without published guidelines and standards has been a challenge. Now for the first time, under the leadership of the Visual Resources Association, a cross-section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutionsfrom libraries to museums to archives. Consis.

Nomenclature 4.0 for Museum Cataloging

Nomenclature 4.0 for Museum Cataloging
Author: Paul Bourcier
Publisher: Rowman & Littlefield
Total Pages: 753
Release: 2015-09-01
Genre: Business & Economics
ISBN: 1442250992

Nomenclature 4.0 for Museum Cataloging is an updated and expanded edition of Robert G. Chenhall’s system for classifying human-made objects, originally published in 1978. The Chenhall system is the standard cataloging tool for thousands of museums and historical organizations across the United States and Canada. For this fourth edition, hundreds of new terms have been added, and every category, class, sub-class, and object term has been reviewed and revised as needed by a professional task force appointed by the American Association for State and Local History. This new edition features crucial revisions including: • A revised and updated users’ guide with new tips and advice • An expanded controlled vocabulary featuring nearly 950 new preferred terms • 475 more non-preferred terms in the index • An expanded and reorganized section on water transportation • Expanded coverage of exchange media, digital collections, electronic devices, archaeological and ethnographic objects, and more

The Revised Nomenclature for Museum Cataloging

The Revised Nomenclature for Museum Cataloging
Author: James R. Blackaby
Publisher: Altamira Press
Total Pages: 536
Release: 1995
Genre: Juvenile Nonfiction
ISBN:

Chenhall's System for Classifying Man-Made Objects created the first common cataloging language for museums and other historical collections. Now The Revised Nomenclature for Museum Cataloging develops Chenhall's ideas to provide updated material so museums can use their collections to the fullest extent. The Revised Nomenclature provides a universally accepted classification system with terminology that allows curators, registrars, and catalogers to describe artifacts precisely. It also creates a standard for cataloging so that in-house record keeping is complete and accurate for use by all staff members and the exchange of cultural objects and information between museums is possible on both a national and international scale. This system deals with information, not with methods of recording that information, and enables even the smallest museum's terminology to be in synchronization with the largest metropolitan museum. No museum can afford to be without this book.

Nomenclature 3.0 for Museum Cataloging

Nomenclature 3.0 for Museum Cataloging
Author: Paul Bourcier
Publisher: Rowman & Littlefield
Total Pages: 746
Release: 2010
Genre: Art
ISBN: 9780759111936

"Third edition of Robert G. Chenhall's system for classifying man-made objects."

Managing Digital Cultural Objects

Managing Digital Cultural Objects
Author: Allen Foster
Publisher: Facet Publishing
Total Pages: 257
Release: 2016-07-15
Genre: Language Arts & Disciplines
ISBN: 1856049418

This book explores the analysis and interpretation, discovery and retrieval of a variety of non-textual objects, including image, music and moving image. Bringing together chapters written by leading experts in the field, this book provides an overview of the theoretical and academic aspects of digital cultural documentation and considers both technical and strategic issues relating to cultural heritage projects, digital asset management and sustainability. Managing Digital Cultural Objects: Analysis, discovery and retrieval draws from disciplines including information retrieval, library and information science (LIS), digital preservation, digital humanities, cultural theory, digital media studies and art history. It’s argued that this multidisciplinary and interdisciplinary approach is both necessary and useful in the age of the ubiquitous and mobile Web. Key topics covered include: • Managing, searching and finding digital cultural objects • Data modelling for analysis, discovery and retrieval • Social media data as a historical source • Visual digital humanities • Digital preservation of audio content • Searching and creating affinities in web music collections • Film retrieval on the web. Readership: The book will provide inspiration for students seeking to develop creative and innovative research projects at Masters and PhD levels and will be essential reading for those studying digital cultural object management as well as practitioners in the field.

International Law, Museums and the Return of Cultural Objects

International Law, Museums and the Return of Cultural Objects
Author: Ana Filipa Vrdoljak
Publisher: Cambridge University Press
Total Pages: 29
Release: 2006-07-13
Genre: Art
ISBN: 0521841429

While the question of the return of cultural objects is by no means a new one, it has become the subject of increasingly intense debate in recent years. This important book explores the removal and the return of cultural objects from occupied communities during the last two centuries and analyses the concurrent evolution of international cultural heritage law. The book focuses on the significant influence exerted by British, U.S. and Australian governments and museums on international law and museum policy in response to restitution claims. It shows that these claims, far from heralding the long-feared dissolution of museums and their collections, provide museums with a vital, new role in the process of self-determination and cultural identity. Compelling and thought-provoking throughout, this book is essential reading for archaeologists, international lawyers and all those involved in cultural resource management.

Creating the Digital Art Library

Creating the Digital Art Library
Author: Primary Research Group
Publisher: Primary Research Group Inc
Total Pages: 87
Release: 2005
Genre: Art
ISBN: 1574400746

This special report looks at the efforts of ten leading art libraries and image collections to digitize their holdings. The study reports on the efforts of The National Gallery of Canada, Cornell University?s Knight Resource Center, the University of North Carolina, Chapel Hill; the Smithsonian Institution Libraries, The Illinois Institute of Technology, The National Archives and Records Administration, McGill University, Ohio State University, the Cleveland Museum of Art, and the joint effort of Harvard, Princeton, The University of California, San Diego, the University of Minnesota and others to develop a union catalog for cultural objects. Among the issues covered: cost of outsourcing, cost of in-house conversions, the future of 35 mm slides and related equipment, use of ARTstor and other commercial services, ease of interlibrary loan in images and the creation of a union catalog, prioritizing holdings for digitization, relationship of art libraries to departmental image collections, marketing image collections, range of end users of image collections, determining levels of access to the collection, digitization and distribution of backup materials on artists lives and times, equipment selection, copyright, and other issues in the creation and maintenance of digital art libraries.