Caricaturing Culture In India
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Author | : Ritu Gairola Khanduri |
Publisher | : Cambridge University Press |
Total Pages | : 369 |
Release | : 2014-10-02 |
Genre | : History |
ISBN | : 1107043328 |
A highly original study of newspaper cartoons throughout India's history and culture, and their significance for the world today.
Author | : Ritu Gairola Khanduri |
Publisher | : Cambridge University Press |
Total Pages | : 369 |
Release | : 2014-10-02 |
Genre | : History |
ISBN | : 1139992791 |
Caricaturing Culture in India is a highly original history of political cartoons in India. Drawing on the analysis of newspaper cartoons since the 1870s, archival research and interviews with prominent Indian cartoonists, this ambitious study combines historical narrative with ethnographic testimony to give a pioneering account of the role that cartoons have played over time in political communication, public discourse and the refraction of ideals central to the creation of the Indian postcolonial state. Maintaining that cartoons are more than illustrative representations of news, Ritu Gairola Khanduri uncovers the true potential of cartoons as a visual medium where memories jostle, history is imagined and lines of empathy are demarcated. Placing the argument within a wider context, this thought-provoking book highlights the history and power of print media in debates on free speech and democratic processes around the world, revealing why cartoons still matter today.
Author | : Anindita Ghose |
Publisher | : Apollo |
Total Pages | : 0 |
Release | : 2024-02-06 |
Genre | : Fiction |
ISBN | : 1803289791 |
'One of the best books for 2023' Cosmopolitan Against a rising tide of fundamentalism in India, a mother and daughter lose the most important man in their lives. Shashi, fifty-something and suddenly widowed, tries to contact her only daughter, Tara, to break the news, but cannot reach her. As Shashi confronts her loss, she finds, amidst grief, unexpected new freedoms. Meanwhile, Tara, a spoiled but brilliant university student, has retreated to Dharamsala to deal with the fall out from an ill-advised relationship. Her self-imposed solitude makes contact near impossible, so by the time she learns of her loss, the funeral is already over. Without the man that bound them, Shashi and Tara struggle to reconcile. But his absence also makes them a target for an emerging religious group determined to put women in their place, and Shashi and Tara individually prepare to defend their independence. If mother and daughter are to come together, they must find a way to understand both their new world, and each other. But can you ever emerge from an eclipse unscathed? 'Lyrical throughout yet so deceptively easygoing... an extraordinary novel' André Aciman 'Powerful, evocative and accomplished – it's hard to believe The Illuminated is a debut' Alice Ryan 'Gives voice to a new generation' BBC Radio 4
Author | : Brahma Prakash |
Publisher | : Oxford University Press |
Total Pages | : 424 |
Release | : 2019-06-28 |
Genre | : Literary Criticism |
ISBN | : 0199095841 |
Folk performances reflect the life-worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste-ridden society? In Cultural Labour, the author studies bhuiyan puja (land worship), bidesia (theatre of migrant labourers), Reshma-Chuharmal (Dalit ballads), dugola (singing duels) from Bihar, and the songs and performances of Gaddar, who was associated with Jana Natya Mandali, Telangana: he examines various ways in which meanings and behaviour are engendered in communities through rituals, theatre, and enactments. Focusing on various motifs of landscape, materiality, and performance, the author looks at the relationship between culture and labour in its immediate contexts. Based on an extensive ethnography and the author’s own life experience as a member of such a community, the book offers a new conceptual framework to understand the politics and aesthetics of folk performance in the light of contemporary theories of theatre and performance studies.
Author | : Liza Donnelly |
Publisher | : Rowman & Littlefield |
Total Pages | : 257 |
Release | : 2022-03-01 |
Genre | : Humor |
ISBN | : 1633886875 |
It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.
Author | : Gopal Guru |
Publisher | : Oxford University Press |
Total Pages | : 330 |
Release | : 2018-02-15 |
Genre | : Political Science |
ISBN | : 019909134X |
Western constructs giving precedence to ideas over experience have, for long, dominated theorization in Indian social sciences. Problematizing their tenuous relationship, this book presents a passionate plea to create new frameworks for describing contemporary Indian social experiences. Using a dialogic form and placing the reality of untouchability and Dalit life at the centre of analyses, Gopal Guru and Sundar Sarukkai examine the ontological and epistemological nature of experience, thereby exhibiting the politics of experience. By illustrating ways of using alternative frameworks for theorizing, The Cracked Mirror argues for a more careful understanding of the ethics of representation.
Author | : Rochelle Potkar |
Publisher | : Vishwakarma Publications |
Total Pages | : 46 |
Release | : 2021-02-21 |
Genre | : Fiction |
ISBN | : 8195012639 |
These are 16 immersive, entertaining short stories about characters across caste, class, and religion in Bombay. Some of the stories have been nominated for prizes: Fundação Oriente Short Story Competition, 2015 (shortlist); Open Road Review 2016 (winner); DNA-Out of Print Contest 2017 (longlist), and DISQUIET International Literary prize, Lisbon 2019 (notable entry). * * * These stories are laced with the grit, sleaze and dynamism of Bombay. They explore the nerve centre of a great metropolis with caustic wit and uncompromising realism. From the red-light corner of Kamathipura and the race course of Mahalaxmi, from South Bombay where a perfume maker works on exotic fragrances to the throbbing epicentre of Thana and the township of Kalyan, from Bandra to Andheri, the city is brought alive through memorable characters, piquant situations and no holds barred language. With the occasional foray into Goa, the poet Rochelle Potkar makes an impressive debut in short fiction, a genre unfairly neglected by most publishers in India. --Manohar Shetty
Author | : Ali Rattansi |
Publisher | : |
Total Pages | : 209 |
Release | : 2020 |
Genre | : History |
ISBN | : 0198834799 |
Racism is ever present today, and it has become common now to refer to a variety of racisms, from biological to cultural, colour-blind, and structural racisms. Ali Rattansi explores the history of racism and illuminates contemporary issues in this controversial subject, from intersectionality to cultural racism, to the debate over whiteness.
Author | : Jigna Desai |
Publisher | : Routledge |
Total Pages | : 288 |
Release | : 2004-08-02 |
Genre | : History |
ISBN | : 1135887209 |
Beyond Bollywood is the first comprehensive look at the emergence, development, and significance of contemporary South Asian diasporic cinema. From a feminist and queer perspective, Jigna Desai explores the hybrid cinema of the "Brown Atlantic" through a close look at films in English from and about South Asian diasporas in the United States, Canada, and Britain, including such popular films as My Beautiful Laundrette, Fire, MonsoonWedding, and Bend it Like Beckham.
Author | : Elisa Ganser |
Publisher | : BRILL |
Total Pages | : 425 |
Release | : 2022-02-14 |
Genre | : Performing Arts |
ISBN | : 900446705X |
What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta’s thorough investigation of performance aesthetics, now presented to the modern reader.