Caribbean Visions in Folktales
Author | : Clement B. G. London |
Publisher | : Xlibris Corporation |
Total Pages | : 217 |
Release | : 2002-02-05 |
Genre | : Social Science |
ISBN | : 1477163018 |
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Author | : Clement B. G. London |
Publisher | : Xlibris Corporation |
Total Pages | : 217 |
Release | : 2002-02-05 |
Genre | : Social Science |
ISBN | : 1477163018 |
There is no available information at this time.
Author | : Vanessa K. Valdés |
Publisher | : State University of New York Press |
Total Pages | : 356 |
Release | : 2020-12-01 |
Genre | : History |
ISBN | : 1438481055 |
As a Francophone nation, Haiti is seldom studied in conjunction with its Spanish-speaking Caribbean neighbors. Racialized Visions challenges the notion that linguistic difference has kept the populations of these countries apart, instead highlighting ongoing exchanges between their writers, artists, and thinkers. Centering Haiti in this conversation also makes explicit the role that race—and, more specifically, anti-blackness—has played both in the region and in academic studies of it. Following the Revolution and Independence in 1804, Haiti was conflated with blackness. Spanish colonial powers used racist representations of Haiti to threaten their holdings in the Atlantic Ocean. In the years since, white elites in Cuba, the Dominican Republic, and Puerto Rico upheld Haiti as a symbol of barbarism and savagery. Racialized Visions powerfully refutes this symbolism. Across twelve essays, contributors demonstrate how cultural producers in these countries have resignified Haiti to mean liberation. An introduction and conclusion by the editor, Vanessa K. Valdés, as well as foreword by Myriam J. A. Chancy, provide valuable historical context and an overview of Afro-Latinx studies and its futures.
Author | : Caribbean Studies Association |
Publisher | : |
Total Pages | : 288 |
Release | : 1990 |
Genre | : Business & Economics |
ISBN | : |
CARIBBEAN VISIONS is a collection of ten presidential addresses of ten Presidents of the Caribbean Studies Association (CSA). CSA is the premier organization that studies the Caribbean. The CSA was founded in 1975. The ten addresses, an introduction & a conclusion by Jones-Hendrickson, comprise the total of the book. The book provides an assessment of the legacy of the Caribbean Studies Association to the people of the Caribbean in the Caribbean & the diaspora. CARIBBEAN VISIONS are visions of & for the Caribbean by some of the many leaders who have decided to master an understanding of the social & political dynamics of the Caribbean. Selling Points: 1--Important essays from an international array of scholars; 2--Addresses on a broad variety of topics; 3--Offers visions of & for the Caribbean which visions will transcend time & space; 4--Published by the Eastern Caribbean Institute, an emerging small press of the Caribbean & the U. S. A. Member of the Society of Scholarly Publishing, National Writers Club & COSMEP, the International Association of Independent Publishers.
Author | : Olivier H. P. Stephenson |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Literary Criticism |
ISBN | : 9781845231736 |
In the 1970s and 1980s Olivier Stephenson was very actively engaged in Caribbean theatre in New York. There he met a number of Caribbean playwrights, either already living there or making visits. He was looking for plays, they for theatres and performers. Out of this connection came this hugely important and unrepeatable collection of fourteen interviews with most of the founding figures of contemporary Anglophone Caribbean theatre. As the preface by Kwame Dawes indicates, the period of the interviews, from the mid 1970s into the 1980s, was a crucial one for the Caribbean theatre, as its most productive and revolutionary period, and a time when it was already taking on the variety of forms and locations that still characterise it today. Besides talking about their own influences, experiences, goals and aesthetic visions, each playwright contributes to a collective picture of Caribbean theatre being defined by its spaces ù diasporic or regional, proscenium or open air; the nature of its audiences ù a heated debate about the possibilities for a commercial theatre that has the work of Trevor Rhone at its heart - and the playwright's relationship to inherited theatre traditions and to specifically Caribbean cultural resources. Reflective, analytical, visionary, opinionated - these are lively interviews, not least because Olivier Stephenson asked each of the playwrights for their views on their peers - views sometimes given with acerbic frankness. This collection should, of course, have been published many years ago, and the subsequent deaths of eight of the interviewees make it something of a memorial, but the interviews themselves read as freshly as when they were recorded. With extensive annotations and end notes, and insightful introductions by Kwame Dawes and Olivier Stephenson, this is an essential book for anyone interested in contemporary Caribbean theatre and its history. Book jacket.
Author | : Kenneth Hall |
Publisher | : Trafford Publishing |
Total Pages | : 311 |
Release | : 2013-06-04 |
Genre | : Political Science |
ISBN | : 1466950293 |
The publication Inward Visions: Caribbean Governance and Development offers a selection of papers that seek to pull together into a coherent framework the linkages of progress of our Caribbean society. In doing so, they allow for retrospective assessment and futuristic projections. Th e Most Honourable Professor Sir Kenneth, former Governor-General of Jamaica, is a well known and respected Caribbean academic who utilised the skills of his profession to analyse the main factors leading to the success of the Caribbean Integration process. Professor Sir Kenneth joined his academic work to a passion for education and has held positions of Chairman of the Caribbean Examination Council(CXC), Pro Vice Chancellor and Principal, UWI, Chancellor, University College of the Caribbean and Deputy Secretary-General, Caribbean Community. He is currently a Distinguished Research Fellow of the University of the West Indies. Myrtle Veronica Chuck-A-Sang, M.A. has co-edited several publications with Professor Sir Kenneth Hall on a range of issues relating to Caribbean Regional integration and International Relations. She was the former Director of the UWICARICOM Institutional Relations Project, Caribbean Community Secretariat and is currently the Editor and Managing Director of the Integrationist, Editor of the Integration Quarterly and Company Secretary, Caribbean Fellowship Inc.
Author | : Therese Kaspersen Hadchity |
Publisher | : Purdue University Press |
Total Pages | : 299 |
Release | : 2020-08-15 |
Genre | : Art |
ISBN | : 1557539359 |
Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation’s commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region’s contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies. This generational transition has manifested itself not only in a departure from “traditional” in favor of “new” media (i.e., installation, performance, and video rather than painting and sculpture), but also in the advancement of a “postnationalist postmodernism,” which reaches for diasporic and cosmopolitan frames of reference. Section one outlines the features of a preceding “Creole modernism” and explains the different guises of postnationalism in the region’s contemporary art. In section two, its [PKM1] momentum is connected to the proliferation of independent art spaces and transnational networks, which connect artists across and beyond the region and open up possibilities unavailable to earlier generations. Section three demonstrates the impact of this conceptual and organizational evolution on the selection and exhibition of Caribbean art in the metropole. [PKM1]AU: clarify “its.” The contemporary art scene?
Author | : Lillian Guerra |
Publisher | : Univ of North Carolina Press |
Total Pages | : 489 |
Release | : 2012 |
Genre | : History |
ISBN | : 0807835633 |
In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Gue
Author | : John J. Figueroa |
Publisher | : |
Total Pages | : 144 |
Release | : 1982 |
Genre | : Juvenile Nonfiction |
ISBN | : |
Author | : Anna Kasafi Perkins |
Publisher | : Peter Lang |
Total Pages | : 174 |
Release | : 2010 |
Genre | : Christian sociology |
ISBN | : 9781433110368 |
Justice as Equality makes a unique contribution to the philosophical and intellectual tradition of the English-speaking Caribbean by exploring the theory of justice underpinning the life, work, and writings of former Prime Minister of Jamaica and renowned Third World Statesman the late Michael Manley (1924-1997). Manley's singular Caribbean vision of justice was forged in a post-colonial context that he described as being too radically disfigured by inequalities to be improved by «mere tinkering». This book posits that equality has become unfashionable in social analysis and contemporary politics, in part due to the increased significance of values such as identity, diversity, and difference, in tandem with a misunderstanding of the concept of equality. It argues for a reclaiming of a multi-faceted and complex way of understanding equality in light of Manley's thought. Through an engagement with the norms of justice developed within the Catholic social teaching tradition, this book examines, clarifies, and deepens Manley's Caribbean account of «justice as equality». Manley's theory is a deeply relational theory one of justice and equality that roots fundamental human equality in the relationship to divine transcendence. It calls for the dismantling of all relationships of oppression and domination that result when the fundamental equality of all human beings is disregarded. It takes account of the multiple dimensions of the human person, and calls a society 'just' when it allows for the flourishing of every member, specifically through full participation in the life of the society.
Author | : Tobias Döring |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2003-08-29 |
Genre | : Literary Criticism |
ISBN | : 1134520905 |
Tobias Döring uses Postcolonialism as a backdrop to examine and question the traditional genres of travel writing, nature poetry, adventure tales, autobiography and the epic, assessing their relevance to, and modification by, the Caribbean experience. Caribbean-English Passages opens an innovative and cross-cultural perspective, in which familiar oppositions of colonial/white versus postcolonial/black writing are deconstructed. English identity is thereby questioned by this colonial contact, and Caribbean-English writing radically redraws the map of world literature. This book is essential reading for students of Postcolonial Literature at both undergraduate and postgraduate level.