Caribbean Art

Caribbean Art
Author: Veerle Poupeye
Publisher: Thames & Hudson
Total Pages: 458
Release: 2022-04-07
Genre: Art
ISBN: 0500776814

Caribbean Art presents and discusses the diverse, fascinating and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or high culture, rural or urban based, politically radical or religious. This expanded edition has a new preface, and has been updated to reflect on recent challenges to the ideological premises and institutions of conventional art-historical practice and their connections to histories of colonialism, Eurocentricity and race. Two new chapters focus on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Featuring the work of internationally recognized artists such as Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than 100 others working across a variety of media, this new edition makes an important contribution to the understanding of Caribbean art and its context, in ways that invite and encourage further explorations on the subject.

Caribbean Art (Second) (World of Art)

Caribbean Art (Second) (World of Art)
Author: Veerle Poupeye
Publisher: Thames & Hudson
Total Pages: 458
Release: 2022-05-10
Genre: Art
ISBN: 0500776822

An updated and expanded edition of this classic, illustrated survey of Caribbean art, featuring the work of over 100 artists from the period of colonialism to the present day. The Caribbean is made up of more than twenty countries, each with its own identity. Yet fascinatingly, there are significant cultural commonalities despite geographic, ethnic, linguistic, and political diversity. A mixture of African, Amerindian, Asian, and European origins define the remarkable Caribbean culture, which, from the period of colonialism to the present, has also witnessed a massive diaspora. Caribbean Art examines the diverse and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or “high” culture, rural or urban based, politically radical or religious. This expanded edition with a new preface has been updated to reflect and address fundamental challenges to traditional art-historical practice and its foundational connections to histories of colonialism, Eurocentricity, and race. This is explored further in two new chapters focused on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Caribbean Art features the work of internationally recognized artists such as Jean-Michel Basquiat, Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than one hundred others, working across a variety of media including performance, photography, and film. This new edition makes an important contribution to the understanding of Caribbean and postcolonial art and its context, in ways that invite productive conversation and encourage further explorations on the subject.

Caribbean

Caribbean
Author: Deborah Cullen
Publisher:
Total Pages: 491
Release: 2012
Genre: Art
ISBN: 9780300178548

Unprecedented in scope, this book examines the modern history of the Caribbean through its artistic culture. Acknowledging the individuality of various islands, the richness of the coastal regions, and the reach of the Diaspora, Caribbean looks at the vital visual and cultural links that exist among these diverse constituencies. The authors examine how the Caribbean has been imagined and pictures, and the role of art in the development of national identity.

Beyond Representation in Contemporary Caribbean Art

Beyond Representation in Contemporary Caribbean Art
Author: Carlos Garrido Castellano
Publisher: Rutgers University Press
Total Pages: 231
Release: 2019-05-03
Genre: Art
ISBN: 0813594804

Beyond Representation in Contemporary Caribbean Art offers an innovative and systematic analysis of contemporary Caribbean art practices in the Francophone, Anglophone, and Hispanic Caribbean. Focusing on a broad range of artistic projects, the book assesses the potential of visual creativity to outline a unique approach to Caribbean visual practices based on individual and collective agency.

Caribbean

Caribbean
Author: Elvis Fuentes Rodríguez
Publisher:
Total Pages: 31
Release: 2012
Genre:
ISBN:

Caribbean Women and Their Art

Caribbean Women and Their Art
Author: Mary Ellen Snodgrass
Publisher: Rowman & Littlefield
Total Pages: 219
Release: 2019-11-04
Genre: Art
ISBN: 1538117207

Overlooked in the history of artistic endeavors are the contributions of female writers, painters, and crafters of the Caribbean. The creative works by women from the Caribbean proves to be as remarkable as the women themselves. In Caribbean Women and Their Art: An Encyclopedia, Mary Ellen Snodgrass explores the rich history of women’s creative expression by examining the crafts and skill of over 70 female originators in the West Indies, from the familiar islands—Jamaica, Haiti, Cuba, Puerto Rico—to the obscurity of Roatan, Curaçao, Guanaja, and Indian Key. Focusing particularly on artistic style during the arrival of Europeans among the West Indies, the importance of cultural exchange, and the preservation of history, this book captures a wide variety of artistic accomplishment, including Folk music, acting, and dance Herbalism and food writing Sculpture, pottery, and adobe construction Travel writing, translations, and storytelling Individual talents highlighted in this volume include dancer Katherine Dunham, storyteller Louise Bennett-Coverley, paleontologist Sue Hendrickson, dramatist Maryse Condé, herbalist and memoirist Mary Jane Seacole, ballerina and choreographer Alicia Alonso, and athor Elsie Clews Parsons. Each entry includes a comprehensive bibliography of primary and secondary sources, as well as further readings on the female artists and their respective crafts. This text also defines and provides examples of technical terms such as ramada, slip, hematite, patois, and mola. With its informative entries and extensive examinations of artistic talent, Caribbean Women and Their Art: An Encyclopedia is a valuable resource for students, scholars, and anyone interested in learning about some of the most influential and talented women in the arts.

One month after being known in that island

One month after being known in that island
Author: Alanna Stang
Publisher: Hatje Cantz Verlag
Total Pages: 138
Release: 2020-01-01
Genre: Art
ISBN: 3775747702

Bis auf den heutigen Tag stellt der Karbik-Archipel eine der durch Kolonialismus am weitesten und tiefgreifendsten zergliederten Regionen der Welt dar. Spanien, Deutschland, England, die Niederlande und die USA beanspruchten Teile der Inselgruppe, um dort ihre vor allem wirtschaftlichen Interessen durchzusetzen. Das hieraus resultierende Mosaik verdeckte lange Zeit die ganz eigenständige, nicht von einem Eurozentrismus geprägte Kultur und Kunst in der Region. Die 2019 gegründete Caribbean Art Initiative macht es sich zur Aufgabe, die schillernde Originalität der karibischen Kunstszene international sichtbar zu machen. Die Publikation zur ersten großen Ausstellung – unter der Leitung karibischer Kuratoren – entsteht in Partnerschaft mit der Kulturstiftung Basel H. Geiger. Die Publikation fasst hierzu die wichtigsten Positionen karibischer Gegenwartskunst zusammen und macht sie erstmals einem breiten Publikum zugängig. VERTRETENE KÜNSTLER*INNEN Ramón Miranda Beltrán, Minia Biabiany, Christopher Cozier, Tessa Mars, Elisa Bergel Melo, José Morbán, Tony Cruz Pabón, Madeline Jiménez Santil

A to Z of Caribbean Art

A to Z of Caribbean Art
Author: Melanie Archer
Publisher:
Total Pages: 304
Release: 2019-07-23
Genre: Art
ISBN: 9789769534490

A to Z of Caribbean Art is a visual overview of Caribbean art, from the beginning of the 20th century to now, and serves as a resource of information on some of the greatest artists of the region. Sequenced alphabetically, it mixes genres including drawing, painting, sculpture, photography, installation and performance. Each artist is represented by a page that shows a definitive work along with related specs, biographical details and a short text on their oeuvre. The artists come from the English-, Dutch-, French- and Spanish-speaking Caribbean; they include Hurvin Anderson, Sybil Atteck, Frank Bowling, Carlisle Chang, Renee Cox, Blue Curry, Annalee Davis, Peter Doig, John Dunkley, Embah, Joscelyn Gardner, Marlon Griffith, Nadia Huggins, Remy Jungerman, Wifredo Lam, Donald Locke, Hew Locke, Edna Manley, Tirzo Martha, Peter Minshall, Petrona Morrison, Chris Ofili, Karyn Olivier, Marcel Pinas, Sheena Rose, Jasmine Thomas-Girvan, Stacey Tyrell, Nari Ward, Barrington Watson and Aubrey Williams.

The Making of a Caribbean Avant-Garde

The Making of a Caribbean Avant-Garde
Author: Therese Kaspersen Hadchity
Publisher: Purdue University Press
Total Pages: 299
Release: 2020-08-15
Genre: Art
ISBN: 1557539359

Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation’s commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region’s contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies. This generational transition has manifested itself not only in a departure from “traditional” in favor of “new” media (i.e., installation, performance, and video rather than painting and sculpture), but also in the advancement of a “postnationalist postmodernism,” which reaches for diasporic and cosmopolitan frames of reference. Section one outlines the features of a preceding “Creole modernism” and explains the different guises of postnationalism in the region’s contemporary art. In section two, its [PKM1] momentum is connected to the proliferation of independent art spaces and transnational networks, which connect artists across and beyond the region and open up possibilities unavailable to earlier generations. Section three demonstrates the impact of this conceptual and organizational evolution on the selection and exhibition of Caribbean art in the metropole. [PKM1]AU: clarify “its.” The contemporary art scene?