Captains Outrageous
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Author | : Joe R. Lansdale |
Publisher | : St. Martin's Press |
Total Pages | : 340 |
Release | : 2001 |
Genre | : Fiction |
ISBN | : 9780892967285 |
Hap Collins and Leonard Pine, the bad old boys from Mucho Mojo and Bad Chili return for another rough and ready adventure south of the border.
Author | : Joe R. Lansdale |
Publisher | : Vintage Crime/Black Lizard |
Total Pages | : 337 |
Release | : 2010-11-24 |
Genre | : Fiction |
ISBN | : 0307772691 |
Hap and Leonard is now a Sundance TV series starring James Purefoy and Michael Kenneth Williams. Hap Collins and Leonard Pine find mucho trouble, this time in Mexico, when they come face to face with a nudist mobster, his seven-foot strong-arm, a octogenarian knife-touting fisherman, and, somehow, an armadillo. When Hap Collins saves the life of his employer's daughter, he is rewarded with a Caribbean Cruise, and he convinces his best friend Leonard Pine to come along. However, when the cruise sails on without them, stranding them in Playa del Carmen with nothing but their misfortune and Leonard's new ridiculous hat, the two quickly find themselves drawn into a vicious web of sordid violence. When they return to East Texas, they find that trouble has beaten them back, and when trouble's around it doesn't take long for Hap and Leonard to find it.
Author | : Morton Gill Clark |
Publisher | : |
Total Pages | : 336 |
Release | : 1938 |
Genre | : Voyages and travels |
ISBN | : |
Author | : Joe R. Lansdale |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Americans |
ISBN | : |
Author | : Janice E. Thomson |
Publisher | : Princeton University Press |
Total Pages | : 232 |
Release | : 1996-07-22 |
Genre | : Political Science |
ISBN | : 140082124X |
The contemporary organization of global violence is neither timeless nor natural, argues Janice Thomson. It is distinctively modern. In this book she examines how the present arrangement of the world into violence-monopolizing sovereign states evolved over the six preceding centuries.
Author | : Roy V. Young |
Publisher | : Wizards of the Coast |
Total Pages | : 314 |
Release | : 1994 |
Genre | : |
ISBN | : 9781560768555 |
"This Days of Yor Adventure is a deliciously zany romp featuring three outlandish heroes you'll fall in love with instantly, a rapid-fire read that will leave you howling for more ..."--Page 4 of cover.
Author | : |
Publisher | : |
Total Pages | : 2152 |
Release | : 1974 |
Genre | : Merchant marine |
ISBN | : |
Author | : United States. Coast Guard |
Publisher | : |
Total Pages | : 1026 |
Release | : 1976 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1534 |
Release | : 1979 |
Genre | : Merchant marine |
ISBN | : |
Author | : Clifford McCarty |
Publisher | : |
Total Pages | : 554 |
Release | : 2000 |
Genre | : Music |
ISBN | : 9780195114737 |
Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.