Cantata No80
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Author | : Johann Sebastian Bach |
Publisher | : Alfred Music |
Total Pages | : 68 |
Release | : 1999-11-23 |
Genre | : Music |
ISBN | : 9781457480645 |
"Ein feste Burg ist unser Gott," Cantata No. 80, by Johann Sebastian Bach, was composed in Leipzig, Germany for Reformation Day and was first performed between 1727 and 1731. It is based on the famous chorale of Martin Luther, "Ein feste Burg ist unser Gott," or "A Mighty Fortress is Our God." German and English text.
Author | : Johann Sebastian Bach |
Publisher | : |
Total Pages | : 0 |
Release | : |
Genre | : |
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Author | : Johann Sebastian Bach |
Publisher | : |
Total Pages | : 52 |
Release | : 19?? |
Genre | : Cantatas, Sacred |
ISBN | : |
Author | : Johann Sebastian Bach |
Publisher | : Schott & Company Limited |
Total Pages | : 79 |
Release | : 1984-03 |
Genre | : Music |
ISBN | : 9783795763015 |
(Schott). For 4 solo voices, chorus and chamber orchestra. Study score. German language.
Author | : University of Michigan. School of Music, Theatre & Dance |
Publisher | : UM Libraries |
Total Pages | : |
Release | : 1880 |
Genre | : |
ISBN | : |
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
Author | : Alfred Fáyęmí Olúșégun |
Publisher | : African Books Collective |
Total Pages | : 440 |
Release | : 2024-09-05 |
Genre | : Biography & Autobiography |
ISBN | : 9789212461 |
Deep From Within chronicles the life of Alfred Olúsegun Fáyemi from his early years at Ìfàkì Èkiti and Abeokúta Nigeria, through to his ninth decade. He attended Igbobi College, Yábàá and Abeokúta Grammar School, the latter for the Cambridge Higher School Certificate course. He studied Medicine at the Hebrew University-Hadassah Medical School, Jerusalem, Israel and graduated with an MSc (Pathology) and MD degrees. He served as an intern and senior house officer at the University College Hospital, Ibàdàn, Nigeria followed by a Pathology residency at the Mount Sinal Hospital and Medical Center, New York. He is Board certified in Anatomic and Clinical Pathology and he is a Fellow of the College of American Pathologists. He practiced as a pathologist and later, for decades, as the director of pathology and laboratories of hospital systems in New Jersey and New York. He also served as an Associate Clinical Professor of Pathology and Professorial Lecturer at the Mount Sinai School of Medicine, New York, Visiting Professor of Pathology at the College of Medicine, Obáfémi Awólówo University, Ilé Ife, Nigeria, Èkitì State University College of Medicine and Afe Babalolá University College of Medicine, Adó Ekiti, Nigeria. An accomplished and renowned documentary photographer of the African continent with an extensive history of exhibitions in the United States and Nigeria, he is the author of three outstanding and celebrated books of photographs
Author | : Theodore Libbey |
Publisher | : Workman Publishing |
Total Pages | : 1000 |
Release | : 2006-01-01 |
Genre | : Music |
ISBN | : 9780761136422 |
A resource on classical music provides coverage of composers, works, musical terminology, and performers, along with recommended recordings and access to an interactive Web site that allows readers to listen to sample works, techniques, and performers discussed in the reference.
Author | : Richard Taruskin |
Publisher | : Oxford University Press |
Total Pages | : 832 |
Release | : 2006-08-14 |
Genre | : Music |
ISBN | : 0199796033 |
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Seventeenth and Eighteenth Centuries , the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Author | : Richard Taruskin |
Publisher | : Oxford University Press |
Total Pages | : 3856 |
Release | : 2009-07-27 |
Genre | : Music |
ISBN | : 0199813698 |
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c
Author | : Thomas Donahue |
Publisher | : Scarecrow Press |
Total Pages | : 114 |
Release | : 2010-04-01 |
Genre | : Music |
ISBN | : 0810874326 |
In A Style and Usage Guide to Writing About Music, Thomas Donahue presents a collection of guidelines to help express through the written word the special notations, terms, and concepts found in the discipline of music. It concentrates on questions of style and format in the interest of good formal writing within the context of United-States English, so that writers may communicate their ideas clearly and effectively. While compiling the guidelines, Donahue reviewed content from many other music and general guides. He documented the most common formats in order to assist the writer in selecting an appropriate format for the given circumstance when more than one may apply. The book draws on profuse musically-oriented examples and is arranged by topics both musical and typographic, such as the proper use and spelling of composer names and musical concepts; the use of notes, pitches, and octave delineations; letters and numbers employed to describe form and harmony; when, where, and how to apply compound words and hyphenation of terms and names; and the proper citation of musical and audiovisual sources. The book concludes with a glossary of typographic terms, a bibliography, and a comprehensive index, making this a valuable resource for students, scholars, teachers, and writers.