Cantata No 63 Christen Atzet Diesen Tag
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Author | : Johann Sebastian Bach |
Publisher | : Alfred Music |
Total Pages | : 52 |
Release | : |
Genre | : Music |
ISBN | : 9781457486142 |
Composed by Johann Sebastian Bach, Cantata No. 63 -- Christen, atzet diesen Tag is a choral worship cantata for SATB with SATB Soli.
Author | : J. S. Bach |
Publisher | : |
Total Pages | : 43 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : J S - 4 Bach Vocal and choral works. Scores |
Publisher | : |
Total Pages | : 0 |
Release | : |
Genre | : |
ISBN | : |
Author | : Chester Lee Alwes |
Publisher | : Oxford University Press, USA |
Total Pages | : 505 |
Release | : 2015 |
Genre | : Music |
ISBN | : 0199361932 |
"A History of Western Choral Music explores the various genres, important composers, and influential works essential to the development of the western choral tradition. Divided across two volumes, this comprehensive investigation moves from the Medieval period through the Avant-Garde." -- Publisher description.
Author | : Chester L. Alwes |
Publisher | : Oxford University Press |
Total Pages | : 505 |
Release | : 2015-06-24 |
Genre | : Music |
ISBN | : 0190457724 |
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume I surveys the choral music of composers including Josquin, Palestrina, Purcell, Handel, and J.S. Bach while detailing the stylistic, textual, and extramusical considerations unique to the topics covered. Consideration of Renaissance music includes both sacred and secular works, specifically addressing the growth of sacred music, the rise of secular music, and the proliferation of sacred polyphony from Josquin to Palestrina. Discussion of the Baroque era is organized by geographic location, exploring the spread of Baroque style from Italy to German, France, and England. Volume I concludes by examining the aesthetic underpinnings of the early Classical and Romantic eras. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.
Author | : Robin A. Leaver |
Publisher | : Routledge |
Total Pages | : 392 |
Release | : 2021-03-30 |
Genre | : Music |
ISBN | : 1000343537 |
This volume draws together a collection of Robin A. Leaver’s essays on Bach’s sacred music, exploring the religious aspects of this repertoire through consideration of three core themes: liturgy, hymnology, and theology. Rooted in a rich understanding of the historical sources, the book illuminates the varied ways in which Bach’s sacred music was informed and shaped by the religious, ritual, and intellectual contexts of his time, placing these works in the wider history of Protestant church music during the Baroque era. Including research from across a span of forty years, the chapters in this volume have been significantly revised and expanded for this publication, with several pieces appearing in English for the first time. Together, they offer an essential compendium of the work of a leading scholar of theological Bach studies.
Author | : Anne Leahy |
Publisher | : Scarecrow Press |
Total Pages | : 327 |
Release | : 2011-10-16 |
Genre | : Music |
ISBN | : 0810881810 |
Originally composed in Weimar and later revised in Leipzig, J. S. Bach's chorale preludes have been a source of some puzzlement. However, Bach scholar Anne Leahy argues that through the careful examination of the links among the music, hymn texts, and theological sources some ...
Author | : Rodgers and Hammerstein Archives of Recorded Sound |
Publisher | : Boston, Mass. : G.K. Hall |
Total Pages | : 946 |
Release | : 1981 |
Genre | : Music |
ISBN | : |
Author | : Chris Woodstra |
Publisher | : Hal Leonard Corporation |
Total Pages | : 1620 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9780879308650 |
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author | : Eric Chafe |
Publisher | : Oxford University Press |
Total Pages | : 632 |
Release | : 2015-05-01 |
Genre | : Music |
ISBN | : 0190272961 |
In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.