Handbook to Bach's Sacred Cantata Texts

Handbook to Bach's Sacred Cantata Texts
Author: Melvin P. Unger
Publisher: Scarecrow Press
Total Pages: 796
Release: 1996-04-16
Genre: Music
ISBN: 1461659051

The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.

Choral-Orchestral Repertoire

Choral-Orchestral Repertoire
Author: Jonathan D. Green
Publisher: Rowman & Littlefield
Total Pages: 747
Release: 2019-12-05
Genre: Music
ISBN: 1442244674

Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.

Liturgical Music for the Revised Common Lectionary Year C

Liturgical Music for the Revised Common Lectionary Year C
Author: Thomas Pavlechko
Publisher: Church Publishing, Inc.
Total Pages: 175
Release: 2009-05-01
Genre: Music
ISBN: 0898699134

A planning guide for church musicians and clergy for selecting hymns, songs, and anthems, for the three-year liturgical cycle following the Revised Common Lectionary. Hymns and songs keyed to the appropriate liturgical occasion for Sundays in the Revised Common Lectionary for the three-year cycle. This is the first book of the three-book series (Years A, B, and C) Includes selections from The Hymnal 1982, Lift Every Voice and Sing, Wonder, Love, and Praise, Voices Found, and My Heart Sings Out. Tunes are cross referenced to choir and instrumental descant resources from Church Publishing. Each selection is coded for its appropriate use at the entrance, before the Gospel, at the offering of gifts, communion, or at the end of liturgy. Selections are listed by their relationship to the texts appointed for the day with indications which texts are direct quotes or paraphrases of the appointed scripture. First lines of hymns and songs include their page number and book location.

Bach The Borrower

Bach The Borrower
Author: Norman Carrell
Publisher: Taylor & Francis
Total Pages: 397
Release: 2024-11-01
Genre: Music
ISBN: 1040223990

Originally published in 1967, in this book the author delves deeply into the fascinating field of Bach’s music and the reasons for his ‘borrowing’, and adaptation within his oeuvre. This book, scrupulously uncontroversial in its manner, contains evidence which upends many established judgements. Whether concerned with Bach’s artistic personality or with details of his performance, this voluminous record, with commentary, of his adaptations, recompositions or transcriptions is an essential work of reference. When it was first published much of the information on the Choralgesänge and the chorals contained in or intended for the Orgelbüchlein was available for the first time in English.