Canadian Art
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| Author | : Joan Murray |
| Publisher | : Dundurn |
| Total Pages | : 273 |
| Release | : 1999-11-01 |
| Genre | : Art |
| ISBN | : 155488120X |
Canadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray’s book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.
| Author | : Erin Morton |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : |
| Release | : 2022-06-15 |
| Genre | : Art |
| ISBN | : 0228013283 |
Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
| Author | : Anne Dymond |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 220 |
| Release | : 2019-06-30 |
| Genre | : Art |
| ISBN | : 0773557830 |
Despite the common belief that art galleries will naturally become more gender equitable over time, the fact is that many art institutions in Canada have become even less so over the last decade, with female artists making up less than 25 per cent of the contemporary exhibitions of several major galleries. In the first large-scale overview of gender diversity in Canadian art exhibitions, Anne Dymond makes a persuasive plea for more consciously equitable curating. Drawing on data from nearly one hundred institutions, Diversity Counts reveals that while some galleries are relatively equitable, many continue to marginalize female and racialized artists. The book pursues an interdisciplinary approach, considering the art world's resistance to numeric data, discourses on representation and identity, changing conceptualizations of institutional responsibility over time, and different ways particular institutions manage inclusion and exclusion. A thoughtful examination of the duty of public galleries to represent underserved communities, Dymond's study bravely navigates the unspoken criteria for acceptance in the curatorial world. Demonstrating how important hard data is for inclusivity, Diversity Counts is a timely analysis that brings the art world up to date on progressive movements for social transformation.
| Author | : Patricia Bovey |
| Publisher | : Univ. of Manitoba Press |
| Total Pages | : 662 |
| Release | : 2023-02-03 |
| Genre | : Art |
| ISBN | : 0887550835 |
The story of artists in Western Canada, and how they changed the face of Canadian art “Listen to the visual voices of artists. They tell us so poignantly who we are, what we must cherish, and what we must address as a society.” Patricia Bovey Throughout her remarkable career as a gallery director, curator, and author, Patricia Bovey has tirelessly championed the work of Western Canadian artists. Western Voices in Canadian Art brings this lifelong passion to a crescendo, delivering the most ambitious survey of Western Canadian Art to date. Beginning with the earliest European-trained artists in Western Canada, and moving up to present day, Bovey amplifies the depth, scope, and importance of the diverse artists (both settler and Indigenous) whose distinct voices have contributed to the Western Canadian artistic tradition. Bovey then adopts a thematic approach, richly informed by her knowledge and experience, connecting art and artists through time and across provincial boundaries. Insights from Bovey’s studio visits and conversations with artists enhance our understandings of the history and trajectory of, and impetus for Canadian artistic creation. Lavishly illustrated with over 250 works reproduced in full colour, Western Voices in Canadian Art is a book that needs to be seen, and its artists and art celebrated.
| Author | : Joseph A. Kurek |
| Publisher | : Dorrance Publishing |
| Total Pages | : 88 |
| Release | : 2023-04-24 |
| Genre | : Art |
| ISBN | : |
The Dark Dirty Secret Behind Canadian Art By: Joseph A. Kurek About the Book The Dark Dirty Secret Behind Canadian Art takes the reader behind the scenes of the devious plots and hidden conspiracies of wealthy individuals to control the Canadian art world. In Canada, a collection of artists known as the “Group of Seven” have been praised as icons, the best of the best, but how true is this narrative? Were these artists always regarded so highly? Having operated three art galleries alongside his wife in Canada, Joseph Kurek reveals the inner workings of the Canadian art scene in this illuminating and candid work.
| Author | : Loren Ruth Lerner |
| Publisher | : University of Toronto Press |
| Total Pages | : 1646 |
| Release | : 1991-01-01 |
| Genre | : Architecture |
| ISBN | : 9780802058560 |
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
| Author | : Carol A. Mullen |
| Publisher | : Brill |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Canadian literature |
| ISBN | : 9789004414266 |
The first volume of the new series Education, Culture, and Society sheds light on Indigenous justice perspectives in Indigenous literature and art. Decolonizing education, culture, and society is the revolutionary political pulse of this book aimed at educational reform and comprehensive change.
| Author | : Lisa Baldissera |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 2021-10-29 |
| Genre | : |
| ISBN | : 9781487102326 |
Emily Carr (1871--1945) is one of Canada's most beloved artists. An independent woman and a Westerner who gained prominence at a time when female painters were not recognized internationally, her life and work reflect a profound commitment to the land she knew and loved. Carr's sensitive evocations reveal an artist grappling with spiritual questions inspired by the Canadian sea, land, and people. Although more than half a century has passed since her death, any artist who engages with the West Coast must contend with her legacy. Her paintings continue to inspire generations of artists. Along with the Group of Seven, Carr became a leading figure in Canadian modern art in the early twentieth century. Emily Carr: Life & Work traces the artist's trajectory from her life in Victoria, where she struggled to receive acceptance, to her status as one of Canada's most influential painters. With insight and intelligence, author Lisa Baldissera explores how although during Carr's life she endured hardship, personal isolation, and rejection, she persevered to create an iconic vision for the nation. This book explores how Carr travelled extensively, learning from European, American, and Indigenous forms and receiving formal training at art academies as well as from private tutors. In doing so, she continued to grow in artistic power as a result of her own intense observation and of her vigorous experimentation with a variety of methods and media, reflecting the fusion of wide-ranging influences. Baldissera reveals why Carr's art remains relevant today and its legacy interests many contemporary West Coast artists.
| Author | : Gerald McMaster |
| Publisher | : Canadian Art Library |
| Total Pages | : 128 |
| Release | : 2022-03-21 |
| Genre | : |
| ISBN | : 9781487102654 |
Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920-1998) was among them. The first book on the artist by an Indigenous scholar details Reid's incredible journey to becoming one of the most significant Northwest Coast artists of our time. Born in British Columbia and denied his mother's Haida heritage in his youth, Iljuwas Bill Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making. Over his fifty-year career, he created nearly a thousand original works and dozens of texts, and he is remembered as a passionate artist, community activist, mentor, and writer. Reid was often said to embody the Raven, a trickster who transforms the world. He followed in the footsteps of his great-great-uncle, master Haida artist Daxhiigang (Charles Edenshaw), engaging with a culture whose practices were once banned by the Indian Act and producing symbols for a nation. His iconic large-scale works now occupy sites such as the Canadian Embassy in Washington, D.C., and the Museum of Anthropology at the University of British Columbia in Vancouver. Reid's legacy is a complex story of power, resilience, and strength. In Iljuwas Bill Reid: Life & Work, acclaimed scholar Gerald McMaster examines how the artist made a critical inquiry into his craft throughout his life, gaining a sense of identity, purpose, and impact.
| Author | : Sarah Milroy |
| Publisher | : |
| Total Pages | : 320 |
| Release | : 2021-08-31 |
| Genre | : Art |
| ISBN | : 9781773271194 |
A monument to the talent of Canadian women artists in the interwar period. this book provides a full and diverse cross-country survey of the art made by women during this pivotal time, incorporating the work of both settler and Indigenous visual artists in a stirring affirmation of the female creative voice. Residence: Ontario. Print run 2,500.
