Caminantes
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| Author | : Martha Baskin |
| Publisher | : Xlibris Corporation |
| Total Pages | : 158 |
| Release | : 2022-06-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1669827569 |
Caminante – Wanderer is the story of loss and the struggle to recuperate that which is lost. We all make our own way in this world, and, as the poet Antonio Machado pointed out, the path is one we make as we travel. There is no specific way to make that journey, no guidebook. Each of us has our own struggles. Caminante – Wanderer is the story, in verse, of a journey. The book is divided into five sections. The first is Awakening, when the author felt the desire to try and recapture the native language that she felt she had lost. The second one is Sleeplessness, as she wondered how to go about it, followed by Memory, returning to her native country and language. Rescue deals with emerging solution to the dilemma, and finally, Forgetting, as once the conflict was resolved, it was forgotten.
| Author | : Jonathan Impett |
| Publisher | : Routledge |
| Total Pages | : 604 |
| Release | : 2018-10-26 |
| Genre | : Music |
| ISBN | : 0429940858 |
Of the post-war, post-serialist generation of European composers, it was Luigi Nono who succeeded not only in identifying and addressing aesthetic and technical questions of his time, but in showing a way ahead to a new condition of music in the twenty-first century. His music has found a listenership beyond the ageing constituency of ‘contemporary music’. In Nono’s work, the audiences of sound art, improvisation, electronic, experimental and radical musics of many kinds find common cause with those concerned with the renewal of Western art music. His work explores the individually and socially transformative role of music; its relationship with history and with language; the nature of the musical work as distributed through text, time, technology and individuals; the nature and performativity of the act of composition; and, above all, the role and nature of listening as a cultural activity. In many respects his music anticipates the new technological state of culture of the twenty-first century while radically reconnecting with our past. His work is itself a case study in the evolution of musical activity and the musical object: from the period of an apparently stable place for art music in Western culture to its manifold new states in our century. Routledge Handbook to Luigi Nono and Musical Thought seeks to trace the evolution of Nono’s musical thought through detailed examination of the vast body of sketches, and to situate this narrative in its personal, cultural and political contexts.
| Author | : Kay Gray |
| Publisher | : Upper Room Books |
| Total Pages | : 34 |
| Release | : 2015-08-01 |
| Genre | : Religion |
| ISBN | : 0835815420 |
En este librillo, Kay Gray ofrece consejos muy útiles para los directores espirituales de Emaús, en los que se cubren temas como el rol de los Directores espirituales, los requisitos para la selección, y las responsabilidades que se deben asumir antes, durante y después del fin de semana.
| Author | : Martha Brech |
| Publisher | : transcript Verlag |
| Total Pages | : 355 |
| Release | : 2015-09-30 |
| Genre | : Music |
| ISBN | : 3839430763 |
The integration of audible space is a central aspect of electroacoustic music. Ever since the earliest analogue days of electroacoustic music, pioneers of the genre - including Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen, and Luigi Nono - used special devices and methods for their compositions and refined the possibilities of integrating the sound of space into music. In this anthology, analytical portraits of compositions and groups of compositions show the wide spectrum of spatial practices in early electroacoustic music. Additionally, retrospective views on the use of spatial composition in earlier epochs and in instrumental music of the 20th century portray the practice of spatial composition in different eras and genres, as well as the universality of spatial music as a topic. In this way the book contributes to a more differentiated understanding of the term »spatial music«. Die Integration des hörbaren Raums ist ein zentraler Aspekt der elektroakustischen Musik. Schon auf Basis der Analogtechnik entstanden spezielle Geräte und Verfahren, die Pioniere des Genres wie Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen oder Luigi Nono für ihre Vorstellungen von Raummusik heranzogen und weiter entwickelten. In diesem Band, der englisch- und deutschsprachige Beiträge gleichermaßen versammelt, zeigen analytische Portraits einzelner Kompositionen oder Kompositionsgruppen das breite Spektrum spatialer Praktiken in der frühen elektroakustischen Musik. Geschichtliche Rückblicke auf spatiale Kompositionsweisen früherer Epochen bis hin zur instrumentalen Musik des 20. Jahrhunderts stellen den epochen- und genrespezifischen Umgang mit Raum dar und belegen nicht nur die Universalität des Themas Raummusik, sondern leisten auch einen Beitrag zu deren begrifflicher Differenzierung.
| Author | : Joanne Pillsbury |
| Publisher | : |
| Total Pages | : 402 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : |
A definitive resource for early works on indigenous Andean cultures
| Author | : Luigi Nono |
| Publisher | : Univ of California Press |
| Total Pages | : 503 |
| Release | : 2018-10-23 |
| Genre | : Music |
| ISBN | : 0520965027 |
Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono’s most significant essays, articles, and interviews covers his entire career (1948–1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono’s words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.
| Author | : Pilar Riano-Alcala |
| Publisher | : Transaction Publishers |
| Total Pages | : 254 |
| Release | : 2011-12-31 |
| Genre | : Social Science |
| ISBN | : 1412822033 |
Dwellers of Memory is an ethnographic study of how urban youth in Colombia came to be at the intersection of multiple forms of political, drug-related, and territorial violence in a country undergoing forty years of internal armed conflict. It examines the ways in which youth in the city of Medellin reconfigure their lives and, cultural worlds in the face of widespread violence. This violence has transgressed familiar boundaries and destroyed basic social supports and networks of trust. This volume attempts to map and understand its patterns and flows. The author explores how Medellin's youth locate themselves and make, sense of violence through contradictory and shifting memory practices. The violence has not completely taken over their cultural worlds or their subjectivities. Practices of remembering and forgetting are key methods by which these youth rework their identities and make sense of the impact of violence on their lives. While the experience of violence is rooted in urban space and urban youth, the memory dwellers use a sense of place, oral histories of death, and narratives of fear as survival strategies for inhabiting violent neighborhoods. The book also examines fissures in memory, the contradictory constructions of young people's subjective selves, and practices of gendered violence and terror. All have and continue to pose risks to the historical memory and cultural survival of the residents of Medellin. Dwellers of Memory offers an alternative ethnographic approach to the study of memory and violence, one that calls into question whether the, role of the ethnographer of violence is to be a mere witness of terror, or to oppose it by writing against it. It will be of interest to sociologists, anthropologists, and students of, ethnography.
| Author | : Roberto Gonzalez Echevarría |
| Publisher | : Cambridge University Press |
| Total Pages | : 896 |
| Release | : 1996-09-19 |
| Genre | : Literary Criticism |
| ISBN | : 9780521410359 |
The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.
| Author | : Julie Greer Johnson |
| Publisher | : University of Texas Press |
| Total Pages | : 224 |
| Release | : 2014-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 0292760922 |
Satire, the use of criticism cloaked in wit, has been employed since classical times to challenge the established order of society. In colonial Spanish America during the sixteenth through the eighteenth centuries, many writers used satire to resist Spanish-imposed social and literary forms and find an authentic Latin American voice. This study explores the work of eight satirists of the colonial period and shows how their literary innovations had a formative influence on the development of the modern Latin American novel, essay, and autobiography. The writers studied here include Sor Juana Inés de la Cruz, Juan del Valle y Caviedes, Cristóbal de Llerena, and Eugenio Espejo. Johnson chronicles how they used satire to challenge the "New World as Utopia" myth propagated by Spanish authorities and criticize the Catholic church for its role in fulfilling imperialistic designs. She also shows how their marginalized status as Creoles without the rights and privileges of their Spanish heritage made them effective satirists. From their writings, she asserts, emerges the first self-awareness and national consciousness of Spanish America. By linking the two great periods of Latin American literarure—the colonial writers and the modern generation—Satire in Colonial Spanish America makes an important contribution to Latin American literature and culture studies. It will also be of interest to all literary scholars who study satire.
| Author | : Ruth Hill |
| Publisher | : Vanderbilt University Press |
| Total Pages | : 420 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780826514929 |
Using El lazarillo de ciegos caminantes (the "Guide for Blind Rovers" by Alonso Carrio de Lavandera, the best known work of the era) as a jumping off point for a sprawling discussion of 18th-century Spanish America, Ruth Hill argues for a richer, more nuanced understanding of the relationship between Spain and its western colonies. Armed with primary sources including literature, maps, census data, letters, and diaries, Hill reveals a rich world of intrigue and artifice, where identity is surprisingly fluid and always in question. More importantly, Hill crafts a complex argument for reassessing our understanding of race and class distinctions at the time, with enormous implications for how we view conceptions of race and class today.
