Camera Workers
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Author | : Alfred Stieglitz |
Publisher | : Courier Dover Publications |
Total Pages | : 177 |
Release | : 2019-10-16 |
Genre | : Photography |
ISBN | : 0486844684 |
Many of the early twentieth century's finest examples of photography and modernist art reached their widest audience in the fifty issues of Camera Work, edited and published by the legendary photographer Alfred Stieglitz from 1903 to 1917. The lavishly illustrated periodical established photography as a fine art, and brought a new sensibility to the American art world. This volume reproduces chronologically all the photographs and other illustrations (except for advertisements) that ever appeared in the publication. Included here are some of the finest and best-known works by American and European artists and photographers, including numerous photos by Stieglitz himself as well as Edward (as Eduard) Steichen, Paul Strand, Alvin Langdon Coburn, Clarence White, Robert Demachy, Frank Eugene, Julia Margaret Cameron, Gertrude Käsebier, Heinrich Kühn, and many others. Paintings, drawings, and sculpture by Van Gogh, Cézanne, Mary Cassatt, Picasso, Matisse, John Marin, Rodin, Brancusi, and Nadelman—to name just a famous few—appear here as well. Marianne Fulton Margolis provided an extensive historical Introduction about Stieglitz and the magazine and prepared three complete Indexes of the pictures, by title, artist, and sitter. Painstakingly accurate and complete, Camera Work is an indispensable reference for an outstanding period in the history of photography and art.
Author | : Judith Fryer Davidov |
Publisher | : Duke University Press |
Total Pages | : 516 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780822320678 |
Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, Laura Gilpin--author Judith Fryer Davidov examines the influence of the lives and work of a particular network of women photographers linked by time, interaction, and friendship. In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike. 220 photos.
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Total Pages | : 524 |
Release | : 1907 |
Genre | : Photography |
ISBN | : |
Author | : |
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Total Pages | : 592 |
Release | : 1919 |
Genre | : Photography |
ISBN | : |
Author | : Melanie Bell |
Publisher | : University of Illinois Press |
Total Pages | : 393 |
Release | : 2021-07-06 |
Genre | : Performing Arts |
ISBN | : 0252052773 |
Winner of the Theatre Library Association’s Richard Wall Memorial Award Special Jury Prize for an exemplary work in the field of recorded performance After the advent of sound, women in the British film industry formed an essential corps of below-the-line workers, laboring in positions from animation artist to negative cutter to costume designer. Melanie Bell maps the work of these women decade-by-decade, examining their far-ranging economic and creative contributions against the backdrop of the discrimination that constrained their careers. Her use of oral histories and trade union records presents a vivid counter-narrative to film history, one that focuses not only on women in a male-dominated business, but on the innumerable types of physical and emotional labor required to make a motion picture. Bell's feminist analysis looks at women's jobs in film at important historical junctures while situating the work in the context of changing expectations around women and gender roles. Illuminating and astute, Movie Workers is a first-of-its-kind examination of the unsung women whose invisible work brought British filmmaking to the screen.
Author | : |
Publisher | : |
Total Pages | : 638 |
Release | : 1912 |
Genre | : Photography |
ISBN | : |
Author | : Carol J. Williams |
Publisher | : Oxford University Press |
Total Pages | : 236 |
Release | : 2003-10-30 |
Genre | : History |
ISBN | : 9780198033493 |
Framing the West argues that photography was intrinsic to British territorial expansion and settlement on the northwest coast. Williams shows how male and female settlers used photography to establish control over the territory and its indigenous inhabitants, as well as how native peoples eventually turned the technology to their own purposes. Photographs of the region were used to stimulate British immigration and entrepreneuralism, and imagies of babies and children were designed to advertise the population growth of the settlers. Although Indians were taken by Anglos to document their "disappearing" traditions and to show the success of missionary activities, many Indians proved receptive to photography and turned posing for the white man's camera to their own advantage. This book will appeal to those interested in the history of the West, imperialism, gender, photography, and First Nations/Native America. Framing the West was the winner of the Norris and Carol Hundley Prize of the Pacific Coast Branch of the American Historical Association.
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Total Pages | : 688 |
Release | : 1899 |
Genre | : Art |
ISBN | : |
Author | : Charles W. Hastings |
Publisher | : |
Total Pages | : 664 |
Release | : 1910 |
Genre | : Photography |
ISBN | : |
Author | : New York (State). Legislature. Assembly |
Publisher | : |
Total Pages | : 1426 |
Release | : 1889 |
Genre | : Government publications |
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