Camera Adventures in the African Wilds
Author | : Arthur Radclyffe Dugmore |
Publisher | : |
Total Pages | : 366 |
Release | : 1913 |
Genre | : Africa, East |
ISBN | : |
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Author | : Arthur Radclyffe Dugmore |
Publisher | : |
Total Pages | : 366 |
Release | : 1913 |
Genre | : Africa, East |
ISBN | : |
Author | : Arthur Radclyffe Dugmore |
Publisher | : |
Total Pages | : 231 |
Release | : 1913 |
Genre | : Africa, East |
ISBN | : |
Author | : Palle B. Petterson |
Publisher | : McFarland |
Total Pages | : 238 |
Release | : 2011-08-12 |
Genre | : Performing Arts |
ISBN | : 0786485957 |
The cinematographers and directors who shot film in wilderness areas at the turn of the 19th century are some of the unsung heroes of documentary film-making. Apart from severe weather conditions, these men and women struggled with heavy and cumbersome equipment in some of the most unforgiving locales on the planet. This groundbreaking study examines nature, wildlife and wilderness filming from all angles. Topics covered include the beginnings of film itself, the first attempts at nature and expedition filming, technical developments of the period involving cameras and lenses, and the role film has played in wilderness preservation. The individual contributions of major figures are discussed throughout, and a filmography lists hundreds of nature films from the period.
Author | : James R. Ryan |
Publisher | : Reaktion Books |
Total Pages | : 274 |
Release | : 2013-06-01 |
Genre | : Science |
ISBN | : 1780231636 |
Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques. But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren. Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.
Author | : St. Louis Public Library |
Publisher | : |
Total Pages | : 402 |
Release | : 1927 |
Genre | : |
ISBN | : |
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Author | : Pascal James Imperato |
Publisher | : Rutgers University Press |
Total Pages | : 382 |
Release | : 1999-03 |
Genre | : Biography & Autobiography |
ISBN | : 9780813526959 |
Martin and Osa Johnson thrilled American audiences of the 1920s and 30s with their remarkable movies of far-away places, exotic peoples, and the dramatic spectacle of African wildlife. Their own lives were as exciting as the movies they made--sailing through the South Sea Islands, dodging big game at African waterholes, flying small planes over the veldt, taking millionaires on safari. Osa Johnson's ghostwritten autobiography, I Married Adventure, became a national bestseller. The 1939 film version was billed as "the story of World Exploration's First Lady, whose indomitable daring would be stayed by neither snarling lion nor crouching leopard, tropic tempest nor savage tribesman " Heroes to millions, Osa and Martin seemed to embody glamor, daring, and the all-American ideal of self-reliance. Probing beneath the glamor of the Johnsons' public image, Pascal and Eleanor Imperato explore the more human side of the couple's lives--and ways the Johnsons shaped, for better and for worse, America's vision of Africa. Drawing on many years of research, access to a wealth of letters and archives, interviews with many who worked closely with the Johnsons, and their own deep knowledge of Africa, the authors present a fascinating and intimate portrait of this intrepid couple.
Author | : Nicholas B. Dirks |
Publisher | : Princeton University Press |
Total Pages | : 635 |
Release | : 2021-04-13 |
Genre | : Social Science |
ISBN | : 0691228000 |
The intellectual radicalism of the 1960s spawned a new set of questions about the role and nature of "the political" in social life, questions that have since revolutionized nearly every field of thought, from literary criticism through anthropology to the philosophy of science. Michel Foucault in particular made us aware that whatever our functionally defined "roles" in society, we are constantly negotiating questions of authority and the control of the definitions of reality. Such insights have led theorists to challenge concepts that have long formed the very underpinnings of their disciplines. By exploring some of the most debated of these concepts--"culture," "power," and "history"--this reader offers an enriching perspective on social theory in the contemporary moment. Organized around these three concepts, Culture/ Power/History brings together both classic and new essays that address Foucault's "new economy of power relations" in a number of different, contestatory directions. Representing innovative work from various disciplines and sites of study, from taxidermy to Madonna, the book seeks to affirm the creative possibilities available in a time marked by growing uncertainty about established disciplinary forms of knowledge and by the increasing fluidity of the boundaries between them. The book is introduced by a major synthetic essay by the editors, which calls attention to the most significant issues enlivening theoretical discourse today. The editors seek not only to encourage scholars to reflect anew on the course of social theory, but also to orient newcomers to this area of inquiry. The essays are contributed by Linda Alcoff ("Cultural Feminism versus Post-Structuralism"), Sally Alexander ("Women, Class, and Sexual Differences in the 1830s and 1840s"), Tony Bennett ("The Exhibitionary Complex"), Pierre Bourdieu ("Structures, Habitus, Power"), Nicholas B. Dirks ("Ritual and Resistance"), Geoff Eley ("Nations, Publics, and Political Cultures"), Michel Foucault (Two Lectures), Henry Louis Gates, Jr. ("Authority, [White] Power and the [Black] Critic"), Stephen Greenblatt ("The Circulation of Social Energy"), Ranajit Guha ("The Prose of Counter-Insurgency"), Stuart Hall ("Cultural Studies: Two Paradigms"), Susan Harding ("The Born-Again Telescandals"), Donna Haraway ("Teddy Bear Patriarchy"), Dick Hebdige ("After the Masses"), Susan McClary ("Living to Tell: Madonna's Resurrection of the Fleshly"), Sherry B. Ortner ("Theory in Anthropology since the Sixties"), Marshall Sahlins ("Cosmologies of Capitalism"), Elizabeth G. Traube ("Secrets of Success in Postmodern Society"), Raymond Williams (selections from Marxism and Literature), and Judith Williamson ("Family, Education, Photography").