Calido Contemporary Warm Glass
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Karen LaMonte
Author | : Karen LaMonte |
Publisher | : University of Washington Press |
Total Pages | : 98 |
Release | : 2005 |
Genre | : Architecture |
ISBN | : |
"Karen LaMonte is a leading figure among a generation of American artists using glass in large-scale sculptural work that exemplifies technical achievement coupled with artistic quality ... whose work reflects a sophisticated American probing into social and gender issues ... LaMonte began using the dress as a sculptural form and metaphorical symbol ... life-sized dresses ... which ... project ideals of appearance and wealth promoted by haute couture, while questioning the psychological and social implications of the way we dress ... While glass is LaMonte's primary medium, she frequently incorporates both photography and printmaking processes in her work, innovatively exploring different media to elaborate her conceptual ideas"--Http://www.museumofglass.org/s01_exhibition28.jsp.
The Persistence of Craft
Author | : Paul Greenhalgh |
Publisher | : Rutgers University Press |
Total Pages | : 236 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780813532646 |
In The Persistence of Craft, contributors discuss the development of not only six specific crafts--glass, ceramics, jewelry, wood, textiles, and metal--but also the trends and movements that have helped shape their developments. Includes 180 full-color illustrations.
Richard Marquis Objects
Author | : Tina Oldknow |
Publisher | : |
Total Pages | : 154 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Richard Marquis has had an extraordinary influence on the development of contemporary studio glass in America and around the world. Studying at the University of California at Berkeley during the 1960s, he explored ceramics and was introduced to glassblowing. Unsatisfied by the limited techniques practiced in American studio glass at that time, Marquis went to the island of Murano, near Venice, to observe and work with the masters of a glassblowing tradition acknowledged as the best in the world. Freely sharing the techniques he learned in Venice, Marquis has demonstrated and taught throughout the U.S., Europe, Japan, Australia, and New Zealand. The effect of Venetian glassblowing techniques on American studio glass enabled glass artists to expand their technical vocabularies and, combined with new and experimental approaches, led to the redefinition of glass as an artistic medium. As an artist, Marquis is admired for his sophisticated understanding of color and form as much as for his humor and willingness to experiment. As a glassblower, he has influenced an entire generation of artists working in glass who aspire to his technical mastery and the originality of his voice. He lives on an island in Puget Sound.
Fire and Form
Author | : William Warmus |
Publisher | : University of Washington Press |
Total Pages | : 150 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
South Florida is home to some of the world's premier private collections of studio glass, collections whose abundance, diversity, and quality are celebrated in Fire and Form. This volume features more than 100 works by 31 of the best-known American and European glass artists of our time, including Jaroslava Brychtova, Dale Chihuly, Dan Dailey, Stanislav Libensky, William Morris, Tom Patti, Lino Tagliapietra, and many others. William Warmus identifies four prominent themes in the relatively recent development of studio glass (since 1960) that provide a framework for exploring the rich variety of works presented in this book. The first theme is what Warmus has called the particular affinity between nature and the making of glass: Where nature creates a heart, the glass artist creates a heart-felt vessel. The second is the ability of glass, equally to that of painting and sculpture, to convey the power of abstraction and color. A third theme is the prevalent use of glass - sometimes called the new bronze - to depict the human figure and animal forms. The final section deals with the theatrical nature of installations and environmental sculptures, demonstrating the surprising capability of glass to impose itself physically and emotionally on the space we inhabit, altering our very perception of it. ancient Egypt, and places contemporary glass within the context of contemporary art and theory at large. In addition, the book includes selected artists' bibliographies and a chronological bibliography of contemporary glass that lists key historical events, general trends and developments, and important publications. Fire and Form offers a unique perspective on this vital and intoxicating medium, and its publication is a welcome event for all lovers of glass - those who make it, those who collect it, and those who admire it.
Awards in Painting, Sculpture, Printmaking, Photography, Video, and Craft Media
Author | : Louis Comfort Tiffany Foundation |
Publisher | : |
Total Pages | : 92 |
Release | : 2002 |
Genre | : Art |
ISBN | : |