Cai Guo Qiang And Pompeii
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Author | : Jerome Neutres |
Publisher | : Silvana Editoriale |
Total Pages | : 176 |
Release | : 2020-03-17 |
Genre | : Art |
ISBN | : 9788836640591 |
Cai Guo-Qiang, a Chinese artist known throughout the world for his exciting performances with fire, presents in this volume the works created in Naples as part of the project "In the Volcano". With these works, resulting from his "explosion workshop", the artist created a short circuit between our present and the memories of ancient Rome.0Cai Guo-Qiang, as a modern Prometheus, plays with his mastery in dominating the fire, and drawing on the powerful and suggestive traditions of the oriental world he crafts pyrotechnic works and performances with which he invites us to rediscover the inescapable bonds between the classical past and the modern sensibility, and in particular between the explosion that in 79 A.D. destroyed Pompei - paradoxically preserving it for us - and artistic creation.00Exhibition: Museo Archeologico, Naples, Italy (23.02-20.05.2019).
Author | : Guoqiang Cai |
Publisher | : |
Total Pages | : 188 |
Release | : 2017 |
Genre | : Art |
ISBN | : |
Catalogues Cai Guo-Qiang's recent exhibition at the Prado, the first in over thirty years to focus solely on his painting, and the first time that an artist had created on-site at the Prado. It explores Cai Guo-Qiang's ongoing dialogue with El Greco and the way he established a relationship with the great masters represented in the Prado. It reproduces nearly thirty paintings made with gunpowder, eight of which were ignited on-site at the Salón de Reinos. It also features an oil and an acrylic created at the start of his activities as a painter; and various sketches and drawings on matchboxes by his father, Cai Ruiqin, who steered him towards painting. The catalogue includes texts and essays by Miguel Zugaza, Alejandro Vergara, Kosme Barañano and Cai Guo-Qiang himself, in which he reflects on his life and artistic career and on the principles and concerns that have governed the evolution of his work.
Author | : Henry M. Sayre |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9780205677207 |
This text provides students with a wonderfully written introduction to art that emphasizes critical thinking and visual literacy.Developing Visual Literacy. The Themes of Art. Seeing the Value in Art. Line. Space. Light and Color. Other Formal Elements. The Principles of Design. Drawing. Printmaking. Painting. The Camera Arts. Sculpture. Other Three-Dimensional Media. Architecture. Design. The Ancient World. The Christian Era. The Renaissance Through the Baroque. The Eighteenth and Nineteenth Centuries. The Twentieth Century.For anyone looking to develop an appreciation for a diverse range of art.
Author | : Debra J. DeWitte |
Publisher | : |
Total Pages | : |
Release | : 2018-10 |
Genre | : |
ISBN | : 9780500841341 |
Flexible organization, inclusive illustration program, expanded media resources.
Author | : Christine Starkman |
Publisher | : |
Total Pages | : 168 |
Release | : 2012 |
Genre | : Landscape in art |
ISBN | : 9780300179613 |
"An exploration, celebration, and commemoration of Odyssey, a monumental gunpowder drawing by world-renowned contemporary artist Cai Guo-Qiang installed at the Museum of Fine Arts, Houston. The book narrates the literally explosive creation of Odyssey through a combination of text and photographs"--Provided by publisher.
Author | : Maja Fowkes |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2021-06-29 |
Genre | : Art |
ISBN | : 3956795733 |
A look, through the work of Ilona Németh, at the transitioning social and economic infrastructure of Eastern Europe. Eastern Sugar was the name chosen by Générale Sucrière and Tate & Lyle for their joint venture to acquire sugar factories across Central Europe after the fall of communism in 1989. In the mid-2000s, the Franco-British consortium cashed in its investment to take advantage of a European Union compensation scheme and permanently shut down its sites. This book takes as its starting point artist Ilona Németh’s extensive research into the history of sugar production in the region, from its beginnings in the early nineteenth century, when northern sugar beet emerged as a competitor to southern sugar cane, to the social impact of the rapid decline of the industry in the era of peak globalization. The fate of Eastern Sugar is explored as a microcosm of the mechanisms of postcommunist transition across Central Europe from the opportunism of financial speculators to the endemic corruption of privatization, posing the question of whether neoliberal marketization was the only viable exit strategy from state socialism. Contributions dealing with the social and environmental legacies of Caribbean sugar plantations situate the sugar histories of Eastern Europe within the spread of a monocultural system based on (neo)colonial extractivism. Through critical texts, conversations, and artistic interventions, Ilona Németh: Eastern Sugar restores complexity to the history of the rapid decline of the Slovak sugar industry, and by extension the wider social and economic infrastructure of transition in Central Europe, while at the same time opening up planetary trajectories for postcapitalist alternatives. Contributors Edit András, Fedor Blaščák and Rado Baťo, Johanna Bockman, Kathrin Böhm, Anetta Mona Chișa, Cooking Sections, Annalee Davis, Maja and Reuben Fowkes, Ferenc Gróf, Dušan Janíček, Edit Molnár, Ilona Németh, Michael Niblett, Raj Patel and Jason W. Moore, Joanna Sokołowska, Imre Szeman, Raluca Voinea copublished with Slovak National Gallery, Bratislava
Author | : Jens M. Deahner |
Publisher | : Getty Publications |
Total Pages | : 18 |
Release | : 2015-05-24 |
Genre | : Art |
ISBN | : 1606064398 |
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.
Author | : Martin Gayford |
Publisher | : Thames & Hudson |
Total Pages | : 467 |
Release | : 2018-06-12 |
Genre | : Art |
ISBN | : 0500774242 |
Martin Gayford’s masterful account of painting in London from the Second World War to the 1970s, illustrated by documentary photographs and the works themselves The development of painting in London from the Second World War to the 1970s has never before been told before as a single narrative. R. B. Kitaj’s proposal, made in 1976, that there was a “substantial School of London” was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley. Modernists and Mavericks explores this period based on an exceptionally deep well of firsthand interviews, often unpublished, with such artists as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. But Martin Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Giacometti, and (through the teaching passed down at the major art school) the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were bound by their confidence that this ancient medium could do fresh and marvelous things, and explored in their diverse ways, the possibilities of paint.
Author | : D. Fairchild Ruggles |
Publisher | : Springer Science & Business Media |
Total Pages | : 219 |
Release | : 2009-06-12 |
Genre | : Social Science |
ISBN | : 1441900721 |
Archaeological research has long focused on studying tangible artifacts to build a picture of the cultures it examines. Equally important to understanding a culture, however, are the intangible elements that become part of its heritage. In 2003, UNESCO adopted a convention specifically to protect intangible heritage, including the following: oral traditions and expressions, including language; performing arts (such as traditional music, dance, and theater); social practices, rituals, and festive events; knowledge and practices concerning nature and the universe; and traditional craftsmanship. Since this convention was adopted, scholars and preservationists have struggled with how to best approach intangible heritage. This volume specifically focuses on embodied intangible heritage, or the human body as a vehicle for memory, movement, and sound. The contributors to this work examine ritual and artistic movement, theater, music, oral literature, as well as the role of the internet in cultural transmission. Globalization and particularly the internet, has a complex effect on the transmission of intangible heritage: while music, dance, and other expressions are now shared easily, the performances often lack context and may be shared with a group that does not fully understand what they are seeing or hearing. This volume draws on case studies from around the world to examine the problems and possibilities of implementing the new UNESCO convention. The findings in this volume will be vital to both professionals and academics in anthropology, archaeology, history, museum studies, architecture, and anyone else who deals with issues of cultural heritage and preservation.
Author | : David W. Pankenier |
Publisher | : Cambridge University Press |
Total Pages | : 617 |
Release | : 2013-10-10 |
Genre | : History |
ISBN | : 1107006724 |
Drawing on a vast array of scholarship, this pioneering text illustrates how profoundly astronomical phenomena shaped ancient Chinese civilization.