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| Author | : James Cagney |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 242 |
| Release | : 2005-03-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0385520263 |
This book is for the true fan of James Cagney. Mr. Cagney tells his story as no one can.
| Author | : Richard Schickel |
| Publisher | : Pavilion Books, Limited |
| Total Pages | : 186 |
| Release | : 1999 |
| Genre | : Motion picture actors and actresses |
| ISBN | : 9781862050235 |
This is an analysis of Cagney's screen characters and career. It recounts how he began his Hollywood career, and claims that he was the movies' symbol of the aspirations of America's urban second generation. Himself the child of immigrants, Cagney represented the spirit they believed could lift them out of the ghetto to power and prosperity. The drama of his first films, mostly comedies, revolved around the energetic assertion of his sprightly self in a world that was far from sprightly - Depression America.
| Author | : Doug Warren |
| Publisher | : Robson Books Limited |
| Total Pages | : 239 |
| Release | : 1986 |
| Genre | : Motion picture actors and actresses |
| ISBN | : 9780860514121 |
| Author | : Sharon Gless |
| Publisher | : Simon and Schuster |
| Total Pages | : 320 |
| Release | : 2021-12-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1501125974 |
Emmy Award–winning actress Sharon Gless tells all in this laugh-out-loud, juicy, “unforgettably memorable” (Lily Tomlin) memoir about her five decades in Hollywood, where she took on some of the most groundbreaking roles of her time. Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she’s someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless’s five decades in Hollywood. A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon’s parents’ divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles. Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers. Apparently There Were Complaints delves into Gless’s remarkable career and explores Gless’s complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood’s biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived—never with moderation.
| Author | : Julie D'Acci |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 359 |
| Release | : 2000-11-09 |
| Genre | : Social Science |
| ISBN | : 0807860964 |
Defining Women explores the social and cultural construction of gender and the meanings of woman, women, and femininity as they were negotiated in the pioneering television series Cagney and Lacey, starring two women as New York City police detectives. Julie D'Acci illuminates the tensions between the television industry, the series production team, the mainstream and feminist press, various interest groups, and television viewers over competing notions of what women could or could not be--not only on television but in society at large. Cagney and Lacey, which aired from 1981 to 1988, was widely recognized as an innovative treatment of working women and developed a large and loyal following. While researching this book, D'Acci had unprecedented access to the set, to production meetings, and to the complete production files, including correspondence from network executives, publicity firms, and thousands of viewers. She traces the often heated debates surrounding the development of women characters and the representation of feminism on prime-time television, shows how the series was reconfigured as a 'woman's program,' and investigates questions of female spectatorship and feminist readings. Although she focuses on Cagney and Lacey, D'Acci discusses many other examples from the history of American television.
| Author | : Ellen Matney |
| Publisher | : Archway Publishing |
| Total Pages | : 426 |
| Release | : 2021-10-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781665710985 |
Everything was against him from the beginning; poor parents, a sickly infant, bullied as a child, directionless adult, but he still made it. He angered his studio, but fans adored him. What made Cagney, Cagney? You have seen his films, now meet the man. It was not the movies that made the man, it was the man who made the movies. --Ellen Matney
| Author | : James Cagney |
| Publisher | : Nomadic |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Poetry |
| ISBN | : 9781955239073 |
The poems in BLACK STEEL MAGNOLIAS IN THE HOUR OF CHAOS THEORY interrogate identity, family, loneliness, and the expectations of masculinity. Using dreams, blues, and a chorus of voices, this collection of poems examines the complexities of intimacy for an adopted person trying to find balance between two families--one rattled by age and illness; the other, holding space for a son that doesn't exist. Poetry. Second Edition.
| Author | : John McCabe |
| Publisher | : Knopf |
| Total Pages | : 701 |
| Release | : 2013-05-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307830993 |
John McCabe's participation in the writing of James Cagney's autobiography, the many years of friendship that followed, and an intense period of interview and discussion in preparation for a musical comedy based on Cagney's life--a show that never saw the light of day--make him Cagney's ideal biographer. And, indeed, he has written a searching chronicle of this major actor's life and career, packed with history and anecdote, and profusely illustrated. Cagney came from a poor Irish-American New York family but once he found his métier as an actor, it was not long before he was recognized as a brilliantly energetic and powerful phenomenon. After the tremendous impact of Public Enemy--in which he notoriously pushed half a grapefruit into Mae Clarke's face--he was typecast as a gangster because of the terrifying violence that seemed to be pent up within him. Years of pitched battle with Warner Brothers finally liberated him from those roles, and he went on to star in such triumphs as the musicals Yankee Doodle Dandy (winning the 1942 Oscar for best actor) and Love Me or Leave Me. Even so, one of his greatest later roles involved a return to crime--as the psychopathic killer in the terrifying White Heat. He retired from films in 1961 after making Billy Wilder's One, Two, Three, only to return twenty years later for Ragtime. But however much Cagney personified violence and explosive energy on the screen, in life he was a quiet, introspective, and deeply private man, a poet, painter, and environmentalist, whose marriage to his early vaudeville partner was famously loyal and happy. His story is one of the few Hollywood biographies that reflect a fulfilled life as well as a spectacular career.
| Author | : James L. Neibaur |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 229 |
| Release | : 2014-10-03 |
| Genre | : Performing Arts |
| ISBN | : 1442242205 |
One of the biggest stars of the golden age of Hollywood, James Cagney appeared in more than sixty films throughout his career. In addition to starring in the classics White Heat, Mister Roberts, and One, Two, Three, Cagney received the Academy Award for his performance as George M. Cohan in Yankee Doodle Dandy. From his debut in Sinner’s Holiday to one of his many gangster portrayals in The Roaring Twenties, the actor appeared in more than thirty films of the 1930s. Though he started out in supporting roles, Cagney quickly became a leading man and by the end of the decade, he was a box-office star. In James Cagney Films of the 1930s, James L. Neibaur reviews the first decade of the great actor’s work. A film-by-film look at Cagney’s movies during this pivotal period, this book traces the actor’s transition from a song-and-dance man on stage to a tough guy on screen. Although Cagney occasionally was able to deviate from studio typecasting—in such films as Footlight Parade and A Midsummer Night’s Dream—his most notable roles were in gangster dramas like The Public Enemy and Angels with Dirty Faces. Throughout this book, Neibaur provides readers with plot summaries, production details, and critical and commercial reception of each film. For fans of the actor’s work, James Cagney Films of the 1930s is an invaluable resource that will also appeal to anyone interested in movie-making during one of Hollywood’s greatest eras.
| Author | : Leonard Maltin |
| Publisher | : Paladin Communications |
| Total Pages | : 570 |
| Release | : 2018-07-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 1732273502 |
Leonard Maltin is America's best-known film historian, film reviewer, and author of books that have sold more than 7 million copies. He remains a thought leader on past and present Hollywood through his website www.leonardmaltin.com, and a social media presence that includes an active Facebook page and a Twitter feed with more than 66,000 followers. In Hooked on Hollywood, Maltin opens up his personal archive to take readers on a fascinating journey through film history. He first interviewed greats of Hollywood as a precocious teenager in 1960s New York City. He used what he learned from these luminaries to embark on a 50-year (and counting) career that has included New York Times bestselling books, 30 years of regular appearances coast-to-coast on Entertainment Tonight, movie introductions on Turner Classic Movies, and countless other television and radio performances. Early Maltin interviews had literally been stored in his garage for more than 40 years until GoodKnight Books brought them to light for the first time in this volume to entertain readers and inform future film scholars. Teenaged Leonard Maltin landed one-on-ones with Warner Bros. sexy pre-Code siren Joan Blondell; Emmy-winning and Oscar-nominated actor Burgess Meredith; Cecil B. DeMille's right-hand-man Henry Wilcoxon; Oscar-winning actor Ralph Bellamy; playwright, novelist, and MGM screenwriter Anita Loos; early screen heartthrob George O'Brien; classic Paramount director Mitchell Leisen; and others. Later in his career, Maltin sat down with men and women who worked inside the top studios during the heyday of movies and early television. This second set of in-depth interviews reveals what life was like under Louis B. Mayer, Jack Warner, Harry Cohn, and the other titans of Hollywood. What emerges is a fascinating and at times uproarious homage to Golden Era Hollywood. In addition, key feature articles from Maltin's newsletter Movie Crazy are published here for the first time, providing new perspectives on the Warner Bros. classics Casablanca and Gold Diggers of 1933 as well as many other masterpieces—and bombs—from Hollywood history. Finally, Maltin looks back at what he considers Hollywood's "overlooked" studio, RKO Radio Pictures, which gave us such classics as King Kong and the many dance musicals of Astaire and Rogers. In Leonard's unique and witty style, he looks at dozens of obscure RKO features from the 1930s, including saucy pre-Codes, musicals, comedies, and mysteries. Leonard Maltin's love of movies and vast knowledge about their history shines through from the first page to the last in this unique volume, which includes 150 rare photos and a comprehensive index.
