Caged Heat
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Author | : Tony Loxley |
Publisher | : |
Total Pages | : 520 |
Release | : 2016-09-05 |
Genre | : |
ISBN | : 9780980858976 |
The most powerful, thrilling, and popular cars and drivers ever to race on dirt track ovals spring from these pages! Sprint car racing competition in and between the US, Australia and New Zealand has never been better than it is today. Sprint car fans are among the most loyal in motorsports, they are truly dedicated to the tracks, the drivers ......
Author | : Zach Schonfeld |
Publisher | : Oxford University Press |
Total Pages | : 393 |
Release | : 2023-04-25 |
Genre | : Performing Arts |
ISBN | : 019755637X |
"How Coppola Became Cage chronicles Nicolas Cage's early career and rise to fame, examining the formative performances that made him an icon of independent cinema in the 1980s and early 1990s. Drawing on more than 100 new interviews with Cage's collaborators-including filmmakers David Lynch, John Patrick Shanley, Mike Figgis, Martha Coolidge, and Amy Heckerling-this book offers a revealing portrait of Cage's origin story as a member of the Coppola family, his early roles in low-budget teen films, and his rise to stardom with memorable performances in cult films like Raising Arizona, Moonstruck, and Wild at Heart. The book examines how Cage drew on influences as eclectic as silent cinema and German Expressionism while displaying an intense commitment to his performances both on- and off-screen. The book demystifies the actor's onscreen eccentricities and argues that his commercial failures are as interesting as his successes. How Coppola Became Cage meticulously traces Cage's career from 1981, when he was a young drama student at Beverly Hills High, to 1995, when he gave an Oscar-winning performance as a suicidal alcoholic in Leaving Las Vegas."--
Author | : Judith Halberstam |
Publisher | : Duke University Press |
Total Pages | : 348 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : 9780822322436 |
Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among "transgender dykes"--lesbians who pass as men--and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.
Author | : Susan M. Griffin |
Publisher | : Oxford University Press |
Total Pages | : 278 |
Release | : 2011-12-19 |
Genre | : Performing Arts |
ISBN | : 019991057X |
Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know? The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James. A wide-range of approaches offer fresh insights about spectatorship, narrative structure, and cinematic representation, as well as the relationship between technology and art, the powers of silence, sensory-and sensational-experiences, the impact of cognition, and the uncertainty of interpretation. The essays explore the avowal and disavowal of familial bonds, as well as questions of Victorian convention, female agency, and male anxiety. And they fruitfully engage issues related to patriarchy, colonialism, national, transnational, and global identities. The capacious collection, with its brilliant insights and intellectual surprises, is equally compelling in its range and cogency for James readers and film theorists, for Hitchcock fans and James scholars.
Author | : Shirley A. Jackson |
Publisher | : Routledge |
Total Pages | : 269 |
Release | : 2018-06-13 |
Genre | : Social Science |
ISBN | : 1351582690 |
The Netflix series Orange is the New Black has drawn widespread attention to many of the dysfunctions of prisons and the impact prisons have on those who live and work behind the prison gates. This anthology deepens this public awareness through scholarship on the television program and by exploring the real-world social, psychological, and legal issues female prisoners face. Each chapter references a particular connection to the Netflix series as its starting point of analysis. The book brings together scholars to consider both media representations as well as the social justice issues for female inmates alluded to in the Netflix series Orange is the New Black. The chapters address myriad issues including cultural representations of race, class, gender, and sexuality; social justice issues for transgender inmates; racial dynamics within female prisons; gender and female prison structures/policies; treatment of women in prison; re-incarcerated and previously incarcerated women; self and identity; gender, race, and sentencing; and reproduction and parenting for female inmates.
Author | : Henry Jenkins |
Publisher | : NYU Press |
Total Pages | : 292 |
Release | : 2007 |
Genre | : Social Science |
ISBN | : 0814742823 |
Whether highlighting the sentimentality at the heart of the Lassie franchise, examining the emotional experiences created by horror filmmakers such as Wes Craven, or discussing the emerging aesthetics of video games, these essays get to the heart of what gives popular culture its emotional impact.
Author | : Louis Black |
Publisher | : University of Texas Press |
Total Pages | : 416 |
Release | : 2018-02-26 |
Genre | : Performing Arts |
ISBN | : 1477315446 |
Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.
Author | : Katherine A Foss |
Publisher | : SIU Press |
Total Pages | : 367 |
Release | : 2018-07-06 |
Genre | : Social Science |
ISBN | : 0809336588 |
Essays in this volume illustrate how shows such as Orange Is the New Black and Oz impact the public’s perception of crime rates, the criminal justice system, and imprisonment. Contributors look at prison wives on reality television series, portrayals of death row, breastfeeding while in prison, transgender prisoners, and black masculinity. They also examine the ways in which media messages ignore an individual’s struggle against an all too frequently biased system and instead dehumanize the incarcerated as violent and overwhelmingly masculine. Together these essays argue media reform is necessary for penal reform, proposing that more accurate media representations of prison life could improve public support for programs dealing with poverty, abuse, and drug addiction—factors that increase the likelihood of criminal activity and incarceration. Scholars from cultural and critical studies, feminist studies, queer studies, African American studies, media studies, sociology, and psychology offer critical analysis of media depictions of prison, bridging the media’s portrayals of incarcerated lives with actual experiences and bringing to light forgotten voices in prison narratives.
Author | : Rikke Schubart |
Publisher | : McFarland |
Total Pages | : 369 |
Release | : 2014-08-23 |
Genre | : Performing Arts |
ISBN | : 0786482842 |
With actress Pam Grier's breakthrough in Coffy and Foxy Brown, women entered action, science fiction, war, westerns and martial arts films--genres that had previously been considered the domain of male protagonists. This ground-breaking cinema, however, was--and still is--viewed with ambivalence. While women were cast in new and exciting roles, they did not always arrive with their femininity intact, often functioning both as a sexualized spectacle and as a new female hero rather than female character. This volume contains an in-depth critical analysis and study of the female hero in popular film from 1970 to 2006. It examines five female archetypes: the dominatrix, the Amazon, the daughter, the mother and the rape-avenger. The entrance of the female hero into films written by, produced by and made for men is viewed through the lens of feminism and post-feminism arguments. Analyzed works include films with actors Michelle Yeoh and Meiko Kaji, the Alien films, the Lara Croft franchise, Charlie's Angels, and television productions such as Xena: Warrior Princess and Alias.
Author | : Julian Petley |
Publisher | : Bloomsbury Publishing |
Total Pages | : 336 |
Release | : 2021-11-18 |
Genre | : Performing Arts |
ISBN | : 1350136298 |
This collection focuses on 1970s films from a variety of countries, and from the marginal to the mainstream, which, by tackling various 'difficult' subjects, have proved to be controversial in one way or another. It is not an uncritical celebration of the shocking and the subversive but an attempt to understand why this decade produced films which many found shocking, and what it was that made them shocking to certain audiences. To this end it includes not only films that shocked the conventionally minded, such as hard core pornography, but also those that outraged liberal opinion – for example, Death Wish and Dirty Harry. The book does not simply cast a critical light on a series of controversial films which have been variously maligned, misinterpreted or just plain ignored, but also assesses how their production values, narrative features and critical receptions can be linked to the wider historical and social forces that were dominant during this decade. Furthermore, it explores how these films resonate in our own historical moment – replete as it is with shocks of all kinds.