Byzantine Thought And Art
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Author | : Richard Krautheimer |
Publisher | : Yale University Press |
Total Pages | : 566 |
Release | : 1992-01-01 |
Genre | : Architecture |
ISBN | : 9780300052947 |
By now a classic, it presents in a single volume a coherent overall view of the history and the changing character of Early Christian and Byzantine architecture, from Rome and Milan to North Africa, from Constantinople to Greece and the Balkans, and from Egypt and Jerusalem to the villages and monasteries of Syria, Asia Minor, Armenia, and Mesopotamia.
Author | : Constantine Cavarnos |
Publisher | : Institute for Byzantine & Modern Greek Studies, Incorporated |
Total Pages | : 144 |
Release | : 1968 |
Genre | : History |
ISBN | : |
Author | : Bissera V |
Publisher | : Penn State Press |
Total Pages | : 346 |
Release | : |
Genre | : Art |
ISBN | : 0271035846 |
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author | : Liz James |
Publisher | : Cambridge University Press |
Total Pages | : 246 |
Release | : 2010-10-18 |
Genre | : Art |
ISBN | : 9780521168762 |
Art and Text in Byzantine Culture explores the relationship between images and words, and examines the different types of interactions between pictures and texts in Byzantine art. Byzantium is the only major world power to have experienced political upheaval on a vast scale as a result of an argument about art. Consequently, the dynamic between art and text in Byzantium is essential to understanding Byzantine art and culture. It allows us to explore the close linking of image and word in a society where the correct relationship between the two was critical to the well-being of the state. Composed of specially-commissioned essays written by an international team of scholars, this volume analyzes how the Byzantines wrote about art, how images and text work together in Byzantine art, and how the words written on Byzantine artworks contribute to their meaning.
Author | : Henry Maguire |
Publisher | : Oxford University Press |
Total Pages | : 219 |
Release | : 2012-08-16 |
Genre | : Art |
ISBN | : 0199766606 |
Nature and Illusion is the first extended study of the portrayal of nature in Byzantine art and literature. It provides a new view of Byzantine art in relation to the medieval art of Western Europe.
Author | : Anna Usacheva |
Publisher | : Brill Schoningh |
Total Pages | : 278 |
Release | : 2021 |
Genre | : Christian heresies |
ISBN | : 9783506703392 |
This volume explores the long-standing tensions between such notions as soul and body, spirit and flesh, in the context of human immortality and bodily resurrection. The discussion revolves around late antique views on the resurrected human body and the relevant philosophical, medical and theological notions that formed the background for this topic. Soon after the issue of the divine-human body had been problematized by Christianity, it began to drift away from vast metaphysical deliberations into a sphere of more specialized bodily concepts, developed in ancient medicine and other natural sciences. To capture the main trends of this interdisciplinary dialogue, the contributions in this volume range from the 2nd to the 8th centuries CE, and discuss an array of figures and topics, including Justin, Origen, Bar Daisan, and Gregory of Nyssa.
Author | : Linda Safran |
Publisher | : Penn State Press |
Total Pages | : 316 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
Contains eight lectures given at a fall 1991 lecture series at the Smithsonian Institution, examining the individual and collective experiences of the Byzantine faithful in order to understand the interaction of religion and art in Byzantium and thus bring the civilization to life. Topics include central themes in Byzantine theology, architecture and the liturgy, Byzantine silver plate, and illustrated service books of Byzantium. Excerpts from original sources are quoted extensively. Includes bandw and color photos and a glossary. Paper edition (unseen), $27.50. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Roland Betancourt |
Publisher | : Princeton University Press |
Total Pages | : 288 |
Release | : 2020-10-06 |
Genre | : Art |
ISBN | : 069117945X |
"Intersectionality, a term coined in 1989, is rapidly increasing in importance within the academy, as well as in broader civic conversations. It describes the study of overlapping or intersecting social identities such as race, gender, ethnicity, nationality, and sexual orientation alongside related systems of oppression, domination, and discrimination. Together, these frameworks are used to understand how systematic injustice or social inequality occurs. In this book, Roland Betancourt examines the presence of marginalized identities and intersectionality in the medieval era. He reveals the fascinating, little-examined conversations in medieval thought and visual culture around matters of sexual and reproductive consent, bullying, non-monogamous marriages, homosocial and homoerotic relationships, trans and non-binary gender identifications, representations of disability, and the oppression of minorities. In contrast to contemporary expectations of the medieval world, this book looks at these problems from the Byzantine Empire and its neighbors in the eastern mediterranean through sources ranging from late antiquity and early Christianity up to the early modern period. In each of five chapters, Betancourt provides short, carefully scaled narratives used to illuminate nuanced and surprising takes on now-familiar subjects by medieval thinkers and artists. For example, Betancourt examines depictions of sexual consent in images of the Virgin; the origins of sexual shaming and bullying in the story of Empress Theodora; early beginnings of trans history as told in the lives of saints who lived portions of their lives within different genders; and the ways in which medieval authors understood and depicted disabilities. Deeply researched, this is a groundbreaking new look at medieval culture for a new generation of scholars"--
Author | : Anthony Kaldellis |
Publisher | : Harvard University Press |
Total Pages | : 309 |
Release | : 2015-02-02 |
Genre | : History |
ISBN | : 0674967402 |
Although Byzantium is known to history as the Eastern Roman Empire, scholars have long claimed that this Greek Christian theocracy bore little resemblance to Rome. Here, in a revolutionary model of Byzantine politics and society, Anthony Kaldellis reconnects Byzantium to its Roman roots, arguing that from the fifth to the twelfth centuries CE the Eastern Roman Empire was essentially a republic, with power exercised on behalf of the people and sometimes by them too. The Byzantine Republic recovers for the historical record a less autocratic, more populist Byzantium whose Greek-speaking citizens considered themselves as fully Roman as their Latin-speaking “ancestors.” Kaldellis shows that the idea of Byzantium as a rigid imperial theocracy is a misleading construct of Western historians since the Enlightenment. With court proclamations often draped in Christian rhetoric, the notion of divine kingship emerged as a way to disguise the inherent vulnerability of each regime. The legitimacy of the emperors was not predicated on an absolute right to the throne but on the popularity of individual emperors, whose grip on power was tenuous despite the stability of the imperial institution itself. Kaldellis examines the overlooked Byzantine concept of the polity, along with the complex relationship of emperors to the law and the ways they bolstered their popular acceptance and avoided challenges. The rebellions that periodically rocked the empire were not aberrations, he shows, but an essential part of the functioning of the republican monarchy.
Author | : Gary Vikan |
Publisher | : |
Total Pages | : 58 |
Release | : 1982 |
Genre | : Art and religion |
ISBN | : |