Burke And The Fall Of Language
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| Author | : Jane Hodson |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351923412 |
The Revolution in France of 1789 provoked a major 'pamphlet war' in Britain as writers debated what exactly had happened, why it had happened, and where events were now headed. Jane Hodson's book explores the relationship between political persuasion, literary style, and linguistic theory in this war of words, focusing on four key texts: Edmund Burke's Reflections on the Revolution in France, Mary Wollstonecraft's A Vindication of the Rights of Men, Thomas Paine's Rights of Man, and William Godwin's Enquiry Concerning Political Justice. While these texts form the core of Hodson's project, she ranges far beyond them to survey other works by the same authors; more than 50 contemporaneous books on language; and pamphlets, novels, and letters by other writers. The scope of her study permits her to challenge earlier accounts of the relationship between language and politics that lack historical nuance. Rather than seeing the Revolution debate as a straightforward conflict between radical and conservative linguistic practices, Hodson argues that there is no direct correlation between a particular style or linguistic concept and the political affiliation of the writer. Instead, she shows how each writer attempts to mobilize contemporary linguistic ideas to lend their texts greater authority. Her book will appeal to literature scholars and to historians of language and linguistics working in the Enlightenment and Romantic eras.
| Author | : Steven Blakemore |
| Publisher | : Brown Publishing Company |
| Total Pages | : 136 |
| Release | : 1988 |
| Genre | : History |
| ISBN | : |
| Author | : Daniel E. Ritchie |
| Publisher | : Routledge |
| Total Pages | : 278 |
| Release | : 2017-09-08 |
| Genre | : Philosophy |
| ISBN | : 135131694X |
The eighteenth century remains contemporary more than 200 years later because the fundamental questions raised then about politics in both the American and French Revolutions still speak to us. The writings of Edmund Burke on these and other political events of his time are today acknowledged as the basis of modern conservative thought. This volume brings together an outstanding collection of interpretative essays on Burke, and serves as a basic introduction to this seminal thinker. A member of the British Parliament from 1766 to 1794, Edmund Burke had sympathized with the American War of Independence and argued for reform of British policy toward Ireland and India, but he surprised many of his friends by his early, vehement opposition to the French Revolution. This volume brings together assessments of these and other statements by Burke by contemporaries such as Samuel Taylor Coleridge and William Hazlitt, along with essays by Irving Babbitt and Russell Kirk, who established his significance for twentieth-century conservatism. This is a collection of the best, previously published interpretive essays on Burke. It will be of interest to all those interested in the philosophical roots of conservatism, in the history of political thought, in revolution, and in modern political ideologies.
| Author | : Angela Burke Kunkel |
| Publisher | : Random House Studio |
| Total Pages | : 41 |
| Release | : 2020-09-08 |
| Genre | : Juvenile Fiction |
| ISBN | : 1984892630 |
A gorgeous and inspiring picture book based on the life of José Alberto Gutiérrez, a garbage collector in Bogotá, Colombia who started a library with a single discarded book found on his route. In the city of Bogata, in the barrio of La Nueva Gloria, there live two Joses. One is a boy who dreams of Saturdays-- that's the day he gets to visit Paradise, the library. The second Jose is a garbage collector. From dusk until dawn, he scans the sidewalks as he drives, squinting in the dim light, searching household trash for hidden treasure . . . books! Some are stacked in neat piles, as if waiting for José́. Others take a bit more digging. Ever since he found his first book, Anna Karenina, years earlier, he's been collecting books--thick ones and thin ones, worn ones and almost new ones-- to add to the collection in his home. And on Saturdays, kids like little Jose run to the steps of Paradise to discover a world filled with books and wonder. With an evocative text by a debut author, and rich, stunning illustrations from an up-and-coming Colombian illustrator, here is a celebration of perseverance, community, and the power of books.
| Author | : James Engell |
| Publisher | : Penn State Press |
| Total Pages | : 214 |
| Release | : 2010-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0271038918 |
During the past century, literary education, often divorced from rhetoric, has grown increasingly distant from the practice of language in statecraft, law, religion, and ethics. Yet literature and rhetoric retain open, independent powers to enhance what Emerson calls &"the conduct of life.&" In these provocative essays, James Engell argues that a more complete literary training can foster a heightened sense of shared social experience, an awareness of diverse views, a love of language, and a more powerful ability to express the values we enshrine or debate. Revealing a set of deep intersections among literature, politics, rhetoric, and the public deliberation of values, he explores how dedicated individuals of different callings resort to heightened language in order to secure knowledge, test beliefs, consider policy, and promote action. Through profiles of Lincoln, Burke, Swift, Hume, Lowth, Vico, and others, Engell explores the political and ethical involvement of writers with their culture in order to reestablish links between literary qualities of language and the means by which we challenge power and secure liberty. He presents a cogent argument for a different, expanded kind of literary education, suggesting that training in rhetoric, now often misunderstood or neglected, can serve the common good without becoming mired in partisan squabbles or academic pedantry. Despite the dominance of visual media in our society, observes Engell, the difficult problems we face must be resolved through language. By presenting writers who use resourceful language to engage political contests and cultural issues, he contributes to ongoing debates in education, politics, and culture without subscribing to easy labels of &"left&" and &"right&" or &"traditional&" versus &"innovative.&" He demonstrates imaginative ways to apply time-tested literary techniques to a changing world, making use of the past yet in a way that the past could not predict. This passionately argued book calls for a shift in the ways we teach and regard literature.
| Author | : Lilla Maria Crisafulli |
| Publisher | : Peter Lang |
| Total Pages | : 362 |
| Release | : 2008 |
| Genre | : Drama |
| ISBN | : 9783039110971 |
This volume presents a selection of essays by established Italian and international scholars in the field of Romantic drama. It is divided into four main sections: 1) Dramatic Theory and Practice; 2) On the Romantic Stage: History, Arts, and Acting; 3) Interaction of Genres: from Fiction to Drama; 4) The Romantics' Debate on Theatre and Drama: a Selected Anthology. The crucial area of debate these essays address is the way in which the problem of the dramatic representation of the self becomes in Romantic drama the very centre of reflection on the constitution of the modern subject. Each essay explores one or more aspects of the formation of modern subjectivity through dramatic representation of the self and through critical enquiry into the modes of that representation. The first and the fourth sections discuss the complex interaction between the theoretical questions that animated the debate around the Romantic theatre and the multifarious and often unruly performance practices of the time. The other two sections deal with the many and diverse ways in which Romantic drama engaged with and incorporated other artistic genres such as painting, performing arts, music, and the novel.
| Author | : Angela Esterhammer |
| Publisher | : Stanford University Press |
| Total Pages | : 396 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : 9780804780148 |
"The Romantic Performative" develops a new context and methodology for reading Romantic literature by exploring philosophies of language from the period 1785-1835. It reveals that the concept of the performative, debated by twentieth-century theorists from J. L. Austin to Judith Butler, has a much greater relevance for Romantic literature than has been realized, since Romantic philosophy of language was dominated by the idea that something "happens" when words are spoken. By presenting Romantic philosophy as a theory of the performative, and Romantic literature in terms of that theory, this book uncovers the historical roots of twentieth-century ideas about speech acts and performativity. Romantic linguistic philosophy already focused on the relationship between speaker and hearer, describing speech as an act that establishes both subjectivity and intersubjective relations and theorizing reality as a verbal construct. But Romantic theorists considered utterance, the context of utterance, and the positions and identities of speaker and hearer to be much more fluid and less stable than modern analytic philosophers tend to make them. Romantic theories of language therefore yield a definition of the "Romantic performative" as an utterance that creates an object in the world, instantiates the relationship between speaker and hearer, and even founds the subjectivity of the speaker in the moment when the utterance occurs. The author traces the Romantic performative through its diverse development in the moral, political, and legal philosophy of Reid, Bentham, Kant and the German Idealists, Humboldt, and Coleridge, then explores its significance in literary texts by Coleridge, Godwin, Holderlin, and Kleist. These readings demonstrate that Romantic writers mounted a deeper investigation than previously realized into the way the act of speaking generates subjective identity, intersubjective relations, and even objective reality. The project of the book is to read the language of Romanticism as performative and to recognize among its achievements the historical founding of the discourse of performativity itself.
| Author | : Virginia Sapiro |
| Publisher | : University of Chicago Press |
| Total Pages | : 394 |
| Release | : 1992-08-15 |
| Genre | : Political Science |
| ISBN | : 0226734919 |
Nearly two hundred years ago, Mary Wollstonecraft wrote what is considered to be the first major work of feminist political theory: A Vindication of the Rights of Women. Much has been written about this work, and about Wollstonecraft as the intellectual pioneer of feminism, but the actual substance and coherence of her political thought have been virtually ignored. Virginia Sapiro here provides the first full-length treatment of Wollstonecraft's political theory. Drawing on all of Wollstonecraft's works and treating them thematically rather than sequentially, Sapiro shows that Wollstonecraft's ideas about women's rights, feminism, and gender are elements of a broad and fully developed philosophy, one with significant implications for contemporary democratic and liberal theory. The issues raised speak to many current debates in theory, including those surrounding interpretation of the history of feminism, the relationship between liberalism and republicanism in the development of political philosophy, and the debate over the canon. For political scientists, most of whom know little about Wollstonecraft's thought, Sapiro's book is an excellent, nuanced introduction which will cause a reconsideration of her work and her significance both for her time and for today's concerns. For feminist scholars, Sapiro's book offers a rounded and unconventional analysis of Wollstonecraft's thought. Written with considerable charm and verve, this book will be the starting point for understanding this important writer for years to come.
| Author | : Julia Swindells |
| Publisher | : |
| Total Pages | : 234 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : 9780198187295 |
Glorious Causes explores the politics of theatricality and the theatricality of politics in late Georgian Britain, at a time when the British nation can be described as a stage for reform. Political rhetoric during this period was characterized by a rich vocabulary, drawing on theatrical language and forms, from melodrama and tragedy, to comedy and burlesque. Most importantly, activity in the theaters themselves, often dismissed until recently as vulgar or sentimental, was highly charged with political dynamic and controversy, central to the drama of reform.
| Author | : John Whale |
| Publisher | : Cambridge University Press |
| Total Pages | : 257 |
| Release | : 2000-07-07 |
| Genre | : Literary Criticism |
| ISBN | : 113942680X |
This ambitious study, first published in 2000, offers a radical reassessment of one of the most important concepts of the Romantic period - the imagination. In contrast to traditional accounts, John Whale locates the Romantic imagination within the period's lively and often antagonistic polemics on aesthetics and politics. In particular he focuses on the different versions of imagination produced within British writing in response to the cultural crises of the French Revolution and the ideology of utilitarianism. Through detailed analysis of key texts by Burke, Paine, Wollstonecraft, Bentham, Hazlitt, Cobbett and Coleridge, Imagination under Pressure seeks to restore the role of imagination as a more positive force within cultural critique. The book concludes with a chapter on the afterlife of the Coleridgean imagination in the work of John Stuart Mill and I. A. Richards. As a whole it represents a timely and inventive contribution to the ongoing redefinition of Romantic literary and political culture.
