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Author | : Stephen Kite |
Publisher | : Routledge |
Total Pages | : 347 |
Release | : 2017-07-05 |
Genre | : Architecture |
ISBN | : 1351572911 |
Based on extensive fieldwork, and research into John Ruskin's still little-interpreted archival material, notebooks and drawings (in the Ruskin Library, Lancaster University, UK and elsewhere), Stephen Kite offers an unprecedented account of the evolution of Ruskin's architectural thinking and observation in the context of Italy where his watching of building achieved its greatest intensity. Venice naturally figures large in a work that also examines other key sites including Verona, Lucca, Pisa, Florence, Milan and Monza; here, the fabrics are vividly read in their contexts against the rich evidence of Ruskin's diaries, his pocket-book sketches, architectural worksheets, drawings, and daguerrotypes (the early form of photography), and the drafts and published editions of the texts. Kite presents the complex story of Ruskin's visual thinking in architecture as a narrative of deepening interpretation and representation, focusing on the humbler monuments of Italy. He shows how Ruskin's early picturesque naturalism was transformed by the realisation that to understand the built realities confronting him in Italy demanded a closer engagement with the substance of the stones themselves; reflecting Ruskin's sense of his task as a near-archaeological gleaning and gathering of remains 'hidden in many a grass grown court, and silent pathway, and lightless canal'.
Author | : Stephen Kite |
Publisher | : Routledge |
Total Pages | : 231 |
Release | : 2017-07-05 |
Genre | : Architecture |
ISBN | : 135157292X |
Based on extensive fieldwork, and research into John Ruskin's still little-interpreted archival material, notebooks and drawings (in the Ruskin Library, Lancaster University, UK and elsewhere), Stephen Kite offers an unprecedented account of the evolution of Ruskin's architectural thinking and observation in the context of Italy where his watching of building achieved its greatest intensity. Venice naturally figures large in a work that also examines other key sites including Verona, Lucca, Pisa, Florence, Milan and Monza; here, the fabrics are vividly read in their contexts against the rich evidence of Ruskin's diaries, his pocket-book sketches, architectural worksheets, drawings, and daguerrotypes (the early form of photography), and the drafts and published editions of the texts. Kite presents the complex story of Ruskin's visual thinking in architecture as a narrative of deepening interpretation and representation, focusing on the humbler monuments of Italy. He shows how Ruskin's early picturesque naturalism was transformed by the realisation that to understand the built realities confronting him in Italy demanded a closer engagement with the substance of the stones themselves; reflecting Ruskin's sense of his task as a near-archaeological gleaning and gathering of remains 'hidden in many a grass grown court, and silent pathway, and lightless canal'.
Author | : John Ruskin |
Publisher | : |
Total Pages | : 178 |
Release | : 1889 |
Genre | : Architecture |
ISBN | : |
Author | : John Unrau |
Publisher | : [London] : Thames and Hudson |
Total Pages | : 240 |
Release | : 1984 |
Genre | : Architecture |
ISBN | : 9780500013281 |
Describes and analyzes the architectural details of the basilica of St. Mark in Venice, Italy and discusses John Ruskin's study of the building
Author | : Sheona Beaumont |
Publisher | : Springer Nature |
Total Pages | : 323 |
Release | : 2023-06-26 |
Genre | : Religion |
ISBN | : 3031215540 |
This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’.
Author | : Anuradha Chatterjee |
Publisher | : Routledge |
Total Pages | : 167 |
Release | : 2017-10-02 |
Genre | : Architecture |
ISBN | : 1317048253 |
Through the theoretical lenses of dress studies, gender, science, and visual studies, this volume analyses the impact John Ruskin has had on architecture throughout the nineteenth and twentieth centuries. It explores Ruskin’s different ideologies, such as the adorned wall veil, which were instrumental in bringing focus to structures that were previously unconsidered. John Ruskin and the Fabric of Architecture examines the ways in which Ruskin perceives the evolution of architecture through the idea that architecture is surface. The creative act in architecture, analogous to the divine act of creation, was viewed as a form of dressing. By adding highly aesthetic features to designs, taking inspiration from the 'veil' of women’s clothing, Ruskin believed that buildings could be transformed into meaningful architecture. This volume discusses the importance of Ruskin’s surface theory and the myth of feminine architecture, and additionally presents a competing theory of textile analogy in architecture based on morality and gender to counter Gottfried Semper’s historicist perspective. This book would be beneficial to students and academics of architectural history and theory, gender studies and visual studies who wish to delve into Ruskin’s theories and to further understand his capacity for thinking beyond the historical methods. The book will also be of interest to architectural practitioners, particularly Ruskin’s theory of surface architecture.
Author | : John Ruskin |
Publisher | : Good Press |
Total Pages | : 218 |
Release | : 2019-11-19 |
Genre | : Architecture |
ISBN | : |
"The Seven Lamps of Architecture" is an extended essay, first published in May 1849, written by the English art critic and theorist John Ruskin. The "lamps" of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. In this book, he codified some of the contemporary thinking behind the Gothic Revival.
Author | : Sarah Quill |
Publisher | : |
Total Pages | : |
Release | : 2017 |
Genre | : Electronic books |
ISBN | : 9781315205502 |
"This title was first published in 2000: John Ruskin's three-volume "The Stones of Venice" (1851-3) remains massively influential in art and architecture. To mark the centenary of Ruskin's death, this illustrated guide links Ruskin's descriptions of individual buildings with a photograph of the architecture and sculpture as it is today. Much of Ruskin's prose is reproduced, together with many of his drawings and watercolours and a number of 19th-century engravings. Sarah Quill's photographs identify the details described by Ruskin and show the extent to which the city's architecture has survived, or changed, since first publication of "The Stones of Venice". The opening chapter provides an introduction to Ruskin's involvment with Venice and to the periods and styles of Venetian architecture."--Provided by publisher.
Author | : John Ruskin |
Publisher | : |
Total Pages | : 762 |
Release | : 1906 |
Genre | : |
ISBN | : |
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author | : John Ruskin |
Publisher | : |
Total Pages | : 292 |
Release | : 1874 |
Genre | : |
ISBN | : |