Building In Fragments
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| Author | : Jonathan Foote |
| Publisher | : Actar D, Inc. |
| Total Pages | : 287 |
| Release | : 2021-09-03 |
| Genre | : Architecture |
| ISBN | : 1638409773 |
The publication Lewerentz Fragments introduces new scholarship on the architect’s motivations and compiles new essays from all the major scholars on his work, for the first time in one volume presenting both historical and critical perspectives. Through new essays, recently discovered archival material, photography, and drawings, the publication Lewerentz Fragments explores the architect’s body of work spanning three-quarters of the twentieth century. Comprising writings from all the major scholars on Lewerentz’ work, along with several new voices, this publication offers new insight into the context surrounding this architect’s work. Rather than focusing on a single thesis, the book offers a diversity of insight from multiple cultural and professional perspectives. In addition, previously unpublished translations of interviews and dialogs among the architect and his contemporaries offer a voice to the ‘silent architect’ altering the traditional interpretations of the work and digging past the surface of what might be considered his philosophy of building. Rather than serving as an introduction to the architect’s work, this volume provides detailed fragments as a deep and diverse dive into one of the most mysterious of Scandinavia’s modern masters. Contributors: Johan Celsing, Patrick Doan, Nicola Flora, Jonathan Foote, Matthew Hall, Per Iwansson, Thomas Bo Jensen, Nathan Matteson, Enrico Miglietta, Paolo Giardiello, Hansjörg Göritz, Magnus Gustafsson, Mariana Manner, Anne-Marie Nelson, Gennaro Postiglione, Wilfried Wang, Ola Wedebrunn With Contributions of: Archival reproductions from the Swedish Centre for Architecture and Design (ArkDes), The Stockholm stadsarkiv, and The Malmö stadsarkiv. Historical construction photos of St Peter’s Church by Carl-Hugo and Lars Gustafsson Photos of the newly constructed St Peter’s Church by Ole Meyer Previously unpublished archival photographs of Lewerentz’ work Translations of various archival documents and audio interviews with the architect Current photography of the architect’s work from a variety of photographers Funding support: Auburn University College of Architecture, Design & Construction Aarhus School of Architecture DePaul University College of Computing and Digital Media The King Gustaf VI Adolfs fund for Swedish Culture The Peter and Birgitta Celsing Foundation The University of Tennessee College of Architecture & Design
| Author | : Robert Harbison |
| Publisher | : Reaktion Books |
| Total Pages | : 274 |
| Release | : 2015-08-15 |
| Genre | : Architecture |
| ISBN | : 1780234767 |
What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. Why are we, he asks, so suspicious of things that are too smooth, too continuous? What makes us feel, when we look upon a fragment, that its very incompletion has a kind of meaning in itself? Is it that our experience on earth is inherently discontinuous, or that we are simply unable to believe in anything whole? Harbison guides us through ruins and fragments, both ancient and modern, visual and textual, showing us how they are crucial to understanding our current mindset and how we arrived here. First looking at ancient fragments, he examines the ways we have recovered, restored, and exhibited them as artworks. Then he moves on to modernist architecture and the ways that it seeks a fragmentary form, examining modern projects that have been designed into existing ruins, such as the Castelvecchio in Verona, Italy and the reconstruction of the Neues Museum in Berlin. From there he explores literature and the works of T. S. Eliot, Montaigne, Coleridge, Joyce, and Sterne, and how they have used fragments as the foundation for creating new work. Likewise he examines the visual arts, from Schwitters’ collages to Ruskin’s drawings, as well as cinematic works from Sergei Eisenstein to Julien Temple, never shying from more deliberate creators of ruin, from Gordon Matta-Clark to countless graffiti artists. From ancient to modern times and across every imaginable form of art, Harbison takes a poetic look at how ruins have offered us a way of understanding history and how they have enabled us to create the new.
| Author | : Colin McFarlane |
| Publisher | : Univ of California Press |
| Total Pages | : 328 |
| Release | : 2021-10-05 |
| Genre | : Political Science |
| ISBN | : 0520382234 |
Pursuing fragments -- Pulling together, falling apart -- Knowing fragments -- Writing in fragments -- Political framings -- Walking cities -- In completion.
| Author | : Hanna Klein |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : |
| ISBN | : |
| Author | : Elizabeth A. Johnson |
| Publisher | : Columbia University Press |
| Total Pages | : 399 |
| Release | : 2005-10-05 |
| Genre | : Nature |
| ISBN | : 0231502060 |
This new collection focuses on the impact of sprawl on biodiversity and the measures that can be taken to alleviate it. Leading biological and social scientists, conservationists, and land-use professionals examine how sprawl affects species and alters natural communities, ecosystems, and natural processes. The contributors integrate biodiversity issues, concerns, and needs into the growing number of anti-sprawl initiatives, including the "smart growth" and "new urbanist" movements.
| Author | : William Tronzo |
| Publisher | : Getty Publications |
| Total Pages | : 234 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 0892369264 |
The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.
| Author | : Shalom Lappin |
| Publisher | : Oxford University Press |
| Total Pages | : 313 |
| Release | : 1999-01-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0195352653 |
This volume contains essays on ellipsis -- the omission of understood words from a sentence -- and the closely related phenomena of gapping. This volume presents work by leading researchers on syntactic, semantic and computational aspects of ellipsis. The chapters bring together a variety of theoretical perspectives and examine a range of cross-linguistic phenomena involving ellipsis in Japanese, Arabic, Hebrew, and in English. This volume will be of interest to syntacticians, semanticists, computational linguists, and cognitive scientists.
| Author | : Warren Fahy |
| Publisher | : Delacorte Press |
| Total Pages | : 386 |
| Release | : 2009-06-16 |
| Genre | : Fiction |
| ISBN | : 0440338573 |
Aboard a long-range research vessel, in the vast reaches of the South Pacific, the cast and crew of the reality show Sealife believe they have found a ratings bonanza. For a director dying for drama, a distress call from Henders Island—a mere blip on any radar—might be just the ticket. Until the first scientist sets foot on Henders—and the ultimate test of survival begins. For when they reach the island’s shores, the scientists are utterly unprepared for what they find—creatures unlike any ever recorded in natural history. This is not a lost world frozen in time; this is Earth as it might have looked after evolving on a separate path for half a billion years—a fragment of a lost continent, with an ecosystem that could topple ours like a house of cards.
| Author | : Megan E. O'Neil |
| Publisher | : University of Texas Press |
| Total Pages | : 301 |
| Release | : 2024-07-02 |
| Genre | : Art |
| ISBN | : 1477329412 |
An exploration of how the ancient Maya engaged with their history by using, altering, and burying stone sculptures. For the ancient Maya, monumental stone sculptures were infused with agency. As they were used, reused, altered, and buried, such sculptures retained ceremonial meaning. In Memory in Fragments, Megan E. O'Neil explores how ancient Maya people engaged with history through these sculptures, as well as how they interacted with the stones themselves over the course of the sculptures’ long “lives.” Considering Maya religious practices, historiography, and conceptions of materials and things, O’Neil explores how Maya viewers perceived sculptures that were fragmented, scarred, burned, damaged by enemies, or set in unusual locations. In each case, she demonstrates how different human interactions, amid dynamic religious, political, and historical contexts, led to new episodes in the sculptures' lives. A rare example of cross-temporal and geographical work in this field, Memory in Fragments both compares sculptures within ancient Maya culture across Honduras, Guatemala, Mexico, and Belize over hundreds of years and reveals how memory may accrue around and be evoked in material remains.
| Author | : Eleanor Tracey Cockburn |
| Publisher | : |
| Total Pages | : 138 |
| Release | : 2005 |
| Genre | : |
| ISBN | : |
