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| Author | : Dominic Symonds |
| Publisher | : University of Michigan Press |
| Total Pages | : 313 |
| Release | : 2017-11-16 |
| Genre | : History |
| ISBN | : 0472130595 |
Imaginative walking tours that retrace the map of Manhattan as it resonates with the music of Broadway
| Author | : |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 100 |
| Release | : 2008-05 |
| Genre | : Music |
| ISBN | : 9780739051535 |
Discover and explore exciting Broadway rhythms while singing and playing these ten famous showtunes. Each is arranged for unison voices and three optional rhythm band instruments. Use the "practice patterns" to study and prepare first, sing and play the individual parts next, and then combine the instruments and voices for music classroom fun...or concert stage success! Reproducible pages are included in the publication and on the Enhanced SoundTrax CD. Songs include: Another Op'nin, Another Show (Kiss Me, Kate); Chitty Chitty Bang Bang; Forty-Second Street (42nd Street); Give My Regards to Broadway (Little Johnny Jones); Hernando's Hideaway (The Pajama Game); I Want to Be Happy (No, No, Nanette); If I Only Had a Brain (The Wizard of Oz); Together Wherever We Go (Gypsy); Try to Remember (The Fantasticks); and Wouldn't It Be Loverly (My Fair Lady).
| Author | : Andy Beck |
| Publisher | : Alfred Music |
| Total Pages | : 100 |
| Release | : |
| Genre | : Music |
| ISBN | : 9781457427930 |
Discover and explore exciting Broadway rhythms while singing and playing these ten famous showtunes. Each is arranged for unison voices and three optional rhythm band instruments. Use the "practice patterns" to study and prepare first, sing and play the individual parts next, and then combine the instruments and voices for music classroom fun...or concert stage success! Titles: * Another Op'nin, Another Show (Kiss Me, Kate) * Chitty Chitty Bang Bang * Forty-Second Street (42nd Street) * Give My Regards to Broadway (Little Johnny Jones) * Hernando's Hideaway (The Pajama Game) * I Want to Be Happy (No, No, Nanette) * If I Only Had a Brain (The Wizard of Oz) * Together Wherever We Go (Gypsy) * Try to Remember (The Fantasticks) * Wouldn't It Be Loverly (My Fair Lady)
| Author | : James Gavin |
| Publisher | : Simon and Schuster |
| Total Pages | : 619 |
| Release | : 2009-06-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 1439164258 |
At long last, the first serious biography of entertainment legend Lena Horne -- the celebrated star of film, stage, and music who became one of the first African-American icons. At the 2001 Academy Awards, Halle Berry thanked Lena Horne for paving the way for her to become the first black recipient of a Best Actress Oscar. Though limited, mostly to guest singing appearances in splashy Hollywood musicals, "the beautiful Lena Horne," as she was often called, became a pioneering star for African Americans in the 1940s and fifties. Now James Gavin, author of Deep in a Dream: The Long Night of Chet Baker, draws on a wealth of unmined material and hundreds of interviews -- one of them with Horne herself -- to give us the defining portrait of an American icon. Gavin has gotten closer than any other writer to the celebrity who has lived in reclusion since 1998. Incorporating insights from the likes of Ruby Dee, Tony Bennett, Diahann Carroll, Arthur Laurents, and several of Horne's fellow chorines from Harlem's Cotton Club, Stormy Weather offers a fascinating portrait of a complex, even tragic Horne -- a stunning talent who inspired such giants of showbiz as Barbra Streisand, Eartha Kitt, and Aretha Franklin, but whose frustrations with racism, and with tumultuous, root-less childhood, left wounds too deep to heal. The woman who emerged was as angry as she was luminous. From the Cotton Club's glory days and the back lots of Hollywood's biggest studios to the glitzy but bigoted hotels of Las Vegas's heyday, this behind-the-scenes look at an American icon is as much a story of the limits of the American dream as it is a masterful, ground-breaking biography.
| Author | : Beth Genné |
| Publisher | : Oxford University Press |
| Total Pages | : 377 |
| Release | : 2018-05-30 |
| Genre | : Performing Arts |
| ISBN | : 0190624175 |
Dancer-choreographer-directors Fred Astaire, George Balanchine and Gene Kelly and their colleagues helped to develop a distinctively modern American film-dance style and recurring dance genres for the songs and stories of the American musical. Freely crossing stylistic and class boundaries, their dances were rooted in the diverse dance and music cultures of European immigrants and African-American migrants who mingled in jazz age America. The new technology of sound cinema let them choreograph and fuse camera movement, light, and color with dance and music. Preserved intact for the largest audiences in dance history, their works continue to influence dance and film around the world. This book centers them and their colleagues within the history of dance (where their work has been marginalized) as well as film tracing their development from Broadway to Hollywood (1924-58) and contextualizing them within the American history and culture of their era. This modern style, like the nation in which it developed, was pluralist and populist. It drew from aspects of the old world and new, "high" and "low", theatrical and social dance forms, creating new sites for dance from the living room to the street. A definitive ingredient was the freer more informal movement and behavior of their jazz-age generation, which fit with song lyrics that poeticized slangy American English. The Gershwins, Rodgers and Hart, and others wrote not only songs but extended dance-driven scores tailored to their choreography, giving a new prominence to the choreographer and dancer-actor. This book discuss how these choreographers collaborated with directors like Vincente Minnelli and Stanley Donen and cinematographers like Gregg Toland, musicians, dancers, designers and technicians to synergize music and moving image in new ways. Eventually, concepts and visual-musical devices derived from dance-making would give entire films the rhythmic flow and feeling of dance. Dancing Americans came to be seen around the world as archetypal embodiments of the free-spirited optimism and energy of America itself.
| Author | : Library of Congress. Copyright Office |
| Publisher | : |
| Total Pages | : 1058 |
| Release | : 1963 |
| Genre | : Copyright |
| ISBN | : |
| Author | : Bernard F. Dick |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 265 |
| Release | : 2018-06-04 |
| Genre | : Performing Arts |
| ISBN | : 1496817362 |
That Was Entertainment: The Golden Age of the MGM Musical traces the development of the MGM musical from The Broadway Melody (1929) through its heyday in the 1940s and 1950s and its decline in the 1960s, culminating in the notorious 1970 MGM auction when Judy Garland's ruby slippers from The Wizard of Oz, Charlton Heston's chariot from Ben-Hur, and Fred Astaire's trousers and dress shirt from Royal Wedding vanished to the highest bidders. That Was Entertainment uniquely reconstructs the life of Arthur Freed, whose unit at MGM became the gold standard against which the musicals of other studios were measured. Without Freed, Judy Garland, Gene Kelly, Fred Astaire, Ann Miller, Betty Garrett, Cyd Charisse, Arlene Dahl, Vera-Ellen, Lucille Bremer, Gloria DeHaven, Howard Keel, and June Allyson would never have had the signature films that established them as movie legends. MGM's past is its present. No other studio produced such a range of musicals that are still shown today on television and all of which are covered in this volume, from integrated musicals in which song and dance were seamlessly embedded in the plot (Meet Me in St. Louis and Seven Brides for Seven Brothers) to revues (The Hollywood Revue of 1929 and Ziegfeld Follies); original musicals (Singin' in the Rain, Easter Parade, and It's Always Fair Weather); adaptations of Broadway shows (Girl Crazy, On the Town, Show Boat, Kiss Me Kate, Brigadoon, Kismet, and Bells Are Ringing); musical versions of novels and plays (Gigi, The Pirate, and Summer Holiday); operettas (the films of Jeanette MacDonald and Nelson Eddy); mythico-historical biographies of composers (Johann Strauss Jr. in The Great Waltz and Sigmund Romberg in Deep in My Heart); and musicals featuring songwriting teams (Rodgers and Hart in Words and Music and Kalmar and Ruby in Three Little Words), opera stars (Enrico Caruso in The Great Caruso and Marjorie Lawrence in Interrupted Melody), and pop singers (Ruth Etting in Love Me or Leave Me). Also covered is the water ballet musical--in a class by itself--with Esther Williams starring as MGM's resident mermaid. This is a book for longtime lovers of the movie musical and those discovering the genre for the first time.
| Author | : Don Tyler |
| Publisher | : McFarland |
| Total Pages | : 555 |
| Release | : 2007-04-16 |
| Genre | : Music |
| ISBN | : 0786429461 |
This is a chronology of the most famous songs from the years before rock 'n' roll. The top hits for each year are described, including vital information such as song origin, artist(s), and chart information. For many songs, the author includes any web or library holdings of sheet music covers, musical scores, and free audio files. An extensive collection of biographical sketches follows, providing performing credits, relevant professional awards, and brief biographies for hundreds of the era's most popular performers, lyricists, and composers. Includes an alphabetical song index and bibliography.
| Author | : Andrew Buchman (College teacher) |
| Publisher | : Oxford University Press |
| Total Pages | : 168 |
| Release | : 2024 |
| Genre | : Performing Arts |
| ISBN | : 0197791964 |
The classic film musical Singin' in the Rain combines a streamlined 1920s storyline with vivid characters, memorable wisecracks and comedy, romance, riveting dancing, beautiful musical arrangements, gorgeous sets, props, and costumes, and virtuosic camera work. This guide traces the film's genesis and analyzes the music and dance that make Singin' in the Rain Gene Kelly's best-known work.
| Author | : Raymond Knapp |
| Publisher | : Princeton University Press |
| Total Pages | : 489 |
| Release | : 2010-06-21 |
| Genre | : Music |
| ISBN | : 1400832683 |
The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. Among the musicals discussed are Camelot, Candide; Chicago; Company; Evita; Gypsy; Into the Woods; Kiss Me, Kate; A Little Night Music; Man of La Mancha; Meet Me in St. Louis; The Merry Widow; Moulin Rouge; My Fair Lady; Passion; The Rocky Horror Picture Show; Singin' in the Rain; Stormy Weather; Sweeney Todd; and The Wizard of Oz. Complementing the author's earlier work, The American Musical and the Formation of National Identity, this book completes a two-volume thematic history of the genre, designed for general audiences and specialists alike.
