Broadcasting Hollywood
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| Author | : Jennifer Porst |
| Publisher | : Rutgers University Press |
| Total Pages | : 251 |
| Release | : 2021-09-17 |
| Genre | : Business & Economics |
| ISBN | : 0813596211 |
Broadcasting Hollywood uses extensive archival research to analyze the tensions and synergies between the film and television industries in the early years of television. It draws parallels to today and the introduction of digital media to highlight how history can play a key role in helping media industry scholars and practitioners understand and navigate contemporary industrial phenomena.
| Author | : Michele Hilmes |
| Publisher | : University of Illinois Press |
| Total Pages | : 236 |
| Release | : 2023-02-03 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0252054938 |
"Michele Hilmes has produced an excellent introduction to a most important subject. This is an invaluable work for both scholars and students that places film, radio, and television within the context of the national culture experience." --- American Historical Review "Hilmes is one of the few historians of broadcasting to move beyond a political economy of the media. . . . Her work should serve as a model for future histories of broadcasting." --- Journal of Communication "All media historians will find this work a critical addition to their bookshelves." --- American Journalism "A major addition to media history literature." --- Journalism History
| Author | : Christopher Anderson |
| Publisher | : University of Texas Press |
| Total Pages | : 356 |
| Release | : 2013-10-11 |
| Genre | : Performing Arts |
| ISBN | : 0292759533 |
The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.
| Author | : Tino Balio |
| Publisher | : Routledge |
| Total Pages | : 443 |
| Release | : 2013-12-17 |
| Genre | : Performing Arts |
| ISBN | : 1317929152 |
This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.
| Author | : William Boddy |
| Publisher | : University of Illinois Press |
| Total Pages | : 308 |
| Release | : 1993 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780252062995 |
Just a few years in the mid-1950s separated the "golden age" of television's live anthology drama from Newton Minow's famous "vast wasteland" pronouncement. Fifties Television shows how the significant programming changes of the period cannot be attributed simply to shifting public tastes or the exhaustion of particular program genres, but underscore fundamental changes in the way prime-time entertainment programs were produced, sponsored, and scheduled. These changes helped shape television as we know it today. William Boddy provides a wide-ranging and rigorous analysis of the fledgling American television industry during the period of its greatest economic growth, programming changes, and critical controversy. He carefully traces the development of the medium from the experimental era of the 1920s and 1930s through the regulatory battles of the 1940s and the network programming wars of the 1950s.
| Author | : Muriel G. Cantor |
| Publisher | : Routledge |
| Total Pages | : 345 |
| Release | : 2017-07-12 |
| Genre | : Performing Arts |
| ISBN | : 1351481444 |
Except for accounts of journalists, dissident employees, and an occasional congressional committee focusing on crime and unethical practices, we have known very little about how television programs are produced. The Hollywood TV Producer, originally published in 1971, was the first serious examination of constraints, conflicts, and rewards in the daily lives of television producers. Its insights were important at the time and have not been challenged. Using as her framework the social system of mass communications, Muriel G. Cantor shows how producers select stories for television series and how movies end up in prime time. In order to get a comprehensive look at the inner workings of the TV industry and its producers, the author interviewed eighty producers in Hollywood over a two-season period. She probed to discover how the people producers work for and where they work influences their decision-making. As Cantor shows, critics of television who suggest that to remain in production, a producer must first please the business organization that finances his or her operations, are largely correct. Cantor shows that content is determined by a combination of artistic and professional factors, as well as social, economic, and political norms that have developed over time in the industry.
| Author | : Tino Balio |
| Publisher | : Routledge |
| Total Pages | : 431 |
| Release | : 2013-12-17 |
| Genre | : Performing Arts |
| ISBN | : 1317929144 |
This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.
| Author | : Hal Erickson |
| Publisher | : McFarland |
| Total Pages | : 317 |
| Release | : 2014-05-23 |
| Genre | : Performing Arts |
| ISBN | : 1476615586 |
There was a time when "American popular entertainment" referred only to radio and motion pictures. With the coming of talking pictures, Hollywood cashed in on the success of big-time network radio by bringing several of the public's favorite broadcast personalities and programs to the screen. The results, though occasionally successful, often proved conclusively that some things are better heard than seen. Concentrating primarily on radio's Golden Age (1926-1962), this lively history discusses the cinematic efforts of airwave stars Rudy Vallee, Amos 'n' Andy, Fred Allen, Joe Penner, Fibber McGee & Molly, Edgar Bergen, Lum & Abner, and many more. Also analyzed are the movie versions of such radio series as The Shadow, Dr. Christian and The Life of Riley. In addition, two recent films starring contemporary radio headliners Howard Stern and Garrison Keillor are given their due.
| Author | : Ben Shapiro |
| Publisher | : Harper Collins |
| Total Pages | : 418 |
| Release | : 2011-05-31 |
| Genre | : History |
| ISBN | : 0062092103 |
“Vitally important, devastatingly thorough, and shockingly revealing…. After reading Primetime Propaganda, you’ll never watch TV the same way again.” —Mark Levin Movie critic Michael Medved calls Ben Shapiro, “One of our most refreshing and insightful voices on the popular culture, as well as a conscience for his much-maligned generation.” With Primetime Propaganda, the syndicated columnist and bestselling author of Brainwashed, Porn Generation, and Project President tells the shocking true story of how the most powerful medium of mass communication in human history became a vehicle for spreading the radical agenda of the left side of the political spectrum. Similar to what Bernard Goldberg’s Bias and A Slobbering Love Affair did for the liberal news machine, Shapiro’s Primetime Propaganda is an essential exposé of corrupting media bias, pulling back the curtain on widespread and unrepentant abuses of the Hollywood entertainment industry.
| Author | : Bob Levy |
| Publisher | : Routledge |
| Total Pages | : 433 |
| Release | : 2019-01-18 |
| Genre | : Art |
| ISBN | : 0429013434 |
Development is a large and central part of the American TV industry, and yet the details of how it works – who makes development decisions and why, where ideas for new shows come from, even basics like the differences between what TV studios and TV networks do – remain elusive to many. In this book, lecturer and acclaimed television producer Bob Levy offers a detailed introduction to television development, the process by which the Hollywood TV industry creates new scripted series. Written both for students and industry professionals, Television Development serves as a comprehensive introduction to all facets of the development process: the terminology, timelines, personnel and industrial processes that take a new TV project from idea to pitch to script to pilot to series. In addition to describing these processes, Levy also examines creative strategies for successful development, and teaches readers how to apply these strategies to their own careers and speak the language of development across all forms of visual storytelling. Written by the renowned producer responsible for developing and executive producing Gossip Girl and Pretty Little Liars, Television Development is an essential starting point for students, executives, agents, producers, directors and writers to learn how new series are created. Accompanying online material includes sample pitches, pilot scripts, and other development documents. A companion website for the book is available here: https://www.tvboblevy.com/
