British Women Artists
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| Author | : Rebecca Fortnum |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 177 |
| Release | : 2006-07-26 |
| Genre | : Art |
| ISBN | : 0857718231 |
In this illuminating collection of new interviews, some of the most important women artists practising in Britain today talk about their work, their influences and their relationships, sometimes ambivalent, with the art historical canon. Enlightening and frequently entertaining, the interviews, with artists spanning different generations and working in media as diverse as performance art, painting, sculpture, video and installation, give fascinating first-hand insights into both the artists' lives and the creative process. Fortnum speaks to: Tacita Dean, Tanya Kovats, Christine Borland, Jane Harris, Vanessa Jackson, Tracey Emin, Maria Lalic, Hayley Newman, Sonia Boyce, Emma Kay, Gillian Ayres, Lucy Gunning, Claire Barclay, Maria Chevska, Anya Gallacio, Jemima Stehli, Runa Islam and Paula Rego.
| Author | : Joyce Townsend |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-10-22 |
| Genre | : Art |
| ISBN | : 0500021821 |
A fascinating new account of the work and lives of Britain’s women artists in the twentieth century. In this revealing chronicle of a fascinating period of social change, artist Carolyn Trant examines the history of women artists in modern Britain, filling in the gaps in traditional art histories. Introducing the lives and works of a rich network of neglected women artists, Voyaging Out sets these alongside such renowned presences as Barbara Hepworth, Laura Knight, and Winifred Nicholson. In an era of radical activism and great social and political change, women forged new relationships with art and its institutions. Such change was not without its challenges, and with acerbic wit Trant delves into the gendered makeup of the avant-garde and the tyranny of artistic “isms.” In Virginia Woolf’s first novel The Voyage Out (1915) her female heroine strives toward a realization of her sense of self, asking what being a woman might mean. In the decades after women won the vote in Britain, the fortunes of women artists were shaped by war, domesticity, continued oppressions, and spirited resistance. Some succeeded in forging creative careers; others were thwarted by the odds stacked against them. Weaving devastating individual stories with spirited critique, Voyaging Out reveals this hidden history.
| Author | : Sara Gray |
| Publisher | : Lutterworth Press |
| Total Pages | : 296 |
| Release | : 2009-06-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 0718840038 |
The most comprehensive volume of its kind, Gray's Dictionary of British Women Artists offers extensively-researched biographies of some of the most significant female contributors to British art.This volume will make a valuable contribution to the study of art history. It will also provide readers with significant insight into a long-neglected aspect of history - the lives and achievements of women artists. Each entry provides key biographical information, as well as (where possible) commentaryon the artist's studies, lifestyle, travels and family. Entries also detail significant works, exhibitions and membership of societies. Gray's introduction provides a useful context to the biographies.
| Author | : Sacha Llewellyn |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2019 |
| Genre | : Art, British |
| ISBN | : 9780993088483 |
This exhibition catalogue highlights the work of a cross-section of women artists, active during the first half of the 20th century, whose work deserves more critical acclaim. Ever since Linda Nochlin asked in 1971, 'Why have there been no great women artists?', art history has been probing the female gaze. Through scholarship and exhibitions, readings have been put in place to counter prevailing assumptions that artistic creativity is primarily a masculine affair. Fifty Works by Fifty British Women functions as a corrective to the exclusion of women from the 'master' narratives of art. It introduces fifty artworks by known and lesser-known women - outstanding works that speak out. Fifty commentaries by fifty different writers bring out each artwork's unique story - sometimes from an objective art historical perspective and sometimes from an entirely personal point of view - thereby creating a rich and colourful diorama. This exhibition does not, however, attempt to present a survey or to address all the arguments around the history of women and art. Anthologies are of necessity incomplete, and many remarkable imaginations are not here represented. Women artists have been set apart from male artists not only to their own disadvantage but also to the detriment of British art. While there were some improvements for women to access an artistic career in the twentieth century in terms of patronage, economics and critical attention - all the things that confer professional status - women had the least of everything. By showcasing just a few of the remarkable works produced, this exhibition draws attention to the fact that a vision of British twentieth century art closer to a 50/50 balance would not only provide a truer account, but also a more vivid and meaningful narrative. 126 illustrations, 43 b/w
| Author | : Danielle Krysa |
| Publisher | : Running Press Adult |
| Total Pages | : 918 |
| Release | : 2018-10-02 |
| Genre | : Art |
| ISBN | : 0762463805 |
Celebrate 45 women artists, and gain inspiration for your own practice, with this beautiful exploration of contemporary creators from the founder of The Jealous Curator. Walk into any museum, or open any art book, and you'll probably be left wondering: where are all the women artists? A Big Important Art Book (Now with Women) offers an exciting alternative to this male-dominated art world, showcasing the work of dozens of contemporary women artists alongside creative prompts that will bring out the artist in anyone! This beautiful book energizes and empowers women, both artists and amateurs alike, by providing them with projects and galvanizing stories to ignite their creative fires. Each chapter leads with an assignment that taps into the inner artist, pushing the reader to make exciting new work and blaze her own artistic trail. Interviews, images, and stories from contemporary women artists at the top of their game provide added inspiration, and historical spotlights on art "herstory" tie in the work of pioneering women from the past. With a stunning, gift-forward package and just the right amount of pop culture-infused feminism, this book is sure to capture the imaginations of aspiring women artists.
| Author | : Phaidon Editors |
| Publisher | : Phaidon Press |
| Total Pages | : 0 |
| Release | : 2019-10-02 |
| Genre | : Art |
| ISBN | : 9780714878775 |
Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. "Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started."—The New Yorker
| Author | : Carolyn Trant |
| Publisher | : Thames & Hudson |
| Total Pages | : 418 |
| Release | : 2024-03-14 |
| Genre | : Art |
| ISBN | : 0500779244 |
Consider for a moment the history of modern art in Britain; you may struggle to land on a narrative that features very many women. On this journey through a fascinating period of social change, artist Carolyn Trant fills in some of the gaps in traditional art histories. Introducing the lives and works of a rich network of neglected women artists, British Women Artists sets these alongside such renowned presences as Barbara Hepworth, Laura Knight and Winifred Nicholson. In an era of radical activism and great social and political change, women forged new relationships with art and its institutions. Such change was not without its challenges, and with acerbic wit Trant delves into the gendered make-up of the avant-garde, and the tyranny of artistic isms. In the decades after women won the vote in Britain, the fortunes of women artists were shaped by war, domesticity, continued oppressions and spirited resistance. Some succeeded in forging creative careers; others were thwarted by the odds stacked against them. Weaving devastating individual stories with playful critique, British Women Artists reveals this hidden history.
| Author | : Lucinda Hawksley |
| Publisher | : Prestel Publishing |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art, British |
| ISBN | : 9783791345383 |
This roll-call of British artists confirms the dominance and excellence of British art across five centuries, from Blake to Banksy , Turner to Tracey Emin. This highly readable and informative collection of the best of British art showcases magnificent portraits by Thomas Gainsborough and Stanley Spencer; landscapes by J. M. W. Turner and David Hockney; satire by William Hogarth and Gilbert & George; sculpture by Henry Moore and Rachel Whiteread; and the latest works by Grayson Perry and Damien Hirst. Each artist is presented in a double-page spread that features a major work, details from the work, a brief biography and fascinating insights into the artist's life and times. Lucinda Hawksley's engaging survey compares the skill of the Elizabethan miniaturists and the magnificence of the High Victorians with the grit of post-war British modernists and the best of the Young British Artists, whose fearless approach to controversial themes make them worthy inheritors of the great traditions of British art. AUTHOR: Lucinda Hawksley is the author of numerous books on art, literature and British history, including 'Lizzie Siddal: The Tragedy of a Pre-Raphaelite Supermodel', 'Katey: The Life and Loves of Dickens's Artist Daughter' and 'The Secret History of Art'. She lectures frequently at the National Portrait Gallery in London, is a patron of the Charles Dickens Museum in London, and is an award-winning travel writer. 140 illustrations
| Author | : Rebecca Birrell |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 423 |
| Release | : 2021-08-19 |
| Genre | : Art |
| ISBN | : 1526604027 |
Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the William M B Berger Prize for British Art History 2022 Guardian Art Book of the Year 2021 A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings What is contained in a still life – and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women. But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make – and dismantle – our worlds. 'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Thérèse Oulton '[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul
| Author | : Mengting Yu |
| Publisher | : Springer |
| Total Pages | : 224 |
| Release | : 2020-09-21 |
| Genre | : Art |
| ISBN | : 9789811557040 |
Drawing on untapped archives, as well as aggregating a wide range of existing published sources, this book recalibrates the understanding of women artists’ roles, outputs and receptions in London during what was indubitably a vibrant and innovative period in the history of British art, and in which the work of their male contemporaries is so well understood. The book takes its starting point from Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade School,” published in 2000, where the expression “a talented and decorative group” was coined to describe common attitudes towards women artists in the late 19th and early 20th century London. This pejorative attribution strongly implied a status less significant to that of their male counterparts. The author challenges this statement's basic tenet by casting a wide net in examining women’s art education from the Slade School of Fine Art, through to the role of its graduates within a selection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical studies of the era. This book will be of interest to students and researchers in art and cultural history, gender studies,and in sociological studies of pre-War World War Britain.
