British Satire, 1785-1840

British Satire, 1785-1840
Author: John Strachan
Publisher: Taylor & Francis
Total Pages: 2177
Release: 2022-07-30
Genre: Literary Criticism
ISBN: 1000743918

This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 4

British Satire, 1785-1840, Volume 4
Author: John Strachan
Publisher: Routledge
Total Pages: 595
Release: 2020-04-28
Genre: Literary Criticism
ISBN: 1000748111

This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 1

British Satire, 1785-1840, Volume 1
Author: John Strachan
Publisher: Routledge
Total Pages: 353
Release: 2020-04-01
Genre: Literary Criticism
ISBN: 1000712990

This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 2

British Satire, 1785-1840, Volume 2
Author: John Strachan
Publisher: Routledge
Total Pages: 455
Release: 2020-04-28
Genre: Literary Criticism
ISBN: 100074809X

This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 3

British Satire, 1785-1840, Volume 3
Author: John Strachan
Publisher: Routledge
Total Pages: 425
Release: 2020-04-28
Genre: Literary Criticism
ISBN: 1000748103

This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 5

British Satire, 1785-1840, Volume 5
Author: Jane Moore
Publisher: Routledge
Total Pages: 627
Release: 2020-04-02
Genre: Literary Criticism
ISBN: 100074812X

This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

Neoclassical Satire and the Romantic School 1780–1830

Neoclassical Satire and the Romantic School 1780–1830
Author: Rolf P. Lessenich
Publisher: V&R Unipress
Total Pages: 438
Release: 2012-08-15
Genre: History
ISBN: 3862349861

Die europäische Romantik war nicht nur heterogen und intern zerstritten. Sie hatte sich auch gegen Aufklärung und Klassizismus zu verteidigen, welche um die Zeit der Französischen Revolution weiterlebten. Klassizisten betrachteten die Romantik als Anhäufung abtrünniger »neuer Schulen«, die das Monopol der Classical Tradition bedrohten. Die erbitterten Debatten in Ästhetik und Politik wurden auf beiden Seiten mit den überkommenen Strategien der klassischen »ars disputandi« geführt. Unter schwerstem satirischem Beschuss begann die Romantik, sich als eine Bewegung zu begreifen, und es entstand der problematische Gegensatz von »klassisch« und »romantisch«. Diese Konstruktion war aber unverzichtbar, um die Fronten im Wirrwarr der Stimmen zu klären, und blieb es auch in der Literatur- und Kulturwissenschaft, die auf solche Subsumptionen nicht verzichten kann. Die Classical Tradition, die das Christentum einschließt, erweist sich als ein laufender Prozess von der Antike bis heute.

The Cambridge Companion to Victorian Culture

The Cambridge Companion to Victorian Culture
Author: Francis O'Gorman
Publisher: Cambridge University Press
Total Pages: 327
Release: 2010-01-21
Genre: History
ISBN: 0521886996

Stimulating and informative new essays on many aspects of nineteenth-century culture.

Handbook of British Romanticism

Handbook of British Romanticism
Author: Ralf Haekel
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 770
Release: 2017-09-11
Genre: Literary Criticism
ISBN: 3110393409

The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments.

Continental Tourism, Travel Writing, and the Consumption of Culture, 1814–1900

Continental Tourism, Travel Writing, and the Consumption of Culture, 1814–1900
Author: Benjamin Colbert
Publisher: Springer Nature
Total Pages: 352
Release: 2020-08-25
Genre: Literary Criticism
ISBN: 3030361462

This book explores the boundaries of British continental travel and tourism in the nineteenth century, stretching from Norway to Bulgaria, from visitors’ albums to missionary efforts, from juvenilia to joint authorship. The essay topics invoke new aesthetics of travel as consumption, travel as satire, and of the developing culture of tourism. Chronologically arranged, the book charts the growth and permutations of this new consumerist ideology of travel driven by the desires of both men and women: the insatiable appetite for new accounts of old routes as well as appropriation of the new; interart reproductions of description and illustration; and wider cultural manifestations of tourism within popular entertainment and domestic settings. Continental tourism provides multiple perspectives with wide-ranging coverage of cultural phenomena increasingly incorporated into and affected by the nineteenth-century continental tour. The essays suggest the coextension of travel alongside experiential boundaries and reveal the emergence of a consumerist attitude toward travel that persists in the present day.