British Radio Drama
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| Author | : John Drakakis |
| Publisher | : Cambridge University Press |
| Total Pages | : 300 |
| Release | : 1981 |
| Genre | : Drama |
| ISBN | : 9780521293839 |
There has been little serious attempt in Britain to deal critically and historically with the subject of radio drama. This volume of essays concentrates upon a small group of influential writers who have devoted all or part of their attention to writing plays for radio. The introduction charts the development of radio drama since its inception in the 1920s and its changing relationships with the theatre and later with television. It shows how the early ideal of broadcasting significant works of established literature and drama helped to provide a broad foundation for the growth of a body of dramatic literature which fully exploited the medium's reliance upon sound alone. Separate contributions contain full appraisals of the radio writing of Louis MacNeice, Dylan Thomas and Henry Reed, while detailed studies of particular aspects of the work of Dorothy L. Sayers, Susan Hill, Giles Cooper and Samuel Beckett explore the practical as well as the critical issues involved in the study of radio drama.
| Author | : John Ronald Reuel Tolkien |
| Publisher | : |
| Total Pages | : |
| Release | : 1994 |
| Genre | : Baggins, Frodo (Fictitious character) |
| ISBN | : |
| Author | : Tim Crook |
| Publisher | : Routledge |
| Total Pages | : 309 |
| Release | : 2002-01-04 |
| Genre | : Social Science |
| ISBN | : 113460694X |
Radio Drama brings together the practical skills needed for radio drams, such as directing, writing and sound design, with media history and communication theory. Challenging the belief that sound drama is a 'blind medium', Radio Drama shows how experimentation in radio narrative has blurred the dividing line between fiction and reality in modern media. Using extracts from scripts and analysing radio broadcasts from America, Britain, Canada and Australia, the book explores the practicalities of producing drama for radio. Tim Crook illustrates how far radio drama has developed since the first 'audiophonic production' and evaluates the future of radio drama in the age of live phone-ins and immedate access to programmes on the Internet.
| Author | : David Addyman |
| Publisher | : Springer |
| Total Pages | : 314 |
| Release | : 2017-03-30 |
| Genre | : Literary Criticism |
| ISBN | : 1137542659 |
This book is the first sustained examination of Samuel Beckett’s pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett’s work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett’s radio plays and various “adaptations” (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising for readers of Beckett and for scholars of radio, “late modernism,” and post-war British culture more broadly.
| Author | : Richard J. Hand |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 241 |
| Release | : 2011-09-01 |
| Genre | : Social Science |
| ISBN | : 1441187421 |
| Author | : C.S. Forester |
| Publisher | : eNet Press |
| Total Pages | : 190 |
| Release | : 2012-03-22 |
| Genre | : Fiction |
| ISBN | : 1618861476 |
London in the 1920s is a grim place for the unemployed, so three men decide to off their boss when they are caught taking bribes. All expect the fuss will end with one well-planned crime, until their leader acquires a taste for murder.
| Author | : Lars Bernaerts |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 2021 |
| Genre | : Narration (Rhetoric) |
| ISBN | : 9780814214725 |
Radio drama has been around for more than one hundred years and is still vibrant in many countries. A narrative-dramatic genre and art form in its own right, radio drama has traditionally crossed medial and generic boundaries and continues to do so in our age of digitization. Audionarratology: Lessons from Audio Drama, edited by Lars Bernaerts and Jarmila Mildorf, explores radio drama from a narratological angle. The contributions cover key questions surrounding audiophonic meaning-making, storyworld creation, mediation, focalization, suspense, unreliability, and ambiguity as well as the relationship between script and performance, seriality, antinarrative tendencies, and radio drama's political implications now and in its early days. The book thus explores the interplay between sound, voices, music, language, silence, electroacoustic manipulation, and narrative structures. Providing examples from American, Australian, British, Dutch, and German radio drama--such as I Love a Mystery, The War of the Worlds, and The Hitchhiker's Guide to the Galaxy--this book has important insights for scholars working in transmedial narratology, media studies, literary and cultural studies, theatre and performance studies, and communication studies as well as for practitioners and lovers of radio drama alike.
| Author | : Tim Lebbon |
| Publisher | : Titan Books (US, CA) |
| Total Pages | : 337 |
| Release | : 2014-01-28 |
| Genre | : Fiction |
| ISBN | : 1781162697 |
THE FIRST IN AN ALL NEW, OFFICIAL TRILOGY SET IN THE ALIEN UNIVERSE! Featuring the iconic Ellen Ripley in a terrifying new adventure that bridges the gap between Alien and Aliens. Officially sanctioned and true to the Alien cannon, Alien: Out of the Shadows expands upon the well-loved mythos and is a must for all Alien fans.
| Author | : Hugh Chignell |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 197 |
| Release | : 2021-02-25 |
| Genre | : Performing Arts |
| ISBN | : 1501377221 |
British Radio Drama, 1945-1963 reveals the quality and range of the avant-garde radio broadcasts from the 'golden age' of British radio drama. Turning away from the cautious and conservative programming that emerged in the UK immediately after World War II, young generations of radio producers looked to French theatre, introducing writers such as Samuel Beckett and Eugene Ionesco to British radio audiences. This 'theatre of the absurd' triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonic Workshop. Based on primary archival research and interviews with former BBC staff, Hugh Chignell places this high-point in the BBC's history in the broader context of British post-war culture, as norms of morality and behavior were re-negotiated in the shadow of the Cold War, while at once establishing the internationalism of post-war radio and theatre.
| Author | : Hugh Chignell |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 197 |
| Release | : 2019-09-19 |
| Genre | : Performing Arts |
| ISBN | : 1501329707 |
British Radio Drama, 1945-1963 reveals the quality and range of the avant-garde radio broadcasts from the 'golden age' of British radio drama. Turning away from the cautious and conservative programming that emerged in the UK immediately after World War II, young generations of radio producers looked to French theatre, introducing writers such as Samuel Beckett and Eugene Ionesco to British radio audiences. This 'theatre of the absurd' triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonic Workshop. Based on primary archival research and interviews with former BBC staff, Hugh Chignell places this high-point in the BBC's history in the broader context of British post-war culture, as norms of morality and behavior were re-negotiated in the shadow of the Cold War, while at once establishing the internationalism of post-war radio and theatre.
