British Film Editors
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Author | : Roy Perkins |
Publisher | : Bloomsbury Publishing |
Total Pages | : 258 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838714820 |
Most of the Directors I've worked with needed someone to talk to who is deep inside the heart of the movie. - Mick Audsley, Film Editor Film editing is understood by the industry to be one of the most crucial contributions to film-making. World-class British editors such as Antony Gibbs and Anne Coates have received recognition of their importance in Hollywood and experienced British Editors have important roles in a surprising number of major American movies . This book attempts to explain this mot elusive of roles by allowing editors to describe in their own words what they do and to bring them into the critical and public spotlight. It is the most comprehensive survey of its kind to date and is based upon interviews with many distinguished editors who have worked on films as diverse as Blade Runner and Carry on Up the Khyber, Die Hard 2 and Blow Up, American Beauty and Performance. The British Film Editor also provides a detailed history of editing, together with extensive filmographies.
Author | : Roger Crittenden |
Publisher | : CRC Press |
Total Pages | : 418 |
Release | : 2012-08-06 |
Genre | : Performing Arts |
ISBN | : 1136054103 |
Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.
Author | : Richard Farmer |
Publisher | : Edinburgh University Press |
Total Pages | : 416 |
Release | : 2019-05-03 |
Genre | : Electronic books |
ISBN | : 1474423132 |
Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s
Author | : David Meuel |
Publisher | : McFarland |
Total Pages | : 232 |
Release | : 2016-05-16 |
Genre | : Performing Arts |
ISBN | : 1476625204 |
When the movie business adopted some of the ways of other big industries in 1920s America, women--who had been essential to the industry's early development--were systematically squeezed out of key behind-the-camera roles. Yet, as female producers and directors virtually disappeared for decades, a number of female film editors remained and rose to the top of their profession, sometimes wielding great power and influence. Their example inspired a later generation of women to enter the profession at mid-century, several of whom were critical to revolutionizing filmmaking in the 1960s and 1970s with contributions to such classics as Bonnie and Clyde, Jaws and Raging Bull. Focusing on nine of these women and presenting shorter glimpses of nine others, this book tells their captivating personal stories and examines their professional achievements.
Author | : |
Publisher | : |
Total Pages | : 594 |
Release | : 1927 |
Genre | : Motion pictures |
ISBN | : |
Author | : Karel Reisz |
Publisher | : |
Total Pages | : 411 |
Release | : 2008 |
Genre | : Motion pictures |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 296 |
Release | : 1958 |
Genre | : Cinematography |
ISBN | : |
Author | : Steve Hullfish |
Publisher | : CRC Press |
Total Pages | : 353 |
Release | : 2024-07-18 |
Genre | : Performing Arts |
ISBN | : 104003649X |
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
Author | : David Leafe |
Publisher | : British Film Institute |
Total Pages | : 276 |
Release | : 1989-01-01 |
Genre | : Performing Arts |
ISBN | : 9780851702469 |
Author | : |
Publisher | : |
Total Pages | : 774 |
Release | : 1945 |
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