Download British Drama Of The Industrial Revolution full books in PDF, epub, and Kindle. Read online free British Drama Of The Industrial Revolution ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Frederick Burwick |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2015-07-28 |
| Genre | : Drama |
| ISBN | : 110711165X |
Frederick Burwick reveals how the most volatile developments in British drama from the 1790s to 1830s took place in the industrial provinces.
| Author | : Frederick Burwick |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2015-07-28 |
| Genre | : Drama |
| ISBN | : 131635265X |
Between the advent of the French Revolution and the short-lived success of the Chartist Movement, overworked and underpaid labourers struggled to achieve solidarity and collective bargaining. That history has been told in numerous accounts of the age, but never before has it been told in terms of the theatre of the period. To understand the play lists of a theatre, it is crucial to examine the community which that theatre serves. In the labouring-class communities of London and the provinces, the performances were adapted to suit the local audiences, whether weavers, or miners, or field workers. Examining the conditions and characteristics of representative provincial theatres from the 1790s to 1830s, Frederick Burwick argues that the meaning of a play changes with every change in the performance location. As contributing factors in that change, Burwick attends to local political and cultural circumstances as well as to theatrical activities and developments elsewhere.
| Author | : Robert Leach |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Theater |
| ISBN | : 9780367580391 |
| Author | : Jane Humphries |
| Publisher | : Cambridge University Press |
| Total Pages | : 455 |
| Release | : 2010-06-24 |
| Genre | : History |
| ISBN | : 1139489283 |
This is a unique account of working-class childhood during the British industrial revolution, first published in 2010. Using more than 600 autobiographies written by working men of the eighteenth and nineteenth centuries Jane Humphries illuminates working-class childhood in contexts untouched by conventional sources and facilitates estimates of age at starting work, social mobility, the extent of apprenticeship and the duration of schooling. The classic era of industrialisation, 1790–1850, apparently saw an upsurge in child labour. While the memoirs implicate mechanisation and the division of labour in this increase, they also show that fatherlessness and large subsets, common in these turbulent, high-mortality and high-fertility times, often cast children as partners and supports for mothers struggling to hold families together. The book offers unprecedented insights into child labour, family life, careers and schooling. Its images of suffering, stoicism and occasional childish pleasures put the humanity back into economic history and the trauma back into the industrial revolution.
| Author | : Sarah Burdett |
| Publisher | : Springer Nature |
| Total Pages | : 299 |
| Release | : 2023-05-20 |
| Genre | : Literary Criticism |
| ISBN | : 3031154746 |
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
| Author | : Alex Eric Hernandez |
| Publisher | : |
| Total Pages | : 275 |
| Release | : 2019 |
| Genre | : Literary Criticism |
| ISBN | : 0198846576 |
The 'rise of the middle class' in the eighteenth century has long been taken to usher in a prosaic age synonymous with the death of tragedy, an age in which the sheer ordinariness of bourgeois life was both antithetical and inured to the tragic. But the period's literature tells a very different story. Re-assembling a body of print and performance concerned with the misfortunes of the middling sort, The Making of British Bourgeois Tragedy argues that these works imagined a particularly modern sort of affliction, an 'ordinary suffering' proper to ordinary life, divested of the sorts of meanings, rhetorics, and affective resonances once deployed to understand it. Whereas neoclassical aesthetics aligned tragedy with the heroic and the admirable, this 'bourgeois and domestic tragedy' treated the pain of common people with dignity and seriousness, meditating upon a suffering that was homely, familiar, entangled in the nascent values of capitalism, yet no less haunted by God. Hence, where many have seen aesthetic stagnation, misfiring emotion, and the absence of an idealized tragicness in the genre, this volume sees instead a sustained engagement in the emotional processes and representational techniques through which the middle rank feels its way into modernity. By attending closely to this long neglected subject, The Making of British Bourgeois Tragedy turns the critical account of eighteenth-century tragedy on its head. It reads the genre's emergence in the period as a vigorous cultural conversation on whose life--and whose way of life--is grievable, as well as how mourning might be performed
| Author | : Dewey W. Hall |
| Publisher | : Lexington Books |
| Total Pages | : 212 |
| Release | : 2017-10-16 |
| Genre | : History |
| ISBN | : 1498551076 |
Victorian Ecocriticism: The Politics of Place and Early Environmental Justice aims to take up the challenge that Lawrence Buell lays out in The Future of Environmental Criticism: Environmental Crisis and Literary Imagination (2005). Buell decries: “For in order to bring ‘environmental justice into ecocriticism,’ a few more articles or conference sessions won’t suffice. There must be ‘a fundamental rethinking and reworking of the field as a whole’” (Buell 113). While discussions about nature conservation and preservation have been important within the context of ecocriticism, Buell asserts that the holy grail for the field is actually how literary critics engage in discourse about questions of place as space humanized for the purpose of tracing, disclosing, and advancing the important issue of environmental justice—as it applies to human beings, animals, and plants. The “fundamental reworking” or shift in the field of Victorian Studies really has to do with the dearth of ecocritical publishing about seminal authors and literary texts. Victorian Ecocriticism aims to participate in filling that vacuum, lack, or lacuna by featuring current research about the Victorian era from an ecocritical perspective. Victorian Ecocriticism hopes to identify, establish, and organize its content based on six themes: Ecocrisis, Ecofeminism, Ecogothicism, Ecohistoricism, Ecotheology, and Ecological Interdependence. The edited collection, thus, has two aims. First, selected places among others featured in the edition will provide environmental contexts, often with political implications: American rural landscape (e.g., Walden Pond), Australian mines, British hill-country, metropolis, mill towns, the sea, and the woods. Second, the edition includes discussions about various instances of early environmental justice evident during the mid-nineteenth century such as, but not limited to: anti-railway campaigns, biological egalitarianism, labor disputes due to adverse working conditions, patterns of displacement, reactions to Victorian scientism, resistance to enclosure, and working class education. Victorian Ecocriticism is an interdisciplinary edition. It focuses on Victorian literature as the foundational discipline linked to various disciplines such as ecology, evolutionary biology, natural history, and soil science. The topics are wide-ranging, significant, and contemporary discussing the politics of place as well as early environmental justice.
| Author | : Jeffrey W. Barbeau |
| Publisher | : Cambridge University Press |
| Total Pages | : 367 |
| Release | : 2021-10-21 |
| Genre | : History |
| ISBN | : 1108482848 |
The first survey of the connections between literature, religion, and intellectual life in the British Romantic period.
| Author | : Frederick Burwick |
| Publisher | : John Wiley & Sons |
| Total Pages | : 543 |
| Release | : 2019-08-19 |
| Genre | : Literary Criticism |
| ISBN | : 1119044359 |
Historical Narrative Offers Introduction to Romanticism by Placing Key Figures in Overall Social Context Going beyond the general literary survey, A History of Romantic Literature examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy, by providing a richly integrated account of shared themes, interests, innovations, rivalries and disputes among the writers of the late eighteenth and early nineteenth centuries. Drawing from the assemblage theory, Prof. Burwick maintains that the literature of the period is inseparable from prevailing economic conditions and ongoing political and religious turmoil, as well as developments in physics, astronomy, music and art. Thus, rather than deal with authors as if they worked in isolation from society, he identifies and describes their interactions with their communities and with one another, as well as their responses to current events. By connecting seemingly scattered and random events such as the bank crisis of 1825, he weaves the coincidental into a coherent narrative of the networking that informed the rise and progress of Romanticism. Notable features of the book include: A strong narrative structure divided into four major chronological periods: Revolution, 1789-1798; Napoleonic Wars, 1799-1815; Riots, 1815-1820; Reform, 1821-1832 Thorough coverage of major and minor figures and institutions of the Romantic movement (including Mary Wollstonecraft, Elizabeth Montague and the Bluestockings, Lord Byron, John Keats, Letitia Elizabeth Landon etc.) Emphasis on the influence of social networks among authors, such as informal dinners and teas, clubs, salons and more formal institutions With its extensive coverage and insightful analysis set within a lively historical narrative, History of Romantic Literature is highly recommended for courses on British Romanticism at both undergraduate and post-graduate levels. It will also prove a highly useful reference for advanced scholars pursuing their own research.
| Author | : Arnold Schmidt |
| Publisher | : Taylor & Francis |
| Total Pages | : 1224 |
| Release | : 2022-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 1315530120 |
During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres. These plays mixed sentimental moments and comic interludes of domestic melodrama with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further.
