Brillan Por Su Ausencia
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| Author | : Adela Robles-Sáez |
| Publisher | : Georgetown University Press |
| Total Pages | : 369 |
| Release | : 2010-12-14 |
| Genre | : Foreign Language Study |
| ISBN | : 1589017633 |
This extensive Spanish language reference explains the logic behind more than 3,000 frequently used verb phrases and combinations that make Spanish speech sound native. Each entry includes a definition of the phrase including its register, synonyms, antonyms, complementary expressions, grammatical patterns, and examples of how the combinations are used in easy and difficult structures. Most entries also point out other factors to be taken into account, such as whether an expression is to be used in isolation, after explaining a cause, or if it shouldn't be used at the beginning of a sentence. The book presents generative patterns for combinations based on conceptual metaphors and grammar structures, details families of expressions as separate charts, and contains an index by complement. Featuring a wide range of varieties of Spanish, this volume includes both peninsular and New World Spanish and draws on both written and spoken corpora. Based on sound research in cognitive linguistics and written entirely in Spanish, this valuable reference will be useful to advanced students of Spanish, teachers of Spanish, translators, and writers. Sample Entry ABUNDARAbundar en detalles: Ofrecer mucha información. Esta expresión se utiliza en contextos neutros o formales. En forma negativa (no abundar en detalles) se usa para expresar de manera irónica que alguien no quiere ofrecer tanta información como necesitamos. S: El informe sobre el golpe de estado V: abunda CR: en detalles sobre la intervención de la CIA El estudio abunda en detalles estadísticos sobre la inmigración, pero no explica ni sus causas ni sus consecuencias. La testigo reconoció que era amante del acusado, pero no abundó en detalles sobre su relación. Contraste:Informal: Paquita llegó a casa borracha y con un ojo morado. Explicó a su marido que se había caído y nada más.Formal: La víctima llegó a su casa intoxicada y con señales de abuso físico. Explicó, sin abundar en detalles, que eran resultado de una caída. Expresiones relacionadas:1. Entrar en detalles (frecuentemente no entrar en detalles): Discutir un tema en profundidad. ‘No entrar’ significa quedarse fuera, por lo tanto, no entrar en detalles significa no explicar ningún detalle, mientras que no abundar en detalles significa hablar poco sobre un tema. El estudio abunda en detalles estadísticos sobre la inmigración, pero no explica ni sus causas ni sus consecuencias. *El estudio entra en detalles estadísticos sobre la inmigración, pero no explica ni sus causas ni sus consecuencias. Hasta ahora hemos tratado el tema de la absorción de este mineral de manera superficial. Ahora entraremos en detalles. *Hasta ahora hemos tratado el tema de la absorción de este mineral de manera superficial. Ahora abundaremos en detalles.
| Author | : |
| Publisher | : Editorial Ink |
| Total Pages | : 248 |
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| Publisher | : Bib. Orton IICA / CATIE |
| Total Pages | : 168 |
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| Author | : Thomas Wayne Edison |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 315 |
| Release | : 2020-09-28 |
| Genre | : Literary Criticism |
| ISBN | : 1498597483 |
Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance contributes to understanding the important role that African-influenced spiritualcultures play in literature that challenges the concept that European aesthetics are superior to African-inspired cultures. Thomas W. Edison highlights the novels of four courageous Caribbean writers who have used their novels to integrate aspects of African ontology with literary techniques, themes, and history. The common element in these works is the inclusion of African-inspired faith traditions and culture. As a result of this perspective, their literature stands out as keen examples of Ashé-Caribbean resistance literature. While each writer presents their unique literary style in the works, collectively they draw on a foundation of the Afro-Caribbean. The Circum-Caribbean region will be the geographical unit because of its collective history of slavery, colonial rule, and parallel patterns of religious syncretism. This book makes an important literary connection among Caribbean Hispanophone nations.
| Author | : Aránzazu Ascunce Arenas |
| Publisher | : Lexington Books |
| Total Pages | : 289 |
| Release | : 2012-03-15 |
| Genre | : History |
| ISBN | : 1611484251 |
For hundreds of years, Barcelona and Madrid have shared a deep rivalry. Throughout history, they have competed in practically every aspect of social life, sport, politics, and culture. While competition between cities is commonplace in many nations around the world, in the case of Barcelona and Madrid it has been, on occasion, excessively antagonistic. Over time they have each tried to demonstrate that one was more modern than the other, or more avant-garde, or richer, or more athletic, and so on. Fortunately, the Spain of today is a democracy and every nation and region of the State has the liberty to act. As such, the rivalry between these two capitals has become productive not only for the cities themselves, but also for Spain as a whole. One hundred years ago, at the onset of the Historical Avant-Garde in Spain, the connections between Barcelona and Madrid consisted of a complicated web of politics, friendships, publications, and inter-art collaborations. Over the last century, the antagonistic relationship between these two cultural capitals has been dismissed as simply a fact of life and thereby scholars, for the most part, have focused only on Barcelona or Madrid when addressing this cultural moment. By delving deep into the myriad of cultural and political complexities that surround these two cities from the onset of Futurism (1909) to the arrival of Surrealism in Spain (1929), a complex social and cultural network is revealed. Networking between artists, poets, journalists and thinkers connected avant-garde Barcelona and Madrid, thereby creating synergy for this artistic and literary movement. In a hybrid, transdisciplarian, translingual and historical approach using a wide range of visual and textual artifacts, the complexity of interactions described here opens our imagination to new ways of thinking about culture.
| Author | : Benedict Anderson |
| Publisher | : Verso Books |
| Total Pages | : 330 |
| Release | : 2013-11-05 |
| Genre | : Political Science |
| ISBN | : 178168507X |
The exchange of ideas makes history as surely as the exchange of gunfire. The Age of Globalization (previously published as Under Three Flags) is an account of the unlikely connections that made up late nineteenth-century politics and culture. In particular, Benedict Anderson examines the links between militant anarchists in Europe and the Americas and the anti-imperialist uprisings in Cuba, China, and Japan. Told through the complex intellectual interactions of two great Filipino writers-the political novelist Jos Rizal and the pioneering folklorist Isabelo de los Reyes-The Age of Globalization is a brilliantly original work on how global networks shaped the nationalist movements of the time.
| Author | : Harold C. Raley |
| Publisher | : SUNY Press |
| Total Pages | : 300 |
| Release | : 1997-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780791431535 |
An in-depth study of the thought of contemporary Spanish philosopher Julian Marias, in the context of Ortega y Gasset and his times and twentieth-century Spanish culture.
| Author | : Benedict Richard O'Gorman Anderson |
| Publisher | : Verso |
| Total Pages | : 282 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9781844670376 |
In this sparkling new work, Benedict Anderson provides a radical recasting of themes from Imagined Communities, his classic book on nationalism, through an exploration of fin-de-siecle politics and culture that spans the Caribbean, Imperial Europe and the South China Sea. A jewelled pomegranate packed with nitroglycerine is primed to blow away Manila's 19th-century colonial elite at the climax of El Filibusterismo, whose author, the great political novelist Jose Rizal, was executed in 1896 by the Spanish authorities in the Philippines at the age of 35. Anderson explores the impact of avant-garde European literature and politics on Rizal and his contemporary, the pioneering folklorist Isabelo de los Reyes, who was imprisoned in Manila after the violent uprisings of 1896 and later incarcerated, together with Catalan anarchists, in the prison fortress of Montjuich in Barcelona. On his return to the Philippines, by now under American occupation, Isabelo formed the first militant trade unions under the influence of Malatesta and Bakunin. Anderson considers the complex intellectual interactions of these young Filipinos with the new "science" of anthropology in Germany and Austro-Hungary, and with post-Communard experimentalists in Paris, against a background of militant anarchism in Spain, France, Italy and the Americas, Jose Marti's armed uprising in Cuba and anti-imperialist protests in China and Japan. In doing so, he depicts the dense intertwining of anarchist internationalism and radical anti-colonialism. Under Three Flags is a brilliantly original work on the explosive history of national independence and global politics.
| Author | : Olivier Debroise |
| Publisher | : UNAM |
| Total Pages | : 482 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9789703238293 |
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.
| Author | : Enid Lynette Logan |
| Publisher | : NYU Press |
| Total Pages | : 224 |
| Release | : 2011-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 0814752977 |
Introduction: the landscape of race in the 21st century -- Post-race American triumphalism and the entrenchment of colorblind racial ideology -- Rooted in the Black community but not limited to it: the perils and promises of the new politics of race -- Contesting gender and race in the 2008 democratic primary -- The trope of race in Obama's America -- Asian and Latino voters in the 2008 election: the politics of color in the racial middle -- In defense of the white nation: the modern conservative movement and the discourse of exclusionary nationalism -- Racial politics under the first Black president.
