Art Index

Art Index
Author: Alice Maria Dougan
Publisher:
Total Pages: 1056
Release: 1972
Genre: Architecture
ISBN:

Tempera Painting 1800-1950

Tempera Painting 1800-1950
Author: Patrick Dietemann
Publisher: Weidenfeld & Nicolson
Total Pages: 226
Release: 2019
Genre: Tempera painting
ISBN: 9781909492592

The papers and posters in this volume were presented at the conference 'Tempera painting between 1800 and 1950 Experiments and innovations from the Nazarene movement to abstract art held at the Doerner Institut, in cooperation with the Academy of Fine Arts, Munich. They explore the revival of tempera painting between 1800 and 1950 from the perspectives of art history, technical art history, conservation and scientific analysis.

The SAGE Handbook of Intercultural Competence

The SAGE Handbook of Intercultural Competence
Author: Darla K. Deardorff
Publisher: SAGE
Total Pages: 560
Release: 2009-08-31
Genre: Language Arts & Disciplines
ISBN: 1412960452

Containing chapters by some of the world's leading experts and scholars on the subject, this book provides a broad context for intercultural competence. Including the latest research on intercultural models and theories, it presents guidance on assessing intercultural competence through the exploration of key assessment principles.

Conceptual Art

Conceptual Art
Author: Alexander Alberro
Publisher: MIT Press
Total Pages: 628
Release: 2000-08-25
Genre: Design
ISBN: 9780262511179

This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson

Words Without Pictures

Words Without Pictures
Author: Charlotte Cotton
Publisher:
Total Pages: 0
Release: 2010
Genre: Photography, Artistic
ISBN: 9781597111423

Words Without Pictures was originally conceived of by curator Charlotte Cotton as a means of creating spaces for thoughtful and urgent discourse around current issues in photography. Every month for a year, beginning in November 2007, an artist, educator, critic, art historian, or curator was invited to contribute a short, un-illustrated, and opinionated essay about an aspect of photography that, in his or her view, was either emerging or in the process of being rephrased. Each piece was available on the Words Without Pictures website for one month and was accompanied by a discussion forum focused on its specific topic. Over the course of its month-long life, each essay received both invited and unsolicited responses from a wide range of interested partiesstudents, photographers active in the commercial sector, bloggers, critics, historians, artists of all kinds, educators, publishers, and photography enthusiasts alikeall coming together to consider the issues at hand. All of these essays, responses, and other provocations are gathered together in a volume designed by David Reinfurt of Dexter Sinister. Previously issued as a print-on-demand title, Aperture is pleased to present Words Without Pictures to the trade for this first time as part of the Aperture Ideas series.

Karol Radziszewski

Karol Radziszewski
Author: Michal Grzegorzek
Publisher: National Geographic Books
Total Pages: 0
Release: 2021-08-24
Genre: Art
ISBN: 3956795504

Karol Radziszewski's montage of queer archival materials that formulate new ways of understanding history, memory, and legislation in Eastern Europe. In 1989, a great political change awaited Poland: with the fall of the Berlin wall and the flourishing of capitalism, the people behind the Iron Curtain would be set free. Karol Radziszewski was nine years old, living in Białystok, and, in a graph-paper notebook, he drew pages and pages of princesses in corrective eyewear, dogs with mermaid tails, and mysterious seductresses, whose exceptionally firm bosoms would be, sooner or later, bedecked in arrows shot into a heart or a flame. Karol knows that the secrets of these notebooks were off limits to everyone. Today these drawings reemerge as self-portraits of this adult artist: full-fledged works capping off Radziszewski's enormous queer archive. For he himself is a man of many faces: artist, curator, film director, and avid collector, skillfully navigating between the visual and performative arts. But above all, he is the creator of the Queer Archives Institute, a never-ending performance and informal organization grappling with the suppressed, yet surprisingly beautiful queer memory of Central and Eastern Europe. The artist's special montage of archival materials--self-made, ready-made, or inspiration for artistic extrapolation--formulates new ways of understanding history, memory, or legislation. He blurs facts with fantasies, cobbling together documentation from scraps of memories. He leaves false trails to suggest alternative paths of remembering. The secret performativity of Karol Radziszewski's archive is not merely in its tales of the past, but above all, in the queer potential of the future: in its revolutionary nature, its change, and its promise of freedom. Contributors Michał Grzegorzek, Fanny Hauser, João Laia, Élisabeth Lebovici, Katarzyna Przyłuska-Urbanowicz, Dorota Sajewska, Barbara Steiner, Wojciech Szymański