Breve Historia Y Antologia De La Estetica
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| Author | : José María Valverde Pacheco |
| Publisher | : Grupo Planeta Spain |
| Total Pages | : 302 |
| Release | : 2011-10-13 |
| Genre | : Social Science |
| ISBN | : 8434469995 |
Este libro, nacido de la enseñanza, pero con esperanzas de interesar también a lectores libres de cursos y exámenes, sólo pretende ofrecer una mínima síntesis del desarrollo histórico de la estética, sobre todo en su núcleo conceptual. En lo que se llama "ideas estéticas" se reúnen varias perspectivas, en cada momento: así, lo que dijeron los grandes filósofos sobre la belleza y el arte -cuando no callaron sobre tal tema-, y lo que opinaron los propios hacedores o sus críticos inmediatos sin ambición filosófica; todo ello en el contexto de la mentalidad de cada época y, claro está, teniendo como interés supremo la realidad misma de lo estético, es decir, los hechos de las artes y de las letras. Sabemos que sobre estos hechos singulares se puede hablar interminablemente sin llegar a conclusiones fijas, pero se hacen aún más interesantes cuanto más los vemos sobre el trasfondo de las ideas y la sociedad en que se insertaron. Cada capítulo lleva, tras su sucinta exposición, una antología de textos típicos, cuyas traducciones -a veces más adaptadas que literales- son de nuestra propia responsabilidad si no se indica otra cosa. Acaso el designio principalmente informativo que ha movido esta obra no la haya librado de sectarismos de diversa índole: querríamos que el más importante de ellos fuera la oposición a la tendencia contemporánea -ya señalada y fomentada por Hegel- a dar más valor a las ideas generales que a los hechos y obras singulares.
| Author | : José María Valverde |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 1995-10-01 |
| Genre | : Education |
| ISBN | : 9788434413672 |
Este libro, nacido de la enseñanza, pero con esperanzas de interesar también a lectores libres de cursos y exámenes, sólo pretende ofrecer una mínima síntesis del desarrollo histórico de la estética, sobre todo en su núcleo conceptual. En lo que se llama "ideas estéticas" se reúnen varias perspectivas, en cada momento: así, lo que dijeron los grandes filósofos sobre la belleza y el arte -cuando no callaron sobre tal tema-, y lo que opinaron los propios hacedores o sus críticos inmediatos sin ambición filosófica; todo ello en el contexto de la mentalidad de cada época y, claro está, teniendo como interés supremo la realidad misma de lo estético, es decir, los hechos de las artes y de las letras. Sabemos que sobre estos hechos singulares se puede hablar interminablemente sin llegar a conclusiones fijas, pero se hacen aún más interesantes cuanto más los vemos sobre el trasfondo de las ideas y la sociedad en que se insertaron. Cada capítulo lleva, tras su sucinta exposición, una antología de textos típicos, cuyas traducciones -a veces más adaptadas que literales- son de nuestra propia responsabilidad si no se indica otra cosa. Acaso el designio principalmente informativo que ha movido esta obra no la haya librado de sectarismos de diversa índole: querríamos que el más importante de ellos fuera la oposición a la tendencia contemporánea -ya señalada y fomentada por Hegel- a dar más valor a las ideas generales que a los hechos y obras singulares.
| Author | : José Miguel Puerta-Vilchez |
| Publisher | : BRILL |
| Total Pages | : 954 |
| Release | : 2017-07-10 |
| Genre | : Art |
| ISBN | : 9004345043 |
In Aesthetics in Arabic Thought from Pre-Islamic Arabia through al-Andalus José Miguel Puerta Vílchez analyzes the discourses about beauty, the arts, and sense perception that arose within classical Arab culture from pre-Islamic poetry and the Quran (sixth-seventh centuries CE) to the Alhambra palace in Granada (fourteenth century CE). He focuses on the contributions of such great thinkers as Ibn Ḥazm, Avempace, Ibn Ṭufayl, Averroes, Ibn ʿArabī, and Ibn Khaldūn in al-Andalus, and the Brethren of Purity, al-Tawḥīdī, al-Fārābī, Avicenna, Alhazen, and al-Ghazālī in the East. The work also explores literary criticism, calligraphy, music, belles-lettres (adab), and erotic literature, and highlights the contribution of Arab humanism to shaping the field of Aesthetics in the West.
| Author | : Magda Polo Pujandas |
| Publisher | : Ed. Universidad de Cantabria |
| Total Pages | : 180 |
| Release | : 2016-05-31 |
| Genre | : Music |
| ISBN | : 8481027766 |
One of the most difficult challenges a music theoretician faces, be it historically, philosophically or in other aspects, is that of correctly and precisely framing the meaning that music has in a specific moment: deducing the “why” and revealing the secret hidden within. The book Pure and Programme Music in the Romanticism, a rigorous and indispensable study to understand music in the period in which music as an expression of feelings, begins to reach the threshold of the sublime –primarily focusing attention on what pure and programme music represent. Both types of music are instrumental, but the difference between them is that the first one, pure music, exists on its own, and for its own sake, establishing an iron-clad alliance with the form. Programme music is inspired by other forms of artistic expression, especially literature, and is indelibly linked with the content. However, halfway between these two types of music, a new one is born: absolute music. This music is the result from the dialectic established between the pure and programme, exactly in the middle of two opposing philosophies, that of Idealism and that of Materialism. All of this context described in this book is what defines the essence of Romantic music but also what allows us to understand the music of the twentieth century and that of today, because the controversy between pure music and programme music has represented, in the history of western musical thought, the turning point that led to the creation of the Gesamtkunstwerk (Total Work of Art) and the relationship between music and film, for example, as well as other artistic expressions.
| Author | : Andrea Basantes-Andrade |
| Publisher | : Springer Nature |
| Total Pages | : 492 |
| Release | : 2020-01-02 |
| Genre | : Technology & Engineering |
| ISBN | : 3030372219 |
This book presents the proceedings of International Conference on Knowledge Society: Technology, Sustainability and Educational Innovation (TSIE 2019). The conference, which was held at UTN in Ibarra, Ecuador, on 3–5 July 2019, allowed participants and speakers to share their research and findings on emerging and innovative global issues. The conference was organized in collaboration with a number of research groups: Group for the Scientific Research Network (e-CIER); Research Group in Educational Innovation and Technology, University of Salamanca, Spain(GITE-USAL); International Research Group for Heritage and Sustainability (GIIPS), and the Social Science Research Group (GICS). In addition, it had the endorsement of the RedCLARA, e-science, Fidal Foundation, Red CEDIA, IEEE, Microsoft, Business IT, Adobe, and Argo Systems. The term “knowledge society” can be understood as the management, understanding and co-creation of knowledge oriented toward the sustainable development and positive transformation of society. In this context and on the occasion of the XXXIII anniversary of the Universidad Técnica del Norte (UTN), the Postgraduate Institute through its Master of Technology and Educational Innovation held the I International Congress on Knowledge Society: Technology, Sustainability and Educational Innovation – TSIE 2019, which brought together educators, researchers, academics, students, managers, and professionals, from both the public and private sectors to share knowledge and technological developments. The book covers the following topics: 1. curriculum, technology and educational innovation; 2. media and education; 3. applied computing; 4. educational robotics. 5. technology, culture, heritage, and tourism development perspectives; and 6. biodiversity and sustainability.
| Author | : Julián Malatesta |
| Publisher | : Universidad del Valle |
| Total Pages | : 208 |
| Release | : 2024-08-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 9587657063 |
Pedro Alcántara se sitúa en el vórtice crucial de la segunda mitad del siglo xx, período, en que el arte y las letras latinoamericanas expresan un especial empuje renovador y la militancia de los creadores enfrenta las atrocidades de las guerras imperiales, las funestas dictaduras que oscurecieron el cielo de este joven continente y las endémicas formas de violencia que son una venda para el espíritu. Abordar su obra obliga a ponerla en consonancia con ese rico y contradictorio contexto del pensamiento y de la historia, y permite que su trabajo como hombre de la cultura halle una explicación más compleja que contribuya a comprender su indagación y sus alcances estéticos. Pedro Alcántara is situated in the pivotal vortex of the second half of the 20th century, where Latin American arts and literature display a special revitalizing thrust and where militancy of the creators faces the atrocities of the imperialr wars, the baleful dictatorships that darkened the sky of this young continent, and the endemic forms of violence that are a blindfold for the spirit. Addressing Alcántaras work oblíges one to place it in accordance to that rich and contradictory context of thought and history, allowing his work, as a man of culture, to find a more complex explanation that contributes, to the understanding of his inquiry and of his a esthetic scopes.
| Author | : Edoardo Zuccato |
| Publisher | : Continuum |
| Total Pages | : 472 |
| Release | : 2007-12-25 |
| Genre | : Literary Collections |
| ISBN | : |
A collection of research on the European reception of Samuel Taylor Coleridge (1772-1834), the major Romantic poet and author of "The Ancient Mariner" one of the best known poems in British literature.
| Author | : Pedro Barreda |
| Publisher | : Society of Spanish & Spanish-American Studies |
| Total Pages | : 724 |
| Release | : 1999 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 1418 |
| Release | : 1999 |
| Genre | : Catalogs, Publishers' |
| ISBN | : |
| Author | : Steven Shaviro |
| Publisher | : MIT Press |
| Total Pages | : 191 |
| Release | : 2012-08-17 |
| Genre | : Philosophy |
| ISBN | : 0262517973 |
A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.
