Brazilian African Diaspora In Ghana
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| Author | : Kwame Essien |
| Publisher | : MSU Press |
| Total Pages | : 392 |
| Release | : 2016-10-01 |
| Genre | : History |
| ISBN | : 1628952776 |
Brazilian-African Diaspora in Ghana is a fresh approach, challenging both pre-existing and established notions of the African Diaspora by engaging new regions, conceptualizations, and articulations that move the field forward. This book examines the untold story of freed slaves from Brazil who thrived socially, culturally, and economically despite the challenges they encountered after they settled in Ghana. Kwame Essien goes beyond the one-dimensional approach that only focuses on British abolitionists’ funding of freed slaves’ resettlements in Africa. The new interpretation of reverse migrations examines the paradox of freedom in discussing how emancipated Brazilian-Africans came under threat from British colonial officials who introduced stringent land ordinances that deprived the freed Brazilian- Africans from owning land, particularly “Brazilian land.” Essien considers anew contention between the returnees and other entities that were simultaneously vying for control over social, political, commercial, and religious spaces in Accra and tackles the fluidity of memory and how it continues to shape Ghana’s history. The ongoing search for lost connections with the support of the Brazilian government—inspiring multiple generations of Tabom (offspring of the returnees) to travel across the Atlantic and back, especially in the last decade—illustrates the unending nature of the transatlantic diaspora journey and its impacts.
| Author | : Maia Green |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 231 |
| Release | : 2014 |
| Genre | : Business & Economics |
| ISBN | : 184701108X |
A timely, ethnographically informed account of the "development state" of Tanzania, showing how development practice and culture have become integrated into everyday life, politically, socially and economically. How has development affected the practices of the state in Africa? How has the development state become the basis of social organisation? How do Tanzanians position themselves to obtain aid money to effect change in their personallives? Financial aid flows have entrenched an economy of intervention in which the main beneficiaries are those who can claim to undertake development activities. Even for those not formally engaged in the development sector, its discourses influence everyday discussion about class and inequality, poverty and wealth, modernity and tradition. With Tanzania as the country focus, the author shows how the practices of development have infiltrated not only the state at large but many aspects of people's everyday lives. Maia Green is Professor of Social Anthropology at the University of Manchester.
| Author | : Patricia de Santana Pinho |
| Publisher | : UNC Press Books |
| Total Pages | : 273 |
| Release | : 2018-10-26 |
| Genre | : Social Science |
| ISBN | : 1469645335 |
Brazil, like some countries in Africa, has become a major destination for African American tourists seeking the cultural roots of the black Atlantic diaspora. Drawing on over a decade of ethnographic research as well as textual, visual, and archival sources, Patricia de Santana Pinho investigates African American roots tourism, a complex, poignant kind of travel that provides profound personal and collective meaning for those searching for black identity and heritage. It also provides, as Pinho's interviews with Brazilian tour guides, state officials, and Afro-Brazilian activists reveal, economic and political rewards that support a structured industry. Pinho traces the origins of roots tourism to the late 1970s, when groups of black intellectuals, artists, and activists found themselves drawn especially to Bahia, the state that in previous centuries had absorbed the largest number of enslaved Africans. African Americans have become frequent travelers across what Pinho calls the "map of Africanness" that connects diasporic communities and stimulates transnational solidarities while simultaneously exposing the unevenness of the black diaspora. Roots tourism, Pinho finds, is a fertile site to examine the tensions between racial and national identities as well as the gendered dimensions of travel, particularly when women are the major roots-seekers.
| Author | : Antonio Olliz Boyd |
| Publisher | : Cambria Press |
| Total Pages | : 362 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 1604977043 |
Antonio Olliz Boyd is an emeritus professor of Latin American literature at Temple University. He holds a PhD from Stanford University, an MS from Grorgetown University, and a BA from Long Island University. Dr. Olliz Boyd has published various essays on Afro Latino aesthetics in literature in volumes, such as the Dictionary of Literary Biography: Modern Latin-American Fiction Writers; Singular Like a Bird: The Art of Nancy Morejon; Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity; Blacks in Hispanic Literature: Critical Essays among others, as well as articles on Afro Latino literary criticism in various refereed journals. --Book Jacket.
| Author | : Juan Diego Díaz |
| Publisher | : Oxford University Press |
| Total Pages | : 304 |
| Release | : 2021-03-30 |
| Genre | : Music |
| ISBN | : 0197549586 |
When many people think of African music, the first ideas that come to mind are often of rhythm, drums, and dancing. These perceptions are rooted in emblematic African and African-derived genres such as West African drumming, funk, salsa, or samba and, more importantly, essentialized notions about Africa which have been fueled over centuries of contact between the "West," Africa, and the African diaspora. These notions, of course, tend to reduce and often portray Africa and the diaspora as primitive, exotic, and monolithic. In Africanness in Action, author Juan Diego Díaz explores this dynamic through the perspectives of Black musicians in Bahia, Brazil, a site imagined by many as a diasporic epicenter of African survivals and purity. Black musicians from Bahia, Díaz argues, assert Afro-Brazilian identities, promote social change, and critique racial inequality by creatively engaging essentialized tropes about African music and culture. Instead of reproducing these notions, musicians demonstrate agency by strategically emphasizing or downplaying them.
| Author | : Patrick Arthur Polk |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 9780990762652 |
Axé Bahia examines the unique cultural role played by Salvador, the coastal capital of the Brazilian state of Bahia. An internationally renowned center of Afro-Brazilian culture, Salvador has been a vibrant and important hub of African-inspired artistic practices in Latin America since the 1940s. This volume represents the most comprehensive investigation in the United States of Bahian arts to date and features essays by eighteen international scholars. While adding to popular understandings of core expressions of African heritage, such as the religion Candomblé, the essays explore in depth the complexities of race and cultural affiliation in Brazil and the provocative ways in which artists have experienced and responded creatively to prevailing realities of Afro-Brazilian identity in Bahia. Lavishly illustrated, the book features works by artists ranging from modernists, among them Mário Cravo Neto, Rubem Valentim, and Pierre Verger, to contemporary artists Rommulo Vieira Conceicao, Caetano Dias, Helen Salomao, Ayrson Heráclito, and others--including a stunning array of sculpture, painting, photography, video, and installation art. The exhibition was part of the Getty's Pacific Standard Time: LA/LA initiative.
| Author | : Patrick Manning |
| Publisher | : Columbia University Press |
| Total Pages | : 426 |
| Release | : 2010-03-05 |
| Genre | : History |
| ISBN | : 0231144717 |
Patrick Manning follows the multiple routes that brought Africans and people of African descent into contact with one another and with Europe, Asia, and the Americas. In joining these stories, he shows how the waters of the Atlantic Ocean, the Mediterranean Sea, and the Indian Ocean fueled dynamic interactions among black communities and cultures and how these patterns resembled those of a number of connected diasporas concurrently taking shaping across the globe. Manning begins in 1400 and traces the connections that enabled Africans to mutually identify and hold together as a global community. He tracks discourses on race, changes in economic circumstance, the evolving character of family life, and the growth of popular culture. He underscores the profound influence that the African diaspora had on world history and demonstrates the inextricable link between black migration and the rise of modernity. Inclusive and far-reaching, The African Diaspora proves that the advent of modernity cannot be fully understood without taking the African peoples and the African continent into account.
| Author | : Fernando Arenas |
| Publisher | : U of Minnesota Press |
| Total Pages | : 345 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 081666983X |
Situates the cultures of Portuguese-speaking Africa within the postcolonial, global era.
| Author | : Toyin Falola |
| Publisher | : Indiana University Press |
| Total Pages | : 472 |
| Release | : 2005-05-02 |
| Genre | : History |
| ISBN | : 0253003016 |
This innovative anthology focuses on the enslavement, middle passage, American experience, and return to Africa of a single cultural group, the Yoruba. Moving beyond descriptions of generic African experiences, this anthology will allow students to trace the experiences of one cultural group throughout the cycle of the slave experience in the Americas. The 19 essays, employing a variety of disciplinary perspectives, provide a detailed study of how the Yoruba were integrated into the Atlantic world through the slave trade and slavery, the transformations of Yoruba identities and culture, and the strategies for resistance employed by the Yoruba in the New World. The contributors are Augustine H. Agwuele, Christine Ayorinde, Matt D. Childs, Gibril R. Cole, David Eltis, Toyin Falola, C. Magbaily Fyle, Rosalyn Howard, Robin Law, Babatunde Lawal, Russell Lohse, Paul E. Lovejoy, Beatriz G. Mamigonian, Robin Moore, Ann O'Hear, Luis Nicolau Parés, Michele Reid, João José Reis, Kevin Roberts, and Mariza de Carvalho Soares. Blacks in the Diaspora -- Claude A. Clegg III, editor Darlene Clark Hine, David Barry Gaspar, and John McCluskey, founding editors
| Author | : Michelle D. Commander |
| Publisher | : Duke University Press |
| Total Pages | : 249 |
| Release | : 2017-03-02 |
| Genre | : Social Science |
| ISBN | : 0822373300 |
In Afro-Atlantic Flight Michelle D. Commander traces how post-civil rights Black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa as a means by which to heal the dispossession caused by the slave trade. Through ethnographic, historical, literary, and filmic analyses, Commander shows the ways that cultural producers such as Octavia Butler, Thomas Allen Harris, and Saidiya Hartman engage with speculative thought about slavery, the spiritual realm, and Africa, thereby structuring the imaginary that propels future return flights. She goes on to examine Black Americans’ cultural heritage tourism in and migration to Ghana; Bahia, Brazil; and various sites of slavery in the US South to interrogate the ways that a cadre of actors produces “Africa” and contests master narratives. Compellingly, these material flights do not always satisfy Black Americans’ individualistic desires for homecoming and liberation, leading Commander to focus on the revolutionary possibilities inherent in psychic speculative returns and to argue for the development of a Pan-Africanist stance that works to more effectively address the contemporary resonances of slavery that exist across the Afro-Atlantic.
