Brahms And The Scherzo
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Author | : Professor Ryan McClelland |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 344 |
Release | : 2013-01-28 |
Genre | : Music |
ISBN | : 1409494020 |
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
Author | : Ryan McClelland |
Publisher | : Routledge |
Total Pages | : 337 |
Release | : 2016-04-15 |
Genre | : Music |
ISBN | : 1317172841 |
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
Author | : Leon Botstein |
Publisher | : W. W. Norton & Company |
Total Pages | : 456 |
Release | : 1999 |
Genre | : Music |
ISBN | : 9780393047080 |
The 1997 centennial of Brahms's death has intensified interest among concertgoers and music lovers in the composer's prodigious body of work.
Author | : Michael Musgrave |
Publisher | : Oxford University Press |
Total Pages | : 354 |
Release | : 1994 |
Genre | : Music |
ISBN | : 9780198164012 |
Michael Musgrave presents a contemporary view of Brahms 150 years after his birth, seeing him not simply as the "conservative" figure so often stressed in the past, but as one who creatively reinterpreted a wider range of historical elements than any composer of his time. Brahms absorbed his studies directly into his music making and composition and in so doing helped to evolve not merely a personal language which was regarded as progressive and sometimes difficult by a range of contemporaries and successors, but also helped to establish an ethos of historical reference which anticipates the twentieth century. The Music of Brahms concentrates on the music, with Brahms's life discussed briefly in the introduction. The works are considered in four phases according to genre, with an emphasis on connection and on the development and elaboration of a unified language. The list of works includes recent discoveries and a calendar outlines the pattern of his musical life, including relevant information concerning performances.
Author | : Katy Hamilton |
Publisher | : Cambridge University Press |
Total Pages | : 425 |
Release | : 2014-09-11 |
Genre | : Biography & Autobiography |
ISBN | : 1107042704 |
This collection explores the boundaries between Brahms' professional identity and his lifelong engagement with private and amateur music-making.
Author | : Johannes Brahms |
Publisher | : Alfred Music |
Total Pages | : 22 |
Release | : 2009-03-25 |
Genre | : Music |
ISBN | : 1457434008 |
The earliest surviving original composition of Johannes Brahms, Scherzo, Op. 4 in E-flat minor, was composed in 1851 when Brahms was only 18 years old. This brilliant scherzo, with its two trios and a coda, remains one of Brahms’s larger solo piano works. Internationally renowned concert pianist Joseph Banowetz edited this work with a special insight as one of his teachers, Carl Friedberg, studied with Clara Schumann, a close friend of Brahms.
Author | : Johannes Brahms |
Publisher | : Alfred Music |
Total Pages | : 36 |
Release | : |
Genre | : Music |
ISBN | : 9781457490972 |
Organ and piano duet teams will appreciate Billie Nastelin's skillful arrangement of the beautiful "How Lovely Is Thy Dwelling Place" from the Brahms Requiem. Each player has opportunities with both melody and accompaniment, and congregations and audiences will request this over and over. Two copies of the music are included. Also arranged for organ/piano duet by Nastelin: "And the Glory of the Lord," from Messiah (GOPD9901),
Author | : Johannes Brahms |
Publisher | : Alfred Music |
Total Pages | : 34 |
Release | : 2002-12-13 |
Genre | : Music |
ISBN | : 1457471094 |
This publication includes piano works by Johannes Brahms from Opus 76. Titles: * No. 1, Capriccio * No. 2, Capriccio * No. 3, Intermezzo * No. 4, Intermezzo * No. 5, Capriccio * No. 6, Intermezzo * No. 7, Intermezzo * No. 8, Capriccio Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Author | : Brendan Slocumb |
Publisher | : Anchor |
Total Pages | : 353 |
Release | : 2022-02-01 |
Genre | : Fiction |
ISBN | : 059331543X |
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
Author | : Constantin Floros |
Publisher | : Peter Lang |
Total Pages | : 310 |
Release | : 2010 |
Genre | : Biography & Autobiography |
ISBN | : 9783631612606 |
Johannes Brahms was until now widely regarded as the archetype of the «absolute musician». Based on new research, the study shows how close autobiographic and poetic elements are in fact linked to his oeuvre. Like Robert Schumann, Brahms subscribed to an aesthetic of «poetic» music. In many of his compositions he got his inspiration from personal experiences, poems or images, as is shown by hitherto unpublished documents, letters, and diary entries, as well as from close analyses of individual works. Brahms's personality, too, is seen in a new way. He adopted Joseph Joachim's motto «Frei, aber einsam», «Free but Alone». The tonal code F - A - E, the musical symbol of this, recurs frequently in his works. Not least, the English version of the book, originally published in German in 1997, includes four additional chapters that investigate novel aspects by dealing in detail with the First Symphony, the German Requiem, Nänie and the Four Serious Songs. The American Brahms Society stressed the importance of the study for all those who want to come to know the unknown Brahms.