Booldly Bot Meekly
Author | : Catherine Batt |
Publisher | : |
Total Pages | : 619 |
Release | : 2018 |
Genre | : Electronic books |
ISBN | : 9782503554303 |
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Author | : Catherine Batt |
Publisher | : |
Total Pages | : 619 |
Release | : 2018 |
Genre | : Electronic books |
ISBN | : 9782503554303 |
Author | : Megan Cavell |
Publisher | : Manchester University Press |
Total Pages | : 261 |
Release | : 2020-03-13 |
Genre | : Literary Criticism |
ISBN | : 1526133733 |
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the early medieval riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
Author | : Patrick J Gallacher |
Publisher | : Medieval Institute Publications |
Total Pages | : 145 |
Release | : 1997-05-01 |
Genre | : Literary Criticism |
ISBN | : 1580444717 |
The Cloud of Unknowing describes the contemplative method centered around eliminating all noise and images from the mind, and in that encounter with nothingness, finding God. Meanwhile, despite the austerity of the content, the style of the author is warm and congenial and eminently readable. Patrick J. Gallacher further makes this text accessible to students and teachers by including a gloss, introduction, notes, and glossary. This text gives a great introduction to the ethos of mysticism in the middle ages.
Author | : Daniel C. Remein |
Publisher | : Manchester University Press |
Total Pages | : 339 |
Release | : 2019-12-20 |
Genre | : Literary Criticism |
ISBN | : 1526136449 |
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Featuring essays from some of the most prominent voices in early medieval studies, Dating Beowulf playfully redeploys the word ‘dating’, which usually heralds some of the most divisive critical impasses in the field, to provocatively phrase a set of new relationships with an Old English poem. The volume argues for the relevance of the early Middle Ages to affect studies and vice-versa, offering a riposte to antifeminist discourse and opening avenues for future work by specialists in the history of emotions, literary theorists, students of Old English literature and medieval scholars alike. To this end, the essays embody a range of critical approaches from queer theory to animal studies and ecocriticism to actor-network theory.
Author | : Maria H. Oen |
Publisher | : BRILL |
Total Pages | : 348 |
Release | : 2019-06-07 |
Genre | : Reference |
ISBN | : 9004399879 |
Ten scholars offer a comprehensive introduction to one of the most celebrated visionaries of the Middle Ages. The essays focus on Birgitta as an author, the reception of her writings, and the history of her religious order.
Author | : Jennifer N. Brown |
Publisher | : Boydell & Brewer |
Total Pages | : 411 |
Release | : 2021 |
Genre | : Literary Criticism |
ISBN | : 1903153964 |
Essays exploring the great religious and devotional works of the Middle Ages in their manuscript and other contexts.
Author | : Emma Campbell |
Publisher | : Oxford University Press |
Total Pages | : 353 |
Release | : 2023-09-09 |
Genre | : Literary Criticism |
ISBN | : 0192699695 |
How can untranslatability help us to think about the historical as well as the cultural and linguistic dimensions of translation? For the past two centuries, theoretical debates about translation have responded to the idea that translation overcomes linguistic and cultural incommensurability, while never inscribing full equivalence. More recently, untranslatability has been foregrounded in projects at the intersections between translation studies and other disciplines, notably philosophy and comparative literature. The critical turn to untranslatability re-emphasizes the importance of translation's negotiation with foreignness or difference and prompts further reflection on how that might be understood historically, philosophically, and ethically. If translation never replicates a source exactly, what does it mean to communicate some elements and not others? What or who determines what is translatable, or what can or cannot be recontextualized? What linguistic, political, cultural, or historical factors condition such determinations? Central to these questions is the way translation negotiates with, and inscribes asymmetries among, languages and cultures, operations that are inevitably ethical and political as well as linguistic. This book explores how approaching questions of translatability and untranslatability through premodern texts and languages can inform broader interdisciplinary conversations about translation as a concept and a practice. Working with case studies drawn from the francophone cultures of Flanders, England, and northern France, it explores how medieval texts challenge modern definitions of language, text, and translation and, in so doing, how such texts can open sites of variance and non-identity within what later became the hegemonic global languages we know today.
Author | : Steven Rozenski |
Publisher | : University of Notre Dame Pess |
Total Pages | : 454 |
Release | : 2022-07-15 |
Genre | : Religion |
ISBN | : 0268202753 |
Steven Rozenski reopens old discussions and addresses new ones concerning late medieval devotional texts, particularly those showing continental and German influences. For many, Martin Luther’s translation of the Bible into German has come to define the spirit of the Protestant Reformation. But there existed a host of devotional and mystical writings translated into the vernacular that had more profound impacts upon lay religious practices and experiences well into the seventeenth century. Steven Rozenski explores this devotional and mystical literature in his focused study of English translations and adaptations of the works of Henry Suso, Catherine of Siena, and Thomas à Kempis, and the common devotional culture manifested in the work of Richard Rolle. In Wisdom’s Journey, Rozenski examines the forms and strategies of late medieval translation, of early modern engagement with Continental medieval devotion, and of the latter’s literary afterlives in English-speaking communities. Suso’s Rhineland mysticism, the book shows, found initial widespread influence, translation, and adaptation followed by a gradual decline; Catherine of Siena’s Italian spirituality saw continued use and retranslation in post-Reformation recusant communities paralleled by vehement denunciation by English Protestants; and Thomas à Kempis’s Imitation of Christ attained a remarkably consistent expansion of popularity, translation, and acceptance among both Catholic and Protestant readers well into the nineteenth and twentieth centuries. Wisdom’s Journey traces this path as it reshapes our understanding of English devotional and mystical literature from the 1400s to the 1600s, illuminating its wider European context before and after the Reformations of the sixteenth century. Written primarily for scholars in medieval mysticism, Reformation studies, and translation studies, the book will also appeal to readers interested in medieval studies and English literature more broadly.
Author | : Liam Lewis |
Publisher | : Boydell & Brewer |
Total Pages | : 212 |
Release | : 2022 |
Genre | : Anglo-Norman dialect |
ISBN | : 1843846225 |
A redefinition of the animal's relationship to sound and language in French texts from medieval England. The barks, hoots and howls of animals and birds pierce through the experience of medieval texts. In captivating episodes of communication between species, a mandrake shrieks when uprooted from the ground, a saint preaches to the animals, and a cuckoo causes turmoil at the parliament of birds with his familiar call. This book considers a range of such episodes in Old French verse texts, including bestiaries, treatises on language, the Life of Saint Francis of Assisi and the Fables by Marie de France, aiming to reconceptualize and reinterpret animal soundscapes. It argues that they draw on sound to produce competing perspectives, forms of life, and linguistic subjectivities, suggesting that humans owe more to animal sounds than we are disposed to believe. Texts inviting readers to listen and learn animal noises, to seek spiritual consolation in the jargon of birds, or to identify with the speaking wolf, create the conditions for an assertion of human exceptionalism even as they simultaneously invite readers to question such forms of control. By asking what it means for an animal to cry, make noise, or speak in French, this book provides an important resource for theorizing sound and animality in multilingual medieval contexts, and for understanding the animal's role in the interpretation of the natural world.
Author | : Christiania Whitehead |
Publisher | : Cambridge University Press |
Total Pages | : 337 |
Release | : 2020-12-17 |
Genre | : Literary Criticism |
ISBN | : 1108802613 |
This ambitious book presents the first sustained analysis of the evolving representation of Cuthbert, the premier saint of northern England. The study spans both major and neglected texts across eight centuries, from his earliest depictions in anonymous and Bedan vitae, through twelfth-century ecclesiastical histories and miracle collections produced at Durham, to his late medieval appearances in Latin meditations, legendaries, and vernacular verse. Whitehead reveals the coherence of these texts as one tradition, exploring the way that ideologies and literary strategies persist across generations. An innovative addition to the literature of insular spirituality and hagiography, The Afterlife of St Cuthbert emphasises the related categories of place and asceticism. It charts Cuthbert's conceptual alignment with a range of institutional, masculine, northern, and national spaces, and examines the distinctive characteristics and changing value of his ascetic lifestyle and environment - frequently constituted as a nature sanctuary - interrogating its relation to his other jurisdictions.