Books Written In Stone Volume 2
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| Author | : J. Marc. Merrill |
| Publisher | : Author House |
| Total Pages | : 425 |
| Release | : 2012-05-04 |
| Genre | : Religion |
| ISBN | : 1477201769 |
Like the Great Pyramid, mysteries surround the other pyramids as well as other features found at the Giza plateau in Egypt. For example: Why does the second pyramid have two entrances, both off center, while the single entrance to the third pyramid is centered? What was the purpose of the two lower chambers in the second pyramid? Moreover, why was the sarcophagus in this pyramid made to be wider than the passages that lead to the upper chamber? In a related matter, why were the bones of a bull placed in the sarcophagus? And why was the sarcophagus sunk into the floor up to its lid? At the third pyramid, why were parts of a body dating to the Christian period wrapped in a coarse yellow woolen cloth and buried beneath three feet of rubbish in the upper chamber? Why in the third pyramid was the lower vaulted chamber designed so that it would absorb both sound and light? Out on the plateau, what was the purpose of the so-called trial passages? On the south side of the Great Pyramid, why was an ancient boat dismantled and buried in a pit east of that pyramids north-south axis? And what was stored in the other pit west of the axis? Do the four so-called air shafts in the Great Pyramid link the three major pyramids together? And how are the compartments above the Kings Chamber related to the end time? David Furlong, author of The Keys to the Temple, says the whole of the Giza complex was based on a coherent design intended to portray a spiritual theme (page 89). Volume 2 of Books Written in Stone: Enoch the Seer, the Pyramids of Giza, and the Last Days provides the evidence to support this thesis.
| Author | : J. Marc. Merrill |
| Publisher | : AuthorHouse |
| Total Pages | : 439 |
| Release | : 2012-03-06 |
| Genre | : Religion |
| ISBN | : 1468531697 |
The Great Pyramid--mysteries abound . . . For example: Why was the subterranean chamber apparently abandoned and yet it is larger than the Queen's Chamber and the King's Chamber combined? Why is there a pit in the floor of the subterranean chamber, and why does the narrow passage that snakes south off the subterranean chamber come to a sudden end after 53 feet? Why was sand from the Sinai hidden behind the wall of the horizontal passage to the Queen's Chamber, and why is there a sudden drop in that passage? Why was the Grand Gallery built so large in comparison to the ascending passage, and why are the slots in the ramps of the Grand Gallery empty? Why was the antechamber to the King's Chamber built with both limestone and granite blocks, and what purpose could the so-called Granite Leaf have served? Egyptologists, pyramidologists, and others outside these two camps have attempted to explain such anomalies. Their theories are examined and compared to a new vision that answers not just some of the questions about the Great Pyramid but all of them as revealed in Books Written in Stone: Enoch the Seer, the Pyramids of Giza, and the Last Days.
| Author | : J. Marc. Merrill |
| Publisher | : AuthorHouse |
| Total Pages | : 422 |
| Release | : 2012-05 |
| Genre | : |
| ISBN | : 1477201777 |
Like the Great Pyramid, mysteries surround the other pyramids as well as other features found at the Giza plateau in Egypt. For example: - Why does the second pyramid have two entrances, both off center, while the single entrance to the third pyramid is centered? - What was the purpose of the two lower chambers in the second pyramid? Moreover, why was the sarcophagus in this pyramid made to be wider than the passages that lead to the upper chamber? In a related matter, why were the bones of a bull placed in the sarcophagus? And why was the sarcophagus sunk into the floor up to its lid? - At the third pyramid, why were parts of a body dating to the Christian period wrapped in a coarse yellow woolen cloth and buried beneath three feet of rubbish in the upper chamber? - Why in the third pyramid was the lower vaulted chamber designed so that it would absorb both sound and light? - Out on the plateau, what was the purpose of the so-called trial passages? - On the south side of the Great Pyramid, why was an ancient boat dismantled and buried in a pit east of that pyramid's north-south axis? And what was stored in the other pit west of the axis? - Do the four so-called air shafts in the Great Pyramid link the three major pyramids together? And how are the compartments above the King's Chamber related to the end time? David Furlong, author of The Keys to the Temple, says "the whole of the Giza complex was based on a coherent design intended to portray a spiritual theme" (page 89). Volume 2 of Books Written in Stone: Enoch the Seer, the Pyramids of Giza, and the Last Days provides the evidence to support this thesis.
| Author | : Robert Louis Stevenson |
| Publisher | : e-artnow |
| Total Pages | : 20097 |
| Release | : 2020-12-17 |
| Genre | : Fiction |
| ISBN | : |
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson) A Doll's House (Henrik Ibsen) A Tale of Two Cities (Charles Dickens) Dubliners (James Joyce) A Portrait of the Artist as a Young Man (James Joyce) War and Peace (Leo Tolstoy) Howards End (E. M. Forster) Le Père Goriot (Honoré de Balzac) Sense and Sensibility (Jane Austen) Anne of Green Gables Series (L. M. Montgomery) The Wind in the Willows (Kenneth Grahame) Gitanjali (Rabindranath Tagore) Diary of a Nobody (Grossmith) The Beautiful and Damned (F. Scott Fitzgerald) Moll Flanders (Daniel Defoe) 20,000 Leagues Under the Sea (Jules Verne) Gulliver's Travels (Jonathan Swift) The Last of the Mohicans (James Fenimore Cooper) Peter and Wendy (J. M. Barrie) The Three Musketeers (Alexandre Dumas) Iliad & Odyssey (Homer) Kama Sutra Dona Perfecta (Benito Pérez Galdós) The Divine Comedy (Dante) The Rise of Silas Lapham (William Dean Howells) The Book of Tea (Kakuzo Okakura) Madame Bovary (Gustave Flaubert) The Hunchback of Notre Dame (Victor Hugo) Red and the Black (Stendhal) Rob Roy (Walter Scott) Barchester Towers (Anthony Trollope) Uncle Tom's Cabin (Harriet Beecher Stowe) Three Men in a Boat (Jerome K. Jerome) Tristram Shandy (Laurence Sterne) Tess of the d'Urbervilles (Thomas Hardy) My Antonia (Willa Cather) The Age of Innocence (Edith Wharton) The Awakening (Kate Chopin) Babbitt (Sinclair Lewis) The Four Just Men (Edgar Wallace) Of Human Bondage (W. Somerset Maugham) The Portrait of a Lady (Henry Jame...
| Author | : William F. Halloran |
| Publisher | : Open Book Publishers |
| Total Pages | : 374 |
| Release | : 2020-04-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 1783748729 |
What an achievement! It is a major work. The letters taken together with the excellent introductory sections - so balanced and judicious and informative - what emerges is an amazing picture of William Sharp the man and the writer which explores just how fascinating a figure he is. Clearly a major reassessment is due and this book could make it happen. —Andrew Hook, Emeritus Bradley Professor of English and American Literature, Glasgow University William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.
| Author | : Paul Bowman |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2020-12-17 |
| Genre | : Social Science |
| ISBN | : 019754035X |
Through popular movies starring Bruce Lee and songs like the disco hit "Kung Fu Fighting," martial arts have found a central place in the Western cultural imagination. But what would 'martial arts' be without the explosion of media texts and images that brought it to a wide audience in the late 1960s and early 1970s? In this examination of the media history of what we now call martial arts, author Paul Bowman makes the bold case that the phenomenon of martial arts is chiefly an invention of media representations. Rather than passively taking up a preexisting history of martial arts practices--some of which, of course, predated the martial arts boom in popular culture--media images and narratives actively constructed martial arts. Grounded in a historical survey of the British media history of martial arts such as Bartitsu, jujutsu, judo, karate, tai chi, and MMA across a range of media, this book thoroughly recasts our understanding of the history of martial arts. By interweaving theories of key thinkers on historiography, such as Foucault and Hobsbawm, and Said's ideas on Orientalism with analyses of both mainstream and marginal media texts, Bowman arrives at the surprising insight that media representations created martial arts rather than the other way around. In this way, he not only deepens our understanding of martial arts but also demonstrates the productive power of media discourses.
| Author | : Johann Wolfgang von Goethe |
| Publisher | : DigiCat |
| Total Pages | : 20119 |
| Release | : 2023-11-12 |
| Genre | : Fiction |
| ISBN | : |
Invest your time in reading the true masterpieces of world literature, the great works of the greatest masters of their craft, the revolutionary works, the timeless classics and the eternally moving poetry of words and storylines every person should experience in their lifetime: Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson) A Doll's House (Henrik Ibsen) A Tale of Two Cities (Charles Dickens) Dubliners (James Joyce) A Portrait of the Artist as a Young Man (James Joyce) War and Peace (Leo Tolstoy) Howards End (E. M. Forster) Le Père Goriot (Honoré de Balzac) Sense and Sensibility (Jane Austen) Anne of Green Gables Series (L. M. Montgomery) The Wind in the Willows (Kenneth Grahame) Gitanjali (Rabindranath Tagore) Diary of a Nobody (Grossmith) The Beautiful and Damned (F. Scott Fitzgerald) Moll Flanders (Daniel Defoe) 20,000 Leagues Under the Sea (Jules Verne) Gulliver's Travels (Jonathan Swift) The Last of the Mohicans (James Fenimore Cooper) Peter and Wendy (J. M. Barrie) The Three Musketeers (Alexandre Dumas) Iliad & Odyssey (Homer) Kama Sutra Dona Perfecta (Benito Pérez Galdós) The Divine Comedy (Dante) The Rise of Silas Lapham (William Dean Howells) The Book of Tea (Kakuzo Okakura) Madame Bovary (Gustave Flaubert) The Hunchback of Notre Dame (Victor Hugo) Red and the Black (Stendhal) Rob Roy (Walter Scott) Barchester Towers (Anthony Trollope) Uncle Tom's Cabin (Harriet Beecher Stowe) Three Men in a Boat (Jerome K. Jerome) Tristram Shandy (Laurence Sterne) Tess of the d'Urbervilles (Thomas Hardy) My Antonia (Willa Cather) The Age of Innocence (Edith Wharton) The Awakening (Kate Chopin) Babbitt (Sinclair Lewis) The Four Just Men (Edgar Wallace) Of Human Bondage (W. Somerset Maugham) The Portrait of a Lady (Henry James) Fathers and Sons (Ivan Turgenev) The Voyage Out (Virginia Woolf) Life is a Dream (Pedro Calderon de la Barca) Faust (Goethe) Thus Spoke Zarathustra (Friedrich Nietzsche) Autobiography (Benjamin Franklin) The Yellow Wallpaper (Charlotte Perkins Gilman)
| Author | : |
| Publisher | : |
| Total Pages | : 996 |
| Release | : 1899 |
| Genre | : Engineering |
| ISBN | : |
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 545 |
| Release | : 2017-11-06 |
| Genre | : Literary Criticism |
| ISBN | : 9004349316 |
Books of Fate and Popular Culture in Early China is a comprehensive introduction to the manuscripts known as daybooks, examples of which have been found in Warring States, Qin, and Han tombs (453 BCE–220 CE). Their main content concerns hemerology, or “knowledge of good and bad days.” Daybooks reveal the place of hemerology in daily life and are invaluable sources for the study of popular culture. Eleven scholars have contributed chapters examining the daybooks from different perspectives, detailing their significance as manuscript-objects intended for everyday use and showing their connection to almanacs still popular in Chinese communities today as well as to hemerological literature in medieval Europe and ancient Babylon. Contributors include: Marianne Bujard, László Sándor Chardonnens, Christopher Cullen, Donald Harper, Marc Kalinowski, Li Ling, Liu Lexian, Alasdair Livingstone, Richard Smith, Alain Thote, and Yan Changgui.
| Author | : |
| Publisher | : |
| Total Pages | : 1782 |
| Release | : 1905 |
| Genre | : American literature |
| ISBN | : |
