Bookbinding in the British Isles
Author | : Maggs Bros |
Publisher | : Maggs Bros. Ltd. |
Total Pages | : 536 |
Release | : 1996 |
Genre | : Antiquarian booksellers |
ISBN | : 9780901953087 |
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Author | : Maggs Bros |
Publisher | : Maggs Bros. Ltd. |
Total Pages | : 536 |
Release | : 1996 |
Genre | : Antiquarian booksellers |
ISBN | : 9780901953087 |
Author | : Stuart Bennett |
Publisher | : New Castle, Del. : Oak Knoll Press |
Total Pages | : 184 |
Release | : 2004 |
Genre | : Crafts & Hobbies |
ISBN | : |
"Stuart Bennett's landmark study is the first illustrated guide to a complex and controversial subject. In 1930, in The Evolution of Publishers' Binding Styles, Michael Sadleir declared that "the bookseller-publisher of the decades from 1730 to 1770 issued his books either in loose quires, or stitched, or at most in a plain paper wrapper." This view is still generally accepted. Bennett, however, presents new documentary and visual evidence that books were predominantly sold ready-bound in sheep, calf, and goat as well as boards and wrappers. Over two hundred color illustrations show what these bindings looked like, and how their styles evolved."--BOOK JACKET.
Author | : Stuart Bennett |
Publisher | : New Castle, Del. : Oak Knoll Press |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Book covers |
ISBN | : 9781584561309 |
"Stuart Bennett's landmark study is the first illustrated guide to a complex and controversial subject. In 1930, in The Evolution of Publishers' Binding Styles, Michael Sadleir declared that "the bookseller-publisher of the decades from 1730 to 1770 issued his books either in loose quires, or stitched, or at most in a plain paper wrapper." This view is still generally accepted. Bennett, however, presents new documentary and visual evidence that books were predominantly sold ready-bound in sheep, calf, and goat as well as boards and wrappers. Over two hundred color illustrations show what these bindings looked like, and how their styles evolved."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : John Hinks |
Publisher | : |
Total Pages | : 288 |
Release | : 2008 |
Genre | : Business & Economics |
ISBN | : |
The ninth volume of the Print Network series contains twelve chapters from scholars working on the connections between the parties involved in the production of print artefacts, from author to printer, publisher, bookseller and reader. Chronologically, the offerings range from the seventeenth to the twentieth centuries as they track the developing trade in England, Scotland, Wales and Ireland. Publishers and readers who spent part of their lives in North America are also featured in several of the chapters. The main theme emerging from this volume is the significance of cheap print, including newspapers and journals. The social, cultural political and economic significance of these artefacts is highlighted by an in-depth examination of the lives of those men and women who participated in the book trade.
Author | : Jeannine Stein |
Publisher | : Quarry Books |
Total Pages | : 144 |
Release | : 2011-06-01 |
Genre | : Crafts & Hobbies |
ISBN | : 1610580214 |
Each project in this book combines bookbinding with a specific craft such as quilting, jewelry making, or polymer clay, and offer levels of expertise: basic, novice, and expert. Illustrated step-by-step instructions and photographs demonstrate how to construct the cover pages, and a unique binding technique, easy enough for a beginner to master. Each project also features two other versions with the same binding geared to those with more or less experience. The novice version is for those who have no knowledge of the craft and want shortcuts, but love the look. For the quilter's book, for example, vintage quilt pieces become the covers so all that's needing in the binding. Or if you're interested in wool felting use an old sweater. This offers great opportunities for upcycling. The expert version is for those who have a great deal of knowledge and proficiency of a certain craft - the master art quilter, for example. For this version, an expert guest artist has created the cover and the author has created the binding. This offers yet another creative opportunity - the collaborative project. Since crafters often get involved with round-robins and other shared endeavors, this will show them yet another way to combine their skills. No other craft book offers the possibilities and challenges that Adventures in Bookbinding does. Readers will return to it again and again to find inspiration and ideas.
Author | : Alexandra Gillespie |
Publisher | : Cambridge University Press |
Total Pages | : 397 |
Release | : 2011-04-14 |
Genre | : Business & Economics |
ISBN | : 0521889790 |
This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.
Author | : Colum Hourihane |
Publisher | : |
Total Pages | : 4064 |
Release | : 2012 |
Genre | : Architecture, Medieval |
ISBN | : 0195395360 |
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Author | : Daniel Allington |
Publisher | : John Wiley & Sons |
Total Pages | : 567 |
Release | : 2019-03-11 |
Genre | : Literary Criticism |
ISBN | : 0470654937 |
Introduces readers to the history of books in Britain—their significance, influence, and current and future status Presented as a comprehensive, up-to-date narrative, The Book in Britain: A Historical Introduction explores the impact of books, manuscripts, and other kinds of material texts on the cultures and societies of the British Isles. The text clearly explains the technicalities of printing and publishing and discusses the formal elements of books and manuscripts, which are necessary to facilitate an understanding of that impact. This collaboratively authored narrative history combines the knowledge and expertise of five scholars who seek to answer questions such as: How does the material form of a text affect its meaning? How do books shape political and religious movements? How have the economics of the book trade and copyright shaped the literary canon? Who has been included in and excluded from the world of books, and why? The Book in Britain: A Historical Introduction will appeal to all scholars, students, and historians interested in the written word and its continued production and presentation.
Author | : Alexandra Gillespie |
Publisher | : Cambridge University Press |
Total Pages | : 397 |
Release | : 2011-04-14 |
Genre | : Literary Criticism |
ISBN | : 1316102122 |
Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England.