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| Author | : Rachel Davies |
| Publisher | : Cambridge University Press |
| Total Pages | : 201 |
| Release | : 2019-12-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 1108485375 |
Examines the link between Bonaventure's aesthetics and anthropology in light of contemporary anxieties surrounding bodily diminishment.
| Author | : Richard Viladesau |
| Publisher | : Oxford University Press |
| Total Pages | : 225 |
| Release | : 2005-12-01 |
| Genre | : Religion |
| ISBN | : 0198040660 |
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
| Author | : Lydia Schumacher |
| Publisher | : Cambridge University Press |
| Total Pages | : 325 |
| Release | : 2019-07-04 |
| Genre | : History |
| ISBN | : 1108498655 |
Demonstrates the innovativeness of early Franciscan theology, contesting the longstanding view that it simply rehearses the views of earlier authorities.
| Author | : Jill Kraye |
| Publisher | : Cambridge University Press |
| Total Pages | : 308 |
| Release | : 1997-08-28 |
| Genre | : Philosophy |
| ISBN | : 9780521426046 |
The Renaissance, known primarily for the art and literature that it produced, was also a period in which philosophical thought flourished. This two-volume anthology contains 40 new translations of important works on moral and political philosophy written during the Renaissance and hitherto unavailable in English. The anthology is designed to be used in conjunction with The Cambridge History of Renaissance Philosophy, in which all of these texts are discussed. The works, originally written in Latin, Italian, French, Spanish, and Greek, cover such topics as: concepts of man, Aristotelian, Platonic, Stoic, and Epicurean ethics, scholastic political philosophy, theories of princely and republican government in Italy and northern European political thought. Each text is supplied with an introduction and a guide to further reading.
| Author | : Rik van Nieuwenhove |
| Publisher | : Cambridge University Press |
| Total Pages | : 307 |
| Release | : 2012-04-19 |
| Genre | : Philosophy |
| ISBN | : 0521897548 |
This book is essential reading for anyone interested in medieval thought, be they students of theology, philosophy or literature.
| Author | : John Paul II |
| Publisher | : LiturgyTrainingPublications |
| Total Pages | : 32 |
| Release | : 1999 |
| Genre | : Religion |
| ISBN | : 9781568543383 |
Meeting House Essays in a series of papers reflecting on the mystery, beauty and practicalities of the place of worship. This popular series was begun in 1991, and each resource focuses on a particular aspect of space, design or materials and how they relate to the liturgy.
| Author | : Alexa Sand |
| Publisher | : Cambridge University Press |
| Total Pages | : 433 |
| Release | : 2014-03-31 |
| Genre | : Art |
| ISBN | : 1107032229 |
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
| Author | : Thomas J. McKenna |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 187 |
| Release | : 2020-12-10 |
| Genre | : Philosophy |
| ISBN | : 1498597661 |
The authors of the standard approach to Bonaventure’s aesthetics established the broad themes that continue to inform the current interpretation of his philosophy, theology, and mysticism of beauty: his definition of beauty and its status as a transcendental of being, his description of the aesthetic experience, and the role of that experience in the soul’s ascent into God. Nevertheless, they also introduced a series of pointed questions that the current literature has not adequately resolved. In Bonaventure’s Aesthetics: The Delight of the Soul in Its Ascent into God, Thomas J. McKenna provides a comprehensive analysis of Bonaventure’s aesthetics, the first to appear since Balthasar’s Herrlichkeit, and argues for a resolution to these questions in the context of his principal aesthetic text, the Itinerarium mentis in Deum.
| Author | : Fr. Aidan Nichols, O.P. |
| Publisher | : Ignatius Press |
| Total Pages | : 246 |
| Release | : 2020 |
| Genre | : Religion |
| ISBN | : 1621643395 |
Students of Catholic theology are often presented with a choice between two great masters: Thomas Aquinas and Hans Urs von Balthasar. What starts as a cordial difference in form and method often morphs into a bitter rivalry. Dominican theologian Father Aidan Nichols sees no need for competition. Balthasar for Thomists gives a panoramic view of Balthasar's thought and spirituality, unearthing many of his innumerable debts to Aquinas and providing context for their points of divergence. The enormous cultural project of Balthasar, writes Father Nichols, differs too much from St. Thomas' pedagogical one "to count as a rival to Thomism on the latter's own ground (and, of course, vice versa)". While constituting an original form of faithful Catholic thought, Balthasar's approach may be regarded as a synthesis of the influences of Thomas and his Franciscan contemporary St. Bonaventure. In its breadth, Balthasar for Thomists serves as a general introduction to Balthasar for those unacquainted with his profound and wide-ranging theology.
| Author | : William A. Dyrness |
| Publisher | : Cambridge University Press |
| Total Pages | : 245 |
| Release | : 2019-05-23 |
| Genre | : Art |
| ISBN | : 1108493351 |
The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
