Bollywood In Britain
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Author | : Lucia Krämer |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 298 |
Release | : 2016-06-02 |
Genre | : Performing Arts |
ISBN | : 1501307584 |
Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. The book analyzes the role of Hindi films in the British film market, it shows how audiences engage with Bollywood cinema and it discusses the ways the image of Bollywood in Britain has been shaped. In contrast to most of the existing books on the subject, which tend to approach Bollywood as something that is made by Asians for Asians, the book also focuses on how Bollywood has been adapted for non-Asian Britons. An analysis of Bollywood as an unofficial brand is combined with in-depth readings of texts like film reviews, the TV show Bollywood Star (2004) and novels and plays with references to the Bombay film industry. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. Despite its alleged transculturality, Bollywood in Britain thus emerges as a phenomenon of difference, distance and Othering.
Author | : Jen Harvie |
Publisher | : Manchester University Press |
Total Pages | : 280 |
Release | : 2005-11-29 |
Genre | : Performing Arts |
ISBN | : 9780719062131 |
This text examines some of the most important performance in Britain from the mid-1980s into the new millennium. It considers contemporary British theatre in relation to national and supranational identities, critical concepts like globalisation and diaspora, and contemporary contexts such as the election of New Labour.
Author | : Chris England |
Publisher | : |
Total Pages | : 344 |
Release | : 2002 |
Genre | : Sports & Recreation |
ISBN | : 9780340819883 |
For most actors, the idea of going to India for eight weeks to act in a Bollywood epic shot in the middle of the desert would send them scurrying back to their agent asking for some other work. Chris England was given just a part, he was to play a cricketer in a British Army team playing against a small Indian village over a hundred years ago. At home Chris runs his own cricket team, so for him this wasn't just work, he felt he was representing his country. This is a cricket tour diary with a difference. Chris charts the progress of the film from his audition in a London park to the film's release 18 months later.
Author | : Jerri Daboo |
Publisher | : Routledge |
Total Pages | : 311 |
Release | : 2017-11-28 |
Genre | : Drama |
ISBN | : 1317196112 |
Staging British South Asian Culture: Bollywood and Bhangra in British Theatre looks afresh at the popularity of forms and aesthetics from Bollywood films and bhangra music and dance on the British stage. From Andrew Lloyd Webber’s Bombay Dreams to the finals of Britain’s Got Talent, Jerri Daboo reconsiders the centrality of Bollywood and bhangra to theatre made for or about British South Asian communities. Addressing rarely discussed theatre companies such as Rifco, and phenomena such as the emergence of large- scale Bollywood revue performances, this volume goes some way towards remedying the lack of critical discourse around British South Asian theatre. A timely contribution to this growing field, Staging British South Asian Culture is essential reading for any scholar or student interested in exploring the highly contested questions of identity and representation for British South Asian communities.
Author | : Anandam P. Kavoori |
Publisher | : NYU Press |
Total Pages | : 322 |
Release | : 2008-08-01 |
Genre | : Performing Arts |
ISBN | : 0814729444 |
Author | : Alison Donnell |
Publisher | : Routledge |
Total Pages | : 385 |
Release | : 2002-09-11 |
Genre | : Reference |
ISBN | : 1134700253 |
The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain.
Author | : Sangita Gopal |
Publisher | : U of Minnesota Press |
Total Pages | : 348 |
Release | : 2008 |
Genre | : Social Science |
ISBN | : 0816645787 |
Bollywood movies and their signature song-and-dance spectacles are an aesthetic familiar to people around the world, and Bollywood music now provides the rhythm for ads marketing goods such as computers and a beat for remixes and underground bands. These musical numbers have inspired scenes in Western films such as Vanity Fair and Moulin Rouge. Global Bollywood shows how this currency in popular culture and among diasporic communities marks only the latest phase of the genre’s world travels. This interdisciplinary collection describes the many roots and routes of the Bollywood song-and-dance spectacle. Examining the reception of Bollywood music in places as diverse as Indonesia and Israel, the essays offer a stimulating redefinition of globalization, highlighting the cultural influence of Hindi film music from its origins early in the twentieth century to today. Contributors: Walter Armbrust, Oxford U; Anustup Basu, U of Illinois, Urbana-Champaign; Nilanjana Bhattacharjya, Colorado College; Edward K. Chan, Kennesaw State U; Bettina David, Hamburg U; Rajinder Dudrah, U of Manchester; Shanti Kumar, U of Texas, Austin; Monika Mehta, Binghamton U; Anna Morcom, Royal Holloway College; Ronie Parciack, Tel Aviv U; Biswarup Sen, U of Oregon; Sangita Shrestova; Richard Zumkhawala-Cook, Shippensburg U. Sangita Gopal is assistant professor of English at the University of Oregon. Sujata Moorti is professor of women’s and gender studies at Middlebury College.
Author | : Jigna Desai |
Publisher | : Routledge |
Total Pages | : 288 |
Release | : 2004-08-02 |
Genre | : History |
ISBN | : 1135887209 |
Beyond Bollywood is the first comprehensive look at the emergence, development, and significance of contemporary South Asian diasporic cinema. From a feminist and queer perspective, Jigna Desai explores the hybrid cinema of the "Brown Atlantic" through a close look at films in English from and about South Asian diasporas in the United States, Canada, and Britain, including such popular films as My Beautiful Laundrette, Fire, MonsoonWedding, and Bend it Like Beckham.
Author | : Lionel Wee |
Publisher | : John Benjamins Publishing |
Total Pages | : 334 |
Release | : 2013-03-28 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027272131 |
This volume brings together contributions that explore the increasingly important roles that English plays in Asia, including its contribution to economic growth, national imaginaries and creative writing. These are issues that are political in a broad sense, but the diversity of Asian contexts also means that the social, political and cultural ramifications of the spread of English into Asia will have to be understood in relation to the challenges facing specific societies. The chapters in the book collectively illustrate this diversity by focusing on countries from South Asia, Southeast Asia and the Asia Pacific. Each country has two contributions devoted to it: one paper provides an overview of the country’s language policy and its positioning of English, and another provides a critical discussion of creative expressions involving the use of English. Taken together, the papers in the volume detail the most recent developments concerning the politics of English in Asia.
Author | : Barbara Korte |
Publisher | : Rodopi |
Total Pages | : 288 |
Release | : 2004 |
Genre | : History |
ISBN | : 9789042010383 |
This book looks at a sector of black and Asian British film and television as it presented itself in the 1990s and early 2000s. For this period, a 'mainstreaming' of black and Asian British film has been observed in criticism and theory and articulated by an increasing number of practitioners themselves, referring to changing modes of production, distribution and reception and implying a more popular and commercial orientation of certain media products. This idea is a leitmotif for the authors' readings of recent films and examples of television drama, including such diverse products as Young Soul Rebels and Babymother, East Is East and Bend It Like Beckham, The Buddha of Suburbia and White Teeth. These analyses are supplemented with a look at earlier landmark productions (like Pressure) as well as relevant social, institutional and aesthetic frameworks. The book closes with a selection of statements by black and Asian media practitioners who operate from within Britain's cultural industries: Mike Phillips, Horace Ové, Julian Henriques, Parminder Vir and Gurinder Chadha.