Boll Weevil Blues
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| Author | : James C. Giesen |
| Publisher | : University of Chicago Press |
| Total Pages | : 238 |
| Release | : 2012-08-01 |
| Genre | : History |
| ISBN | : 0226292851 |
Between the 1890s and the early 1920s, the boll weevil slowly ate its way across the Cotton South from Texas to the Atlantic Ocean. At the turn of the century, some Texas counties were reporting crop losses of over 70 percent, as were areas of Louisiana, Arkansas, and Mississippi. By the time the boll weevil reached the limits of the cotton belt, it had destroyed much of the region’s chief cash crop—tens of billions of pounds of cotton, worth nearly a trillion dollars. As staggering as these numbers may seem, James C. Giesen demonstrates that it was the very idea of the boll weevil and the struggle over its meanings that most profoundly changed the South—as different groups, from policymakers to blues singers, projected onto this natural disaster the consequences they feared and the outcomes they sought. Giesen asks how the myth of the boll weevil’s lasting impact helped obscure the real problems of the region—those caused not by insects, but by landowning patterns, antiquated credit systems, white supremacist ideology, and declining soil fertility. Boll Weevil Blues brings together these cultural, environmental, and agricultural narratives in a novel and important way that allows us to reconsider the making of the modern American South.
| Author | : |
| Publisher | : Macmillan |
| Total Pages | : 44 |
| Release | : 2002-09 |
| Genre | : Juvenile Fiction |
| ISBN | : 9780805067125 |
When a very, very small beetle decides to attend a ball, he won't let anything stop him -- not even the danger of being squished on the dance floor.
| Author | : |
| Publisher | : Texas A&M University Press |
| Total Pages | : 1149 |
| Release | : 2019-02-28 |
| Genre | : Music |
| ISBN | : 162349639X |
From October 1959 until the mid-1970s, Paul Oliver and Mack McCormick collaborated on what they hoped to be a definitive history and analysis of the blues in Texas. Both were prominent scholars and researchers—Oliver had already established an impressive record of publications, and McCormick was building a sprawling collection of primary materials that included field recordings and interviews with blues musicians from all over Texas and the greater South. Despite being eagerly awaited by blues fans, folklorists, historians, and ethnomusicologists who knew about the Oliver-McCormick collaboration, the intended manuscript was never completed. In 1996, Alan Govenar, a respected writer, folklorist, photographer, and filmmaker, began a conversation with Oliver about the unfinished book on Texas blues. Subsequently, Oliver invited Govenar to assist him, and when Oliver became ill, Govenar enlisted folklorist and ethnomusicologist Kip Lornell to help him contextualize and document the existing manuscript for publication. The Blues Come to Texas: Paul Oliver and Mack McCormick’s Unfinished Book presents an unparalleled view into the minds and methods of two pioneering blues scholars.
| Author | : Kathi Appelt |
| Publisher | : Harper Collins |
| Total Pages | : 34 |
| Release | : 2009-12-29 |
| Genre | : Juvenile Fiction |
| ISBN | : 0060532335 |
The good ol' days are over. It's official, it's the news! With my brand-new baby brother came the brand-new baby blues! When a new baby wears her old pajamas, sleeps in her old bed, and seems to get all her parents' attention, a girl's bound to sing the blues. Is there anything a baby brother can do to change her tune?
| Author | : Paul Oliver |
| Publisher | : Routledge |
| Total Pages | : 210 |
| Release | : 2014-02-04 |
| Genre | : Music |
| ISBN | : 1135467161 |
Broadcasting the Blues: Black Blues in the Segregation Era is based on Paul Oliver's award-winning radio broadcasts from the BBC that were created over several decades. It traces the social history of the blues in America, from its birth in the rural South through the heyday of sound recordings. Noted blues scholar Paul Oliver draws on decades of research and personal interviews with performers--some of whom he "discovered" and recorded for the first time--to draw a picture of how the blues aesthetic developed, giving new insights into the role blues played in American society before racial integration. The book begins by outlining the history of the blues from African music through country stomps, ragtime songs, and field hollers. From the heroic figures of black folksong--including the steel-driving railroad worker John Henry and the destructive Boll Weevil--to the content of the emerging blues, the author discusses the "meaning" behind the often coded words of the blues, evoking topics such as playful sexuality, magic and medicine, the stresses of segregation, and commentary on national events. Finally, the author traces the history of blues documentation, showing how our views of the early blues have been shaped through a complex interplay of social forces, and indicating possible lines for future research.
| Author | : Gayle Wardlow |
| Publisher | : Backbeat Books |
| Total Pages | : 291 |
| Release | : 1998 |
| Genre | : Music |
| ISBN | : 0879305525 |
Traces the development and characteristics of the Delta blues, and describes the most influential blues musicians and recordings of the 1920s and 1930s
| Author | : Luigi Monge |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 388 |
| Release | : 2022-08-24 |
| Genre | : Music |
| ISBN | : 1496841794 |
Wasn’t That a Mighty Day: African American Blues and Gospel Songs on Disaster takes a comprehensive look at sacred and secular disaster songs, shining a spotlight on their historical and cultural importance. Featuring newly transcribed lyrics, the book offers sustained attention to how both Black and white communities responded to many of the tragic events that occurred before the mid-1950s. Through detailed textual analysis, Luigi Monge explores songs on natural disasters (hurricanes, floods, tornadoes, and earthquakes); accidental disasters (sinkings, fires, train wrecks, explosions, and air disasters); and infestations, epidemics, and diseases (the boll weevil, the jake leg, and influenza). Analyzed songs cover some of the most well-known disasters of the time period from the sinking of the Titanic and the 1930 drought to the Hindenburg accident, and more. Thirty previously unreleased African American disaster songs appear in this volume for the first time, revealing their pertinence to the relevant disasters. By comparing the song lyrics to critical moments in history, Monge is able to explore how deeply and directly these catastrophes affected Black communities; how African Americans in general, and blues and gospel singers in particular, faced and reacted to disaster; whether these collective tragedies prompted different reactions among white people and, if so, why; and more broadly, how the role of memory in recounting and commenting on historical and cultural facts shaped African American society from 1879 to 1955.
| Author | : Peter C. Muir |
| Publisher | : University of Illinois Press |
| Total Pages | : 282 |
| Release | : 2024-03-18 |
| Genre | : Music |
| ISBN | : 0252056043 |
Mamie Smith's 1920 recording of ""Crazy Blues"" is commonly thought to signify the beginning of commercial attention to blues music and culture, but by that year more than 450 other blues titles had already appeared in sheet music and on recordings. In this examination of early popular blues, Peter C. Muir traces the genre's early history and the highly creative interplay between folk and popular forms, focusing especially on the roles W. C. Handy played in both blues music and the music business. Long Lost Blues exposes for the first time the full scope and importance of early popular blues to mainstream American culture in the early twentieth century. Closely analyzing sheet music and other print sources that have previously gone unexamined, Muir revises our understanding of the evolution and sociology of blues at its inception.
| Author | : Edward Komara |
| Publisher | : Routledge |
| Total Pages | : 1274 |
| Release | : 2004-07-01 |
| Genre | : Music |
| ISBN | : 1135958319 |
The Blues Encyclopedia is the first full-length authoritative Encyclopedia on the Blues as a musical form. While other books have collected biographies of blues performers, none have taken a scholarly approach. A to Z in format, this Encyclopedia covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues, including race and gender issues. Special attention is paid to discographies and bibliographies.
| Author | : Paul Oliver |
| Publisher | : Cambridge University Press |
| Total Pages | : 356 |
| Release | : 1984-09-27 |
| Genre | : Music |
| ISBN | : 9780521269421 |
Paul Oliver rediscovers the wealth of neglected vocal traditions represented on Race records.
