Bodies in Commotion
Author | : Carrie Sandahl |
Publisher | : University of Michigan Press |
Total Pages | : 348 |
Release | : 2009-12-23 |
Genre | : Fiction |
ISBN | : 0472068911 |
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Author | : Carrie Sandahl |
Publisher | : University of Michigan Press |
Total Pages | : 348 |
Release | : 2009-12-23 |
Genre | : Fiction |
ISBN | : 0472068911 |
Author | : Philip Auslander |
Publisher | : University of Michigan Press |
Total Pages | : 296 |
Release | : 2006 |
Genre | : Music |
ISBN | : 9780472068685 |
Explores the many ways glam rock paved the way for new explorations of identity in terms of gender, sexuality, and performance
Author | : Philip Auslander |
Publisher | : University of Michigan Press |
Total Pages | : 305 |
Release | : 2021-01-04 |
Genre | : Music |
ISBN | : 0472054716 |
The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
Author | : Philip Auslander |
Publisher | : Routledge |
Total Pages | : 191 |
Release | : 2002-09-11 |
Genre | : Performing Arts |
ISBN | : 1134642989 |
In Liveness Philip Auslander addresses what may be the single most important question facing all kinds of performance today: What is the status of live performance in a culture dominated by mass media? By looking at specific instances of live performance such as theatre, rock music, sport and courtroom testimony, Liveness offers penetrating insights into media culture. This provocative book tackles some of the enduring 'sacred truths' surrounding the high cultural status of the live event.
Author | : Philip Auslander |
Publisher | : University of Michigan Press |
Total Pages | : 149 |
Release | : 2018-05 |
Genre | : Art |
ISBN | : 047205385X |
Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation as a specific discursive use of media that arose in the middle of the 20th century alongside such forms of performance as the Happening and that is different, both discursively and as a practice, from traditional theater and dance photography. Philip Auslander explores the phenomenal relationship between the spectator who experiences the performance from the document and the document itself. The document is not merely a secondary iteration of the original event but a vehicle that gives us meaningful access to the performance itself as an artistic work.
Author | : Monica Hand |
Publisher | : Alice James Books |
Total Pages | : 98 |
Release | : 2016-05-30 |
Genre | : Poetry |
ISBN | : 1938584929 |
"Monica Hand's me and Nina is a beautiful book by a soul survivor. In these poems she sings deep songs of violated intimacy and the hard work of repair. The poems are unsentimental, blood-red, and positively true, note for note, like the singing of Nina Simone herself. Hand has written a moving, deeply satisfying, and unforgettable book."—Elizabeth Alexander In an intimate conversation with the "High Priestess of Soul," Monica A. Hand surveys the places and moods of alienation through poems that are as musical and stylistically diverse as Nina Simone's work. Hand readily embraces a "mass hypnosis" style, putting "a spell on [us]" with her intensely passionate cries and commitment to embracing both tragedy and exuberance in these insightful poems. From "Dear Nina": I am not recession depression oppression compression crooked line broken line polka dot parking lot or spot I am a Gift from God I know that I am an un-kept solo song Monica A. Hand is a poet and book artist currently living in Harlem, New York. Her poems have appeared or are forthcoming in Aunt Chloe, Black Renaissance Noire, The Sow's Ear, Drunken Boat, Beyond the Frontier, African-American Poetry for the 21st Century, Gathering Ground: A Reader Celebrating Cave Canem's First Decade, and elsewhere. She holds an MFA in poetry and poetry in translation from Drew University and is a founding member of Poets for Ayiti.
Author | : Carrie Sandahl |
Publisher | : University of Michigan Press |
Total Pages | : 348 |
Release | : 2009-12-10 |
Genre | : Performing Arts |
ISBN | : 0472021729 |
"A testament to the synergy of two evolving fields. From the study of staged performances to examinations of the performing body in everyday life, this book demonstrates the enormous profitability of moving beyond disability as metaphor. . . . It's a lesson that many of our cultural institutions desperately need to learn." -Martin F. Norden, University of Massachusetts-Amherst This groundbreaking collection imagines disabled bodies as "bodies in commotion"-bodies that dance across artistic and discursive boundaries, challenging our understanding of both disability and performance. In the book's essays, leading critics and artists explore topics that range from theater and dance to multi-media performance art, agit-prop, American Sign Language theater, and wheelchair sports. Bodies in Commotion is the first collection to consider the mutually interpretive qualities of these two emerging fields, producing a dynamic new resource for artists, activists, and scholars.
Author | : Kristen Iversen |
Publisher | : Crown |
Total Pages | : 434 |
Release | : 2013-06-04 |
Genre | : Biography & Autobiography |
ISBN | : 0307955656 |
“An intimate and deeply human memoir that shows why we should all be concerned about nuclear safety, and the dangers of ignoring science in the name of national security.”—Rebecca Skloot, #1 New York Times bestselling author of The Immortal Life of Henrietta Lacks A shocking account of the government’s attempt to conceal the effects of the toxic waste released by a secret nuclear weapons plant in Colorado and a community’s vain search for justice—soon to be a feature documentary Kristen Iversen grew up in a small Colorado town close to Rocky Flats, a secret nuclear weapons plant once designated "the most contaminated site in America." Full Body Burden is the story of a childhood and adolescence in the shadow of the Cold War, in a landscape at once startlingly beautiful and--unknown to those who lived there--tainted with invisible yet deadly particles of plutonium. It's also a book about the destructive power of secrets--both family and government. Her father's hidden liquor bottles, the strange cancers in children in the neighborhood, the truth about what was made at Rocky Flats--best not to inquire too deeply into any of it. But as Iversen grew older, she began to ask questions and discovered some disturbing realities. Based on extensive interviews, FBI and EPA documents, and class-action testimony, this taut, beautifully written book is both captivating and unnerving.
Author | : Elizabeth Bearden |
Publisher | : University of Michigan Press |
Total Pages | : 285 |
Release | : 2019-01-04 |
Genre | : Literary Criticism |
ISBN | : 0472131125 |
Monstrous Kinds is the first book to explore textual representations of disability in the global Renaissance. Elizabeth B. Bearden contends that monstrosity, as a precursor to modern concepts of disability, has much to teach about our tendency to inscribe disability with meaning. Understanding how early modern writers approached disability not only provides more accurate genealogies of disability, but also helps nuance current aesthetic and theoretical disability formulations. The book analyzes the cultural valences of early modern disability across a broad national and chronological span, attending to the specific bodily, spatial, and aesthetic systems that contributed to early modern literary representations of disability. The cross section of texts (including conduct books and treatises, travel writing and wonder books) is comparative, putting canonical European authors such as Castiglione into dialogue with transatlantic and Anglo-Ottoman literary exchange. Bearden questions grand narratives that convey a progression of disability from supernatural marvel to medical specimen, suggesting that, instead, these categories coexist and intersect.
Author | : Peter Bently |
Publisher | : Scholastic UK |
Total Pages | : 37 |
Release | : 2016-10-06 |
Genre | : Juvenile Fiction |
ISBN | : 1407179381 |
A hilarious new picture book by Roald Dahl Funny Prize winner Peter Bently. Little witch Betty makes a big mess when she tries her hand at cooking. Into the cauldron goes everything from strawberry jam to slices of ham! Betty's potion keeps on growing and growing and soon it's spreading all over town. But when a hungry dragon arrives on the scene, can Betty's brew save the day? A spellbinding tale of magical mishaps!