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| Author | : Michael C. Schoenfeldt |
| Publisher | : Cambridge University Press |
| Total Pages | : 224 |
| Release | : 1999 |
| Genre | : Literary Criticism |
| ISBN | : 9780521669023 |
Explores the close relationship between inner psychology and bodily processes as represented in English Renaissance poetry.
| Author | : Eve Keller |
| Publisher | : University of Washington Press |
| Total Pages | : 261 |
| Release | : 2011-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 0295990767 |
Generating Bodies and Gendered Selves examines the textured interrelations between medical writing about generation and childbirth - what we now call reproduction - and emerging notions of selfhood in early modern England. At a time when medical texts first appeared in English in large numbers and the first signs of modern medicine were emerging both in theory and in practice, medical discourse of the body was richly interwoven with cultural concerns. Through close readings of a wide range of English-language medical texts from the mid-sixteenth to the early eighteenth centuries, from learned anatomies and works of observational embryology to popular books of physic and commercial midwifery manuals, Keller looks at the particular assumptions about bodies and selves that medical language inevitably enfolds. When wombs are described as "free" but nonetheless "bridled" to the bone; when sperm, first seen in the seventeenth century by the aid of the microscope, are imagined as minute "adventurers" seeking a safe spot to be "nursed": and when for the first time embryos are described as "freeborn," fully "independent" from the females who bear them, the rhetorical formulations of generating bodies seem clearly to implicate ideas about the gendered self. Keller shows how, in an age marked by social, intellectual, and political upheaval, early modern English medicine inscribes in the flesh and functioning of its generating bodies the manifold questions about gender, politics, and philosophy that together give rise to the modern Western liberal self - a historically constrained (and, Keller argues, a historically aberrant) notion of the self as individuated and autonomous, fully rational and thoroughly male. An engagingly written and interdisciplinary work that forges a critical nexus among medical history, cultural studies, and literary analysis, Generating Bodies and Gendered Selves will interest scholars in early modern literary studies, feminist and cultural studies of the body and subjectivity, and the history of women's healthcare and reproductive rights.
| Author | : Alanna Skuse |
| Publisher | : Cambridge University Press |
| Total Pages | : 211 |
| Release | : 2021-02-18 |
| Genre | : History |
| ISBN | : 1108843611 |
Implements stories of surgical alteration to consider how early modern individuals conceived the relationship between body, mind, and self.
| Author | : Gideon Manning |
| Publisher | : Springer Nature |
| Total Pages | : 202 |
| Release | : 2020-04-06 |
| Genre | : Science |
| ISBN | : 3030393755 |
This book reconnects health and thought, as the two were treated together in the seventeenth century, and by reuniting them, it adds a significant dimension to our historical understanding. Indeed, there is hardly a single early modern figure who took a serious interest in one but not the other, with their attitudes toward body-mind interaction often revealed in acts of self-diagnosis and experimentation. The essays collected here specifically reveal the way experiment and especially self-experiment, combined with careful attention to the states of mind which accompany states of body, provide a new means of assessing attitudes to body-mind interactions just as they show the abiding interest and relevance of source material typically ignored by historians of science and historians of philosophy. In the surviving records of such experimenting on one’s own body, we can observe leading figures like Francis Bacon, Robert Boyle and Robert Hooke, deliberately setting out to repeat pleasurable, or intellectually productive moods and states of mind, by applying the same medicine on successive occasions. In this way we can witness theories of the working of the human mind being developed by key members of an urban culture (London; interregnum Oxford) who based those theories in part on their own regular, long-term use of self-administered, mind-altering substances. It is hardly an overstatement to claim that there was a significant drug culture in the early modern period linked to self-experimentation, new medicines, and the new science. This is one of the many things this volume has to teach us.
| Author | : Gina Bloom |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 286 |
| Release | : 2013-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 0812201310 |
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
| Author | : Jonathan Sawday |
| Publisher | : Routledge |
| Total Pages | : 382 |
| Release | : 2013-10-16 |
| Genre | : Art |
| ISBN | : 1134526423 |
An outstanding piece of scholarship and a fascinating read, The Body Emblazoned is a compelling study of the culture of dissection the English Renaissance, which informed intellectual enquiry in Europe for nearly two hundred years. In this outstanding work, Jonathan Sawday explores the dark, morbid eroticism of the Renaissance anatomy theatre, and relates it to not only the great monuments of Renaissance art, but to the very foundation of the modern idea of knowledge. Though the dazzling displays of the exterior of the body in Renaissance literature and art have long been a subject of enquiry, The Body Emblazoned considers the interior of the body, and what it meant to men and women in early modern culture. A richly interdisciplinary work, The Body Emblazoned re-assesses modern understanding of the literature and culture of the Renaissance and its conceptualization of the body within the domains of the medical and moral, the cultural and political.
| Author | : Gail Kern Paster |
| Publisher | : Cornell University Press |
| Total Pages | : 308 |
| Release | : 2018-09-05 |
| Genre | : Literary Criticism |
| ISBN | : 1501724495 |
Men and women in early modern Europe experienced their bodies very differently from the ways in which contemporary men and women do. In this challenging and innovative book, Gail Kern Paster examines representations of the body in Elizabethan-Jacobean drama in the light of humoral medical theory, tracing the connections between the history of the visible social body and the history of the subject's body as experienced from within. Focusing on specific bodily functions and on changes in the forms of embarrassment associated with them, Paster extends the insights of such critics and theorists as Mikhail Bakhtin, Norbert Elias, and Thomas Laqueur. She first surveys comic depictions of incontinent women as "leaky vessels" requiring patriarchal management and then considers the relation between medical bloodletting practices and the gender implications of blood symbolism. Next she relates the practice of purging to the theme of shame and assays ideas about pregnancy, childbirth, and nursing in medical and other nonliterary texts. Paster then turns to the use of reproductive processes in the plot structures of key Shakespeare plays and in Dekker's, Ford's, and Rowley's Witch of Edmonton. Including twelve vivid illustrations, The Body Embarrassed will be fascinating reading for students and scholars in the fields of Renaissance studies, gender studies, literary theory, the history of drama, and cultural history.
| Author | : Jonathan Gil Harris |
| Publisher | : Cambridge University Press |
| Total Pages | : 222 |
| Release | : 1998-05-07 |
| Genre | : History |
| ISBN | : 9780521594059 |
Jonathan Gil Harris examines the origins of modern discourses of social pathology in Elizabethan and Jacobean medical and political writing. Plays, pamphlets and political treatises of this period display an increasingly xenophobic tendency to attribute England's ills to 'foreign bodies' such as Jews, Catholics and witches, as well as treat their allegedly 'poisonous' features for the health of the body politic. Harris argues that this tendency resonates with two of the distinctive paradigms of Paracelsus' pharmacy which also includes the notion that poison has a medicinal power. The emergence of these paradigms in early modern English political thought signals a decisive shift from Galenic humoral tradition towards twentieth-century politico-medical discourses of 'infection' and 'containment', which, like their early modern predecessors, make mysterious the domestic origins of social conflict and the operations of political authority.
| Author | : Jan Frans van Dijkhuizen |
| Publisher | : BRILL |
| Total Pages | : 545 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 9004172475 |
The early modern period is a particularly fascinating chapter in the history of pain. This volume investigates early modern constructions of physical pain from a variety of disciplines, including religious, legal and medical history, literary criticism, philosophy, and art history.
| Author | : Allison P. Hobgood |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 9780814212158 |
While early modern selfhood has been explored during the last two decades via a series of historical identity studies involving class, race and ethnicity, and gender and sexuality, until very recently there has been little engagement with disability and disabled selves in sixteenth- and seventeenth-century England. This omission is especially problematic insofar as representations of disabled bodies and minds serve as some of the signature features in English Renaissance texts. Recovering Disability in Early Modern England explores how recent conversations about difference in the period have either overlooked or misidentified disability representations. It also presents early modern disability studies as a new theoretical lens that can reanimate scholarly dialogue about human variation and early modern subjectivities even as it motivates more politically invested classroom pedagogies. The ten essays in this collection range across genre, scope, and time, including examinations of real-life court dwarfs and dwarf narrators in Edmund Spenser's poetry; disability in Aphra Behn's assessment of gender and femininity; disability humor, Renaissance jest books, and cultural ideas about difference; madness in revenge tragedies; Spenserian allegory and impairment; the materiality of literary blindness; feigned disability in Jonsonian drama; political appropriation of Richard III in the postcommunist Czech Republic; the Book of Common Prayeras textual accommodation for cognitive disability; and Thomas Hobbes's and John Locke's inherently ableist conceptions of freedom and political citizenship.
