Bob Dylan On Film
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| Author | : C. P. Lee |
| Publisher | : Helter Skelter Publishing |
| Total Pages | : 240 |
| Release | : 2000 |
| Genre | : Actors |
| ISBN | : |
Using Archive research and fresh interviews, CP Lee, author of the highly acclaimed Like The Night, traces Dylan's celluloid obsession from his teenage adulation of James Dean through his involvement in groundbreaking documnetaries like Don't Look Back and his enigmatic appearance in Peckinpah's Pat Garratt and Billy The Kid before looking in depth at Dylan produced movies like Renaldo and Clara, and Hearts on Fire. Also includes a full analysis of all Dylan's appearances in Film and TV.
| Author | : Jonathan Hodgers |
| Publisher | : Taylor & Francis |
| Total Pages | : 237 |
| Release | : 2024-05-03 |
| Genre | : Music |
| ISBN | : 0429997574 |
In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera. Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.
| Author | : Clinton Heylin |
| Publisher | : Lesser Gods |
| Total Pages | : 320 |
| Release | : 2017-11-14 |
| Genre | : Music |
| ISBN | : 9781944713294 |
Between 1979 and 1981, Dylan produced and released three of his most controversial albums--Slow Train Coming, Saved, and Shot of Love--toured the world, and played the most contentious shows of his career. Remarkably, this entire period was perhaps the most fastidiously well-documented of his career, with every studio session, every live show, and every single rehearsal recorded on Dylan's behalf. For the first time, that material has been excavated, reviewed, and accessed by "perhaps the world's leading authority on all things Dylan" (Rolling Stone). Serving as an invaluable companion to the latest Sony Bootleg Series (November 2017), Trouble in Mind is the first book to focus on the life and works of Dylan as a born-again Christian from the perspective of both his artistic growth and the development of his eschatological worldview. It will draw on previously undocumented song drafts, rehearsal tapes, and new interviews with engineers, musicians, and girlfriends. Aside from his definitive biography, Dylan Behind the Shades (Simon & Schuster, 1991; new edition HarperCollins, 2001), which remains in print more than twenty years after publication, Clinton Heylin has published multiple books on Dylan. He has been an invited speaker at Dylan conventions around the world and was chosen as the annotator of the 2013 forty-nine CD box set Dylan's Complete Columbia Recordings by Sony, for which he was nominated for the 2014 ASCAP Drew Taylor Award.
| Author | : Bob Dylan |
| Publisher | : Simon and Schuster |
| Total Pages | : 309 |
| Release | : 2011-07-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 0857209582 |
WINNER OF THE NOBEL PRIZE IN LITERATURE The celebrated first memoir from arguably the most influential singer-songwriter in the country, Bob Dylan. 'I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.' So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan’s eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan’s New York is a magical city of possibilities - smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book’s side trips to New Orleans, Woodstock, Minnesota, and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times. By turns revealing, poetical, passionate, and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan’s thoughts and influences. Dylan’s voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art. 'Chronicles stunned everyone . . . [it's] clear, apparently frank, unremittingly serious about his musical influences and exquisitely written. It is, in fact, a masterpiece' Sunday Times 'Entertaining and surprisingly deprecating... The book's structure is elegant . . . Chronicles is tautly written, vividly cinematic, and funny . . . a courageous little book' Financial Times 'There is something on every page, in every paragraph, that demands attention . . . In rock and roll terms, this book is like discovering the lost diaries of Shakespeare. It may be the most extraordinarily intimate autobiography by a 20th-century legend' Daily Telegraph
| Author | : Louie Kemp |
| Publisher | : Westrose Press |
| Total Pages | : 0 |
| Release | : 2019-08-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781733001212 |
"'It was at summer camp in northern Wisconsin in 1953 that I first met Bobby Zimmerman from Hibbing. He was twelve years old and he had a guitar. He would go around telling everybody that he was going to be a rock-and-roll star. I was eleven and I believed him.' So begins this honest, funny, and deeply affectionate memoir of a friendship that has spanned five decades of wild adventures, soul searching conversation, musical milestones, and enduring comradery. As Bobby Zimmerman became Bob Dylan and Louie Kemp built a successful international business, their lives diverged but their friendship held fast. No matter how much time passed between one adventure and the next, the two "boys from the North Country" picked up where they left off and shared experiences that will surprise and delight Dylan fans and anybody who loves a rollicking-good rock-and-roll memoir."--Dust jacket flap.
| Author | : Elijah Wald |
| Publisher | : Dey Street Books |
| Total Pages | : 0 |
| Release | : 2016-06-14 |
| Genre | : Music |
| ISBN | : 9780062366696 |
One of the music world’s pre-eminent critics takes a fresh and much-needed look at the day Dylan “went electric” at the Newport Folk Festival, timed to coincide with the event’s fiftieth anniversary. On the evening of July 25, 1965, Bob Dylan took the stage at Newport Folk Festival, backed by an electric band, and roared into his new rock hit, Like a Rolling Stone. The audience of committed folk purists and political activists who had hailed him as their acoustic prophet reacted with a mix of shock, booing, and scattered cheers. It was the shot heard round the world—Dylan’s declaration of musical independence, the end of the folk revival, and the birth of rock as the voice of a generation—and one of the defining moments in twentieth-century music. In Dylan Goes Electric!, Elijah Wald explores the cultural, political and historical context of this seminal event that embodies the transformative decade that was the sixties. Wald delves deep into the folk revival, the rise of rock, and the tensions between traditional and groundbreaking music to provide new insights into Dylan’s artistic evolution, his special affinity to blues, his complex relationship to the folk establishment and his sometime mentor Pete Seeger, and the ways he reshaped popular music forever. Breaking new ground on a story we think we know, Dylan Goes Electric! is a thoughtful, sharp appraisal of the controversial event at Newport and a nuanced, provocative, analysis of why it matters.
| Author | : Clinton Heylin |
| Publisher | : Little, Brown |
| Total Pages | : 559 |
| Release | : 2021-05-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 0316535230 |
From the world's leading authority on Bob Dylan comes the definitive biography that promises to transform our understanding of the man and musician—thanks to early access to Dylan's never-before-studied archives. In 2016 Bob Dylan sold his personal archive to the George Kaiser Foundation in Tulsa, Oklahoma, reportedly for $22 million. As the boxes started to arrive, the Foundation asked Clinton Heylin—author of the acclaimed Bob Dylan: Behind the Shades and 'perhaps the world's authority on all things Dylan' (Rolling Stone)—to assess the material they had been given. What he found in Tulsa—as well as what he gleaned from other papers he had recently been given access to by Sony and the Dylan office—so changed his understanding of the artist, especially of his creative process, that he became convinced that a whole new biography was needed. It turns out that much of what previous biographers—Dylan himself included—have said is wrong. With fresh and revealing information on every page A Restless, Hungry Feeling tells the story of Dylan's meteoric rise to fame: his arrival in early 1961 in New York, where he is embraced by the folk scene; his elevation to spokesman of a generation whose protest songs provide the soundtrack for the burgeoning Civil Rights movement; his alleged betrayal when he 'goes electric' at Newport in 1965; his subsequent controversial world tour with a rock 'n' roll band; and the recording of his three undisputed electric masterpieces: Bringing it All Back Home, Highway 61 Revisited and Blonde on Blonde. At the peak of his fame in July 1966 he reportedly crashes his motorbike in Woodstock, upstate New York, and disappears from public view. When he re-emerges, he looks different, his voice sounds different, his songs are different. Clinton Heylin's meticulously researched, all-encompassing and consistently revelatory account of these fascinating early years is the closest we will ever get to a definitive life of an artist who has been the lodestar of popular culture for six decades.
| Author | : Larry Sloman |
| Publisher | : Crown Archetype |
| Total Pages | : 498 |
| Release | : 2010-06-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307539148 |
Hailed as “the War and Peace of rock and roll” by Bob Dylan himself, this is the ultimate backstage pass to Dylan’s legendary 1975 tour across America—by a former Rolling Stone reporter prominently featured in Martin Scorsese’s Netflix documentary Rolling Thunder Revue: A Bob Dylan Story. In 1975, as Bob Dylan emerged from eight years of seclusion, he dreamed of putting together a traveling music show that would trek across the country like a psychedelic carnival. The dream became reality, and On the Road with Bob Dylan is the behind-the-scenes look at what happened when Dylan and the Rolling Thunder Revue took to the streets of America. With the intimate detail of a diary, Larry “Ratso” Sloman’s mesmerizing account both transports us to a celebrated period in rock history and provides us with a vivid snapshot of Dylan during this extraordinary time. This reissue of the 1978 classic resonates more than ever as it chronicles one of the most glittering rock circuses ever assembled, with a cast that includes Joan Baez, Robbie Robertson, Joni Mitchell, Allen Ginsberg, Ramblin’ Jack Elliott, and a wild entourage of groupies, misfits, sinners, and saints who trailed along for the ride. Sloman candidly captures the all-night revelry and musical prowess—from the backstage antics to impromptu jams—that made the tour a nearly mystical experience. Complete with vintage photos and a new introduction by renowned Texas musician, mystery writer, and Revue member Kinky Friedman, this is an unparalleled treat for Dylan fans old and new. Without question, On the Road with Bob Dylan is a remarkable, revealing piece of writing and a rare up-close and personal view of Dylan on tour.
| Author | : Bob Dylan |
| Publisher | : Simon and Schuster |
| Total Pages | : 429 |
| Release | : 2022-11-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1451648723 |
The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One—and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.
| Author | : Bob Dylan |
| Publisher | : Simon and Schuster |
| Total Pages | : 166 |
| Release | : 2008-06-23 |
| Genre | : Poetry |
| ISBN | : 1439107661 |
WINNER OF THE NOBEL PRIZE IN LITERATURE Music legend Bob Dylan's only work of fiction—a combination of stream of consciousness prose, lyrics, and poetry that gives fans insight into one of the most influential singer-songwriters of our time. Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and offers unique insight into Dylan's creative evolution, capturing the stream-of-consciousness preoccupations of the legendary folk poet and his eclectic, erudite cool at a crucial juncture in his artistic development. It has since been welcomed into the Dylan canon, as Dylan himself has cemented his place in the cultural imagination, inspiring Todd Haynes’s acclaimed 2007 musical drama I’m Not There, selling more than 100 million records, and winning numerous prizes, including the Nobel Prize for Literature in 2017. In his acceptance speech for the Nobel, Dylan acknowledged the early influence on his work of Buddy Holly and Lead Belly as well as of wide-ranging classics like Don Quixote, All Quiet on the Western Front, and Moby Dick. Tarantula is a rare chance to see Dylan at a moment in which he was still deeply connected to his country roots and a folk vernacular while opening himself up to the influence of French 19th-century Surrealist writers like Arthur Rimbaud and the Comte de Lautreamont. A decade before the confessional singer-songwriter who would create the 1975 epic, Blood on the Tracks—which was just optioned by filmmaker Luca Guadagnino—here is Dylan at his most verbally playful and radically inventive. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music—a spirit of protest, a poetic spontaneity, and a chronicling of the eccentric and the everyday—which continue to make him a beloved artist and cultural icon.
